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  #16  
Old 06-25-2017, 06:36 PM
Tone Monster Tone Monster is offline
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Clarence White is king followed by Rice and Grier, then comes Sutton and now Miss. Tuttle!
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  #17  
Old 06-25-2017, 06:48 PM
Denny B Denny B is offline
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Quote:
Originally Posted by mmasters View Post
This is more my cup of tea



I've been listening to Billy Strings a lot lately...

I really like his style...clean, and full sound, without coming across as grandstanding...

I've read he and Molly Tuttle are close friends & roommates, and I like her playing quite a bit, too...
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  #18  
Old 06-25-2017, 06:48 PM
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Here is one that is more representative of his playing. He's in a different genre than Rice, Blake, Sutton, etc but his abilities are on a par with those guys.

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  #19  
Old 06-25-2017, 06:48 PM
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This thread highlights how a piece of music can speak differently to different people.
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  #20  
Old 06-25-2017, 06:51 PM
Buc-a-Roo Buc-a-Roo is offline
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........tough crowd.
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  #21  
Old 06-25-2017, 07:04 PM
posternutbag posternutbag is offline
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The thing is, John Doyle is a monster rhythm guitarist. His work with Solas is just jaw-dropping. He is a good solo player, but he is one of the finest acompanists I have ever heard. A master of Irish rhythm and tasty chord substitutions.
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  #22  
Old 06-25-2017, 07:06 PM
Long Jon Long Jon is offline
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AND,,,, is it just me ? Or is his nasty brown guitar back to front , or upside down or something ?
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  #23  
Old 06-25-2017, 07:13 PM
ocmcook ocmcook is offline
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Quote:
Originally Posted by mmasters View Post
This is more my cup of tea

i will agree with you on your choice and my cup of tea also.
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  #24  
Old 06-25-2017, 07:36 PM
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I thought he was a very fine player. He's using his fingers here and there, along with the pick, as often do Tony Rice, David Grier, Bryan Sutton, etc. He's going a little deeper into a traditional direction with the tunes and groove. For a lot of people now days "flatpicking" just means bluegrass, and playing fast, mostly pretty straight feeling reels like Salt Creek and Billy In The Lowground with lots of blue notes. Hornpipes and jigs haven't caught on as much in the US for whatever reason.
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  #25  
Old 06-25-2017, 08:21 PM
Ergoetal Ergoetal is offline
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Jeepers creepers - don't want to start a war here, but it is a different genre. Note the triplets he's doing in Gooseberry Bush. Those don't happen in bluegrass.
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  #26  
Old 06-25-2017, 08:29 PM
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I've heard songs that I've liked better. His playing is very good. I'm sure he can play songs that I like too

It's a shame though that flat pickers are often judged by speed alone. Music isn't a race.
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  #27  
Old 06-26-2017, 01:58 AM
Kalani Kalani is offline
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Love David Grier!
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  #28  
Old 06-26-2017, 03:34 AM
Silly Moustache Silly Moustache is offline
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Quote:
Originally Posted by Long Jon View Post
AND,,,, is it just me ? Or is his nasty brown guitar back to front , or upside down or something ?
Oh, do behave!
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  #29  
Old 06-26-2017, 04:52 AM
Howard Emerson Howard Emerson is offline
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While he's very good, and has a very nice amplified sound, it's a little too staccato for my taste.

Clarence White was always a favorite, but if I could flat pick half as well as Robert Bowlin I would never fingerpick again.

https://youtu.be/1R4p5kV5o08

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Last edited by Howard Emerson; 06-26-2017 at 04:59 AM.
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  #30  
Old 06-26-2017, 05:05 AM
lweb10 lweb10 is offline
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Quote:
Originally Posted by posternutbag View Post
The thing is, John Doyle is a monster rhythm guitarist. His work with Solas is just jaw-dropping. He is a good solo player, but he is one of the finest acompanists I have ever heard. A master of Irish rhythm and tasty chord substitutions.
Whole hearted agreement here. I think John Doyle is the most powerful guitarist I've ever heard. I still remember a set he did ten or fifteen years ago with Chris Thile on the workshop stage at the Telluride Bluegrass Festival that left no doubt to his mastery. The audience literally would not let them off the stage.
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