#16
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Gibson J-15 whm |
#17
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Walnut
I had a late 90's Breedlove that was Sitka over walnut and had a gorgeous warm tone. It was a great guitar but I wanted something a bit smaller.
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1995 Taylor 412 1995 Taylor 612C Custom, Spruce over Flamed Maple 1997 Taylor 710 1968 Aria 6815 12 String, bought new |
#18
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It's true that Oak is a very nice tone wood but its just not gotten the sexy press that rosewood and mahogany has garnered, over the last 100 years. There's a guy in Weaversville, NC., Lawrence K. Brown, that makes some of his L-00 versions in Oak back and sides, and they sound really good.
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Dump The Bucket On It! |
#19
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I’ve seen a few guitars around here built from oak. I’ve never played one though.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#20
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I don't know much about Oak, or tonewoods either really, but as for walnut, I have a weissenborn with walnut b/s and someone posted a beautiful walnut open back banjo over in the "other stringed instruments" section - It can look very, very nice.
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National Resophonic NRP 12 Fret Loar LH-700-VS Archtop Eastman E8-OM Herrmann Weissenborn Recording King RP-10 Recording King RG-35-SN Lapsteel Maton 425 12-string ESP 400 series telecaster Eastman T485 Deering Americana Banjo My Youtube |
#21
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I have a guitar made by Forum Member Steve Saville which has Oak Back and sides and a Lutz Spruce top. It is a small jumbo and it is a heavy guitar, but I think that is as much due to the way it is built than due to the intrinsic weight of the Oak.
Sonically, the guitar is just fine with a clear, balanced voice, perhaps somewhere between Mahogany and Rosewood. I'm going to try attaching a few pictures using the new method, so you can see that it is a fine looking guitar as well. (Didn't work. Something about a missing security token. I'll have to figure it out.)
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"Running out of time, standing still, Somethings gotta give, or nothing will." |
#22
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True though. Many people seem to hear with there eyes as in information from your eyes is relied on and believed over information from your ears. |
#23
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Rob |
#24
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bsman man wrote:
I'm a huge fan of walnut as a tonewood, North American black walnut and European/English walnut in particular. My first musical instrument was a mountain dulcimer with walnut back and sides and a spruce top, and one of my favorite guitars is a Larrivée OM-03W, with black walnut back and sides and an Engelmann spruce top. Howard Klepper built his interpretation of the Gibson Advanced design for me in black walnut and Carpathian spruce. It's a terrific guitar that uses the projective qualities of walnut to great advantage. whm |
#25
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I believe this will change...I believe walnut will become more and more popular in the coming years. It is a fine tone wood and it looks great.
I've never played an oak guitar, but it is an interesting subject. Why not? |
#26
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I love my circa 1915-20s oak Lyon & Healy parlor. But I am also nuts for Arts & Crafts furniture, like my Stickley Brothers.
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#27
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Martin 000-28 12 fret Adirondack Custom |
#28
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The Kinnaird crew made at least one in the past couple of years. There's a thread about it in the custom shop forum.
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Solo acoustic guitar videos: This Boy is Damaged - Little Watercolor Pictures of Locomotives - Ragamuffin |
#29
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#30
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I had an acoustic electric Takamine with an Oak back and sides about twenty five years ago. It had turquois fret markers as I recall. It sounded pretty good plugged in, but not so wonderful acoustically.
Like lots of guitars with more unusual woods, it looked beautiful but was not cut on the quarter. Slab cut is great to look at and that's about all I can say. . . . |