#61
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Like at what price point would it no longer be an exceptionally fine instrument? Quote:
I am a Yamaha fan. I am not interested in this model simply due to the nut width and the string spacings at both the nut and the saddle. I have a brand new 10 month old LS6 waiting to see if I can alter these enough to satisfy my playing. Sorry not trying to rain on your NGD parades. I would love to see Yamaha rise above the "Bang for the Buck" category. |
#62
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They have
This guitar stands on its own. I have played dozens of guitars at local GCs, nothing sounds like this, and it is one of my favorites at any price.
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#63
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I tend to agree with gbaron in that I haven't played anything that feels and sounds quite like this FG180-50, among guitars I've both owned and sampled.
I've owned a Martin D-18 (1970), Yamaha FG180 (1972), Guild D-40 (1976), Taylor 714 (1995), Recording King RD06 (2014) and my current guitar, the recently redesigned Martin 000-18 (2015). I don't collect them -- I just keep moving on to the next guitar and selling the old one. Having the FG180-50 as a second guitar right now is unusual for me. I can still imagine the feel and sound of all the guitars I've left behind. (Isn't that a song -- All the girls I've left behind?) Each was different in some way. None had quite the sound of this FG180-50. Also, I think the comments about the relevance of price are interesting. My new $80 FG180 in 1970, for instance, would have sounded no different had it gone for $2,000. But for Yamaha to achieve what it did with that original FG180 for that price I think is remarkable. About that same time I had paid $320 for my new Martin D-18. So Martin had a lot more money to play with -- four times as much, to be exact. Doesn't make Martin's achievement any less significant, just different. For that matter, the $300 Recording King RD-06 I bought in 2014 was an amazing guitar, especially compared with the approximately $2,400 for a D-18 at that time. When you achieve more with fewer resources, I think that deserves special notice. |
#64
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So is the runout of the top that was reported earlier an intentional historical detail of this edition or is it an inconsistent flaw of individual instruments?
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#65
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the one post talked about his vintage 2010 yamaha. ????? how is 6 years old vintage. by the way i don't think one person said that the top is a.r.e. i have a ls16 with the are top and its amazing. Thats probably the biggest reason the 180 sounds so good.
Last edited by cooper59; 05-10-2016 at 06:43 PM. |
#66
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This
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All in all, a great package. There are a few still out there for purchase and trial in the home. Happy playing! |
#67
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As of a few minutes ago, Guitar Center still has these "In stock and ready to ship." Looks like the originally promised 180 limited production run has become an endless supply.
I finally got around to changing the factory strings, and wow, what a difference! I use a very light weight, flexible string -- Martin FX130 custom silk & phosphor .011-.047 -- and suddenly the guitar is very playable and sweet sounding to me. I know, I know -- this is like trying to make a dreadnought play like a 000. But even when I play a big guitar, I'm pretty easy-going. The factory strings sounded brassy to me. These Martins really bring out the beauty of this guitar, IMO. |
#68
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People tend to categorize things they want to buy into price ranges. Complaining about that is like complaining that the sun rises in the East rather than the West. Its silly. |
#69
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180 guitars for each country makes sense . . .
Yamaha sending 180 FG-180 50th Anniversary guitars to each country sounds ok to me. That would be a nice way to market the 50th Anniversary version of the 1966 FG-180. So, how many do they make in total? I guess we find out later in life.
mike |
#70
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Sigh, other countries don't necessarily get 180 pieces of this FG180-50 as our one of forum members heard from Yamaha rep. Singapore only has 10 pieces. I got the last one.
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Mcilroy A25 Yamaha LL-16 12 Strings Yamala LL-TA Headway HD113 STD Tanglewood TW-15 DLX Alhambra 5PA-PT (classical) |
#71
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I just had an owner sent this guitar to me for me for enhancement work.
Firstly it looks like a plain jane but once i took one strum...i was like wow wow wow...too bad its all sold out in Singapore. well made and its built very lightly. lots of low end and it sound likes its aged ..which could be due to the ARE technology applied on the top and not forgetting the scallop bracing. They should be making more of this. The neck is way more beefy as compared to the L series which explains as this added the sustain .. I did a video with my Audio Techica Condenser Mic... https://www.youtube.com/watch?v=Bu9i...ature=youtu.be let me know what do you think about it ... cheers jarvis |
#72
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It looks beautiful! Congrats!
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SCGC Custom OM Mars spruce/cocobolo |
#73
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Keep up the good work with the reviews!
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Yamaha FG 180 50th Anniversary |
#74
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Yeah, great review Jarvis
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#75
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Nice review Jarvis! I'm planning to have a bone but and saddle installed on mine. Not a fan of the plastic bridge pins either, so might swap them for ebony or water buffalo.
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