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wholeheartedly agree with all of the above ^^^^
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amyFb Huss & Dalton CM McKnight MacNaught Breedlove Custom 000 Albert & Mueller S Martin LXE Voyage-Air VM04 Eastman AR605CE |
#152
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#153
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There is not one single instance in the approximately 10,000 fiddle tunes, songs, parts that I've played over the years where the music has stayed the same and not grown, if note in the notes, at least in depth of understanding and expression. They are played today with the benfit of time and experience. Music grows on (in) you... As to practice vs. playing I find the approaches differ in outlook if nothing else. I've never really "practiced" outside of perhaps rehearsing with someone else. I play, I learn, I progress. I have no concept of "performance level". That seems like an arbitrary and very limiting construct. I accept what I can do today with the knowlege and hope that I can do as well or "better" tomorrow. I'll leave you with a story told to me by a great old fiddler/violinist who took me on as his guitar player when he was in his 70's and I in my 20's: An aspiring young violinist lived in a small apartment above a store-front shop in the town. Across the street above another shop lived an old violinist. Every day you could hear scales, arpeggios, etudes and such emanating from the young mans apartment while the only sound proceeding from the old mans apartment was an occasional long, sonorous C note. This drove the younger man to distraction until, one day, he ceased his musical labors, left his apartment, crossed the street and ascended to the second floor of the building opposite to knock on the old mans door. Introducing himself, he said: "I study and practice, study and practice all day, yet all you do is play the C note on the G string. What's up with that?" "Son", the old man replied, "You're looking for it. I've found it."
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. Last edited by Wyllys; 07-03-2017 at 11:00 AM. |
#154
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Not at all, Wyllys. I never took it to be personal. No worries there. I certainly appreciate the view of long experience as any learner should. Good story.
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) Last edited by SunnyDee; 07-03-2017 at 10:51 AM. |
#155
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In re left-handednss:
https://youtu.be/D_BzM-JeEmM Singer/songwriter/troubador Bill Staines is a lefty who plays a right-handed guitar "upside down". As such, his alternating bass finger-style is jst a tad different as his thumb takes melody notes on the treble strings. An amazing song writer and equally inspiring guitarist. Too bad it's just a photo and not a video...
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |
#156
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#157
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Here's a link to my favorite piece of his: https://youtu.be/nHayfrUIJDM Music starts about 4:10.
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |
#158
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This topic is already more than 10 pages, I'd best not get started on handedness or it'll be 20!
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#159
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Hi SunnyDee,
What are your goals? I'm guessing from reading that you want to write your own songs exclusively. If you fancy yourself as a composer you could forget learning to play the guitar and just paint the notes into a computer DAW program with the mouse. But assuming you want to learn guitar the business about learning songs would apply of course to your own compositions. You still need song stamina building up and technique good enough to not make any mistakes for a song of any length.
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Yamaha AC3M Acoustic Guitar Gretch G5220 Electromatic Squier Classic Vibe 50s Telecaster Squier Vintage Modified Telecaster Special Yamaha BB414 Bass |
#160
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) Last edited by SunnyDee; 07-03-2017 at 02:35 PM. |
#161
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |
#162
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I've seen you play live several times now, and I've seen you play the same song different times, and your performance is different each time; and I'm not talking about a different arrangement. There are parts of a song where, while you're playing, you seem to feel one thing and so you make something corresponding to that come out of the guitar; and other times where you'd do something different based on what you feel *then*. So when you are expressing yourself, when you are playing a tune and are varying from what you might have done when playing the same tune the night before, where does the ability to do that come from? What I'm imagining is that you hear in your head the music that you want to make, and you have the ability to know where to go on the neck to make those sounds happen. That's what I think of when I imagine "learning the fretboard" -- knowing (without having to think about it) what to do on the fretboard to make the notes or chords you want. And in this thread, I'm reading you and folks saying that one develops this instinct or unconscious knowledge or whatever through learning and playing songs, and I don't understand that. To me, when I'm learning and playing songs, I'm learning to do this thing at this time, and then that thing at that time, and so on -- which feels like a completely different thing from the improvisational, spur-of-the-moment sort of thing that happens in a solo or a fill. How does doing one lead to being able to do the other? I'm sorry if this seems obvious to you, or I seem slow to get it. I really am trying to understand.
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I need more time to play music. |
#163
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Quote:
https://www.youtube.com/watch?v=voPJENW6i4c
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I need more time to play music. |
#164
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"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#165
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Quote:
Edit: Speaking of things changing... https://youtu.be/Un-FO8iXCrA
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |