#151
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Hey Mau,
I listened to this first thing this morning and wasn't quite sure what I thought when it started out, not warm and fuzzy, I can say that...then the middle section started and I really started getting on board and by the end you had me. The beginning is definitely dark so I am glad you changed it up in the middle. This is one of the more complex/deep tunes you have done, at least for me. Thanks.
__________________
PS. I love guitars! |
#152
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I'm glad you enjoyed the chord progression. I was aiming for an intimate setting with a bit of tension -- so your description seems to fit with what I had in mind. Thanks for listening to the entire recording! Quote:
Quote:
I was aiming for a minimalist and cold approach -- especially in the first section but even during the "warmer" parts I still included a few elements of tension (e.g. the piece does not resolve entirely at the end). My previous tune was harmonically straightforward so I figured I needed to do something different for a change. |
#153
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Hi Mau,
Very nice song. I'm kind of at a loss as to why you are thanking folks for listening until the end; for me this is a high point of what you've shared on the forum.
__________________
Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#154
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That was lovely somehow. My cat curled up at my feet to take in the listen. She is very discerning when it comes to sound. She will often leave the room when I play. She gave you her blessing. So do I.
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#155
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I'm always a bit insecure when I publish a new composition and it's even worse when it's a semi-experimental piece. That being said, I spent quite a bit of time working on the chord progression and I'm glad that you enjoyed the result -- thanks so much for posting. Quote:
On a more serious note, thank you for listening. |
#156
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Wonderful Playing
Gosh, Mau, you're such a good player and composer.
Your music is art. It makes me pause and look at the world in a deeper way. Thank you for sharing, and well done!
__________________
My indulgences 2009 Petros Grand Concert Italian Spruce with Macassar Ebony, Gold Standard (Build) (My thoughts) 2009 Petros Finger Style Tunnel 13 Redwood with Walnut, 12 Fret, Gold Standard (Build) (My thoughts) I'm an unmet friend of the honest, hardworking, knowledgeable guitar builder. |
#157
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I'm usually in a fairly emotional state when I write a piece of music and become "normal" again once I'm finished. I haven't seen you post in a very long time and it's good to see that your signature still shows two Petros guitars... |
#158
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"Solitude" hauntingly beautiful I enjoyed it thanks for posting.
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Martin D-41 Eastman E10-OM SB |
#159
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Definitely a favorite of mine.
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Matt |
#160
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Thank you, gents.
This was one of my slightly more "introspective" pieces and I'm glad you enjoyed it. |
#161
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I like it Mau. I hear a bit more "polyphony" on this performance; the melody really stands out from the supporting notes...
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#162
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I'm currently taking a break from composing and have been practicing Andy McKee's "For My Father". New recording in a week or two... |