#16
|
|||
|
|||
Quote:
I find that the music of the fine players you mentioned is still being played. Just not on MTV. I am of the opinion that there are great players in every genre of music from year 0 until today. |
#17
|
|||
|
|||
Furthermore, isn't the whole idea of music expressionism? To say 50 years of guitarists aren't worth being heard is really a jab at music itself. In my opinion anyway.
|
#18
|
|||
|
|||
Quote:
you listen to 70's music?? really?? That's way too new age for me. I'm a 60's guy myself ("Yellow Rose of Texas", "Battle Hymn of the Republic" , "Faded Coat of Blue", "Dixie" ECT.) anything after that and I'm lost |
#19
|
|||
|
|||
Benjamin Tod is one of my favorite players. He is in a band called lost dog street band. Who I believe to be him and his partner who plays fiddle. I don't know when they started but I believe it was sometime after 2000. Maybe even 2010. I thought I'd share this little song because I find it to be a good representation of good music still being made today. Maybe nobody will like it, I don't know- but I'm certain there is some music for everyone in the last 50 years.
https://youtu.be/NACMpkxm-fA And with his partner https://youtu.be/1xIDx7AxWVk |
#20
|
|||
|
|||
Anything post-Gregorian ain't worth the lute it's played on
__________________
Respectfully, Mike Taylor 415 --- Epiphone Texan --- Collings D1A --- Martin 5-15 --- etc Take a sad song and make it better. |
#21
|
|||
|
|||
That said, about 80% of what I play is twentieth-century
__________________
Respectfully, Mike Taylor 415 --- Epiphone Texan --- Collings D1A --- Martin 5-15 --- etc Take a sad song and make it better. |
#22
|
||||
|
||||
Quote:
__________________
Solo acoustic guitar videos: This Boy is Damaged - Little Watercolor Pictures of Locomotives - Ragamuffin |
#23
|
|||
|
|||
I can understand why some have strong opinions about liking music from a certain era. Much of what I like and play was from the 70s & 80s, but I do like some stuff from before and after that era.
Here's my current solo songlist. https://www.dropbox.com/s/ciqg83qrcg...list.xlsx?dl=0
__________________
2010 Taylor 814ce 2008 Taylor 816ce 2008 Taylor 426ce LTD (Tasmanian blackwood) LR Baggs Venue Ditto X2 Looper TC Helicon H1 Harmony Pedal Allen & Heath ZED 10FX LD Systems Maui 11 G2 Galaxy PA6BT Monitor iPad with OnSong JBL EON ONE Compact (typically only used as a backup) My Facebook Music Page My YouTube Page |
#24
|
|||
|
|||
I play a lot of newer stuff as I do quite a bit of weddings and it's mostly couples in their 20's. But I still enjoy the JT classics, Sting and some Sinatra!
__________________
Buscarino Starlight nylon, Martin 000C-RGTE, Godin nylon duet ambiance, Breedlove Bossa Nova, cedar/EIR, Breedlove SC-20, cedar/walnut, Ovation Nylon LX1773, CA Cargo, CA GX, Larrivee 00-03, sitka/hog |
#25
|
|||
|
|||
I'm lucky that I mostly get paid to play my songs but you've gotta read the audience and be prepared to change direction at the drop of a hat if your original game plan isn't working. Played 3 shows this weekend. Friday night was at a venue that usually goes nuts over our original material but Friday was a different crowd and a different mood so we ended up about 75% covers. Saturday night was the opposite at a different venue they wanted the originals do we played less than 10 covers during a 3 hour show. Yesterday's gig was 100% originals with no need for a cover thrown in. When choosing covers I try to choose something that will appeal to a broad range of people. I really don't play anything off of Top 40 radio from any genre because those songs haven't proven their sustainability yet. Most of them are on the charts and gone forever in 6 months, however if a newer song proves its got some legs to it then I'll add it to my list. The main thing with a cover is you want at least 75% of your audience singing along with you, otherwise the song hasn't engaged them and pulled them into the show. An engaged audience feels they have an emotional investment in the show and they stay longer, spend more money and get you hired again which equals more gigs for you.
__________________
'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#26
|
|||
|
|||
This is a pretty much weekly subject. I've posted my thoughts/observations on it many times. I have enjoyed a long, solid technical career that gives me enough time and money to pursue what I really enjoy in my somewhat limited spare time. Music in multiple forms is something I've pursued for over 40 years. My favorite musical activity is playing songs with friends just for our own enjoyment. No amps, mics, drunks, drama, etc. We cover a lot of bluegrass, old C&W, folk, jazz, some rock - whatever we feel like. I'm lucky there are 3 local acoustic musical organizations that have regular jams and festivals to participate in.
I also have a very low key performing schedule (maybe 3 paid gigs a month, most of them farmers markets, restaurants, some wineries and a few non-standard bars). It still has to be fun for me or its not worth doing. In my area, there are hundreds of musicians playing guitar at various levels of proficiency singing about 100 basic tunes that have been popular and well known for the past 50 years. Nothing wrong with that, its just not for me. I describe what I do as "obscure music on obscure instruments." I purposely don't play the standard covers. I rarely play guitar - usually I play mandola, octave mando or mandocello. Sometimes fiddle or banjo. I play music from the 1700's all the way up to current artists. Rarely anything that was a hit in its time. To the audience its all "originals", even ones I don't write, because unless you actively seek out new songs and artists you've never heard them before. So I like to give a little background on some tunes to describe the genre, or artist that wrote it, or the particular instrument I'm playing. This is a good fit for me and the places I choose to play. I'm a niche player in a niche market. But, I have very little competition in this market and as a result get asked to play more gigs than I have time for. |
#27
|
|||
|
|||
My wife and I play out regularly. We play multiple genres of music, and IMO, that makes us an Americana type duo.
They range wildly. Seriously. A few original, but mostly covers. A few of the bands whos songs we cover: Muddy Waters Alice in Chains Del McCoury Steve Earle Chris Stapleton/Steeldrivers Modern English Carolina Chocolate Drops Boston Son House Blind Willie McTell You get the idea. I was influenced by many styles growing up and if a song is interesting or fun we are willing to give it a shot
__________________
Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#28
|
||||
|
||||
Quote:
|
#29
|
|||
|
|||
about 90% originals with some covers that we really like and can do something fun with. They can be (and are) just about anything.
__________________
-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#30
|
|||
|
|||
In Austin, we are blessed with audiences that expect you to play originals. I have a couple of covers up my sleeve that I break out occasionally, acoustic renditions of a Bowie and a Spoon song, but otherwise my set list is 100% originals.
|