#16
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At least it's a taste one
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I'm always not thinking many more things than I'm thinking. I therefore ain't more than I am. Pickle: Gretsch G9240 "Alligator" wood-body resonator wearing nylguts (China, 2018?) Toon: Eastman Cabaret JB (China, 2022) Stanley: The Loar LH-650 (China, 2017) |
#17
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My little Everett Petite (his #618) has a removable sound port cover that attaches with an invisible magnet in place. His YouTube demo here... He calls the cover a "feedback buster..."
A very noticeable difference from the player's position with the cover in-place and not... I like it both ways. Aren't these pieces of playable art cool? Mark |
#18
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Cool cover, bro. I like the O ring, or perhaps, the one ring to bind them?
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#19
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Very nice design John. Way to go.
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#20
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Quote:
I certainly do appreciate that NTS
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Kinnaird Guitars |
#21
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Quote:
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Thanks J’aimoe
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Kinnaird Guitars |
#22
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Epilogue
I received the guitar today with the new sound port plug and I've been playing it for the past hour. Not only is the plug quite attractive, it precisely solves my issue.
Thank you, John, for doing this and thank you for finding a clever solution. The guitar sounds magnificent. It feels like you might have also tweaked the setup a bit to make it easier to play, although that might just be the fact that I've been playing other guitars in the meantime. I'm amazed and delighted. |
#23
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Kinnaird Guitars |
#24
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It decreases the bass response, which is better for live gigs and can be, for recording.
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