#1
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Jazz Chord Question
I play country blues and country blues rags and I like to throw in diminished and sharp diminished 7th chords at times. To me it kind of ramps it up a bit and a fun place to go after playing a seventh chord and feeling a change.
Do you have any suggestions as to what other chords I might find fun and useful to use in this sick fashion?
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#2
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Minor 7
Try replacing some of your tonic chords with a 6th. Add a few minor 7th.
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"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#3
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Yep - major 6th chords were a staple of backing guitars and lap steels back in Hank Williams Sr.'s day...
"Occasionally" you may be able to add a major 7 chord to a ballad if it works... same for dominant 7/9 chords. Adding 6ths and or 9ths can add color, as well - on both major and minor chords - but, you always have to "Serve the Song" or it's gonna stick out like a sore thumb!
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#4
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Try the tritone substitution (substituting a dominant 7th chord that is a tritone away from the V7 before resolving to the I chord).
If the song is in the key of C you could fit it in like this... Without the tritone sub: C / / / / F / / / / G / / / / C / / / / With the tritone sub: C / / / / F / / / / G C#7 / / / / C / / / / |
#5
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Yup, and they all learned it from Bob Wills.
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#6
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Thanks for your time guys. I'll be trying this stuff out. Thanks
__________________
Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#7
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Here is a walk up.
G6 (G bass on the 6th string) 2 beats Am7 (A bass on the 6th string) 1 beat Bbdim (Bb bass on the 6th string) 1beat G6 (B bass on the 6th string) 4 beats
__________________
"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#8
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Quote:
3x24xx 5x55xx 6x56xx 7x57xx For those who like this way of looking at it. The second string note can be added too, but this is the "meat and potatoes" |
#9
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That's it notes can be added on the second string if you want the full 4 note chord. But what is shown is what I use a lot.
__________________
"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#10
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Quote:
These shapes are so useful as they can all function as multiple things...honestly, with maybe the addition of 2-3 more, and a decade or so of practice, you can play swing rhythm with the best of 'em! |
#11
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You guys are great! Thanks
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#12
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Yes it did take around 10 years. I can now.
__________________
"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#13
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dunno what sharp diminished chord is but looking up diatonic theory and then stacking thirds is a good way to start.
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Larrivée OM-03R I bet yours doesnt sound half as good as mine does! |