#16
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Clarence White is king followed by Rice and Grier, then comes Sutton and now Miss. Tuttle!
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Rick Schmidlin Don't Think Twice It's Alright |
#17
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I've been listening to Billy Strings a lot lately... I really like his style...clean, and full sound, without coming across as grandstanding... I've read he and Molly Tuttle are close friends & roommates, and I like her playing quite a bit, too... |
#18
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Here is one that is more representative of his playing. He's in a different genre than Rice, Blake, Sutton, etc but his abilities are on a par with those guys.
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#19
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This thread highlights how a piece of music can speak differently to different people.
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#20
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........tough crowd.
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Gibson J-185 (my one and only.) "Knowin' where you're goin' is mostly knowin' where you have been" Buc, from Me & Eddie |
#21
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The thing is, John Doyle is a monster rhythm guitarist. His work with Solas is just jaw-dropping. He is a good solo player, but he is one of the finest acompanists I have ever heard. A master of Irish rhythm and tasty chord substitutions.
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Bourgeois Aged Tone Vintage D Gibson CS 1958 Les Paul Std. Reissue Mason-Dixon FE 44 Combo Amp |
#22
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AND,,,, is it just me ? Or is his nasty brown guitar back to front , or upside down or something ?
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#23
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i will agree with you on your choice and my cup of tea also.
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#24
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I thought he was a very fine player. He's using his fingers here and there, along with the pick, as often do Tony Rice, David Grier, Bryan Sutton, etc. He's going a little deeper into a traditional direction with the tunes and groove. For a lot of people now days "flatpicking" just means bluegrass, and playing fast, mostly pretty straight feeling reels like Salt Creek and Billy In The Lowground with lots of blue notes. Hornpipes and jigs haven't caught on as much in the US for whatever reason.
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#25
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Jeepers creepers - don't want to start a war here, but it is a different genre. Note the triplets he's doing in Gooseberry Bush. Those don't happen in bluegrass.
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#26
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I've heard songs that I've liked better. His playing is very good. I'm sure he can play songs that I like too
It's a shame though that flat pickers are often judged by speed alone. Music isn't a race.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#27
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Love David Grier!
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Buscarino Starlight nylon, Martin 000C-RGTE, Godin nylon duet ambiance, Breedlove Bossa Nova, cedar/EIR, Breedlove SC-20, cedar/walnut, Ovation Nylon LX1773, CA Cargo, CA GX, Larrivee 00-03, sitka/hog |
#28
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Oh, do behave!
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#29
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While he's very good, and has a very nice amplified sound, it's a little too staccato for my taste.
Clarence White was always a favorite, but if I could flat pick half as well as Robert Bowlin I would never fingerpick again. https://youtu.be/1R4p5kV5o08 Howard http://howardemerson.com/product/the-wall-talks Last edited by Howard Emerson; 06-26-2017 at 04:59 AM. |
#30
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Whole hearted agreement here. I think John Doyle is the most powerful guitarist I've ever heard. I still remember a set he did ten or fifteen years ago with Chris Thile on the workshop stage at the Telluride Bluegrass Festival that left no doubt to his mastery. The audience literally would not let them off the stage.
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