#1
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Adirondack compromise sound?
To my ear, a D18 has a crisper/clearer sound than a D 28.
And it is hard to give that up, once you've become accustomed to it. I have also found a cedar top to have a crisper sound than Sitka spruce. Now admittedly, this could be all in my imagination. From what I've read, I have started to wonder if the Adirondack spruce top creates a sound/feel somewhere between a regular D18 and a D28. And by that I mean some of the clarity of the D 18 but also some of the fullness of the D-28. Comments?
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D18S 1969 D18 1974 D18 2004 000-18 2015 D35 2011 Yamakis: 112, 118, 125, 225, 313, 331, 333 x 3, 335, 339; Yamaha FG 180; Takamine w/pickup; Classicals: Tamura, Garcia, Suzuki, Yamaha plus many electrics, mostly Strats. played for over 50 yrs; 20 of those full-time on a Tele. |
#2
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off other than to say to play before you pay.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above Last edited by rick-slo; 01-23-2018 at 06:37 PM. |
#3
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Adirondack compromise sound?
To my ears the Adirondack top will add volume, perhaps less sustain, more mid range. However one of my Adi tops is very scooped in the mid range. It all depends on the specific top on the specific guitar. But, usually, you can count on them being louder.
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"Lift your head and smile at trouble. You'll find happiness someday." |
#4
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I also wonder if you're hearing Mahogany vs. Rosewood. Because what you state is the exact difference I perceive between those 2 tonewoods.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#5
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Since D18 nor D28 are Sitka tops, an Adirondack guitar wouldn't sound like either one, and the clarity / fullness would be driven more by the bracing, builder, body size, body tonewood, etc. Adirondack is often characterized by more volume, headroom, and (sometimes) more clarity. But newer guitars can sound a little cold, compared to a comparable Sitka model.
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"It's only castles burning." - Neil Young |
#6
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Yep, the difference between mahogany and rosewood I think. I always prefer spruce for my guitars simply because it is crisper, sharper. But a good dear top for country blues or folk styles can give a lovely and warm sound.
Mahogany often is easier tor record than rosewood as it has a more fundamental tone and doesn't have quite the overtones in it. That doesn't make it an inferior wood but a different one. It sounds to me this would account for most of the differences between an 18 and a 28.
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#7
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thanks for replying Rick;
I just listed my D-35 because it just doesn't stand up to my Yamakis in terms of clarity and volume. Hence... my description as "soft". That said, I am certainly not giving up and will continue to watch for another D28 or D35.
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D18S 1969 D18 1974 D18 2004 000-18 2015 D35 2011 Yamakis: 112, 118, 125, 225, 313, 331, 333 x 3, 335, 339; Yamaha FG 180; Takamine w/pickup; Classicals: Tamura, Garcia, Suzuki, Yamaha plus many electrics, mostly Strats. played for over 50 yrs; 20 of those full-time on a Tele. |
#8
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Hi Pura;
Thanks for the reply. If you mean " the hog back and sides" creates more clarity than the "rosewood back and side"...maybe. It is food for thought and more experimenting. I have every combination one could think of (expect I don't believe I have any Brazilian but who knows. My experience with rosewoods is that they vary greatly. Some are stunningly beautiful. Others, not so much. One thing I may, admittedly be mistaken about is the Sitka. Perhaps this 2011 D35 is a different spruce? Any insight into this. I have an opportunity to swap for a Marquis but I am not fond of the soft V. Doug
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D18S 1969 D18 1974 D18 2004 000-18 2015 D35 2011 Yamakis: 112, 118, 125, 225, 313, 331, 333 x 3, 335, 339; Yamaha FG 180; Takamine w/pickup; Classicals: Tamura, Garcia, Suzuki, Yamaha plus many electrics, mostly Strats. played for over 50 yrs; 20 of those full-time on a Tele. |
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adirondack top sound |
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