#61
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Joel, I'm really impressed by how quickly you learn new pieces! This thread's seriously one of my favorites.
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#62
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Unbelievable !!!! I believe congrats !! Just wish I could afford one. Oh well, dream on !
Congrats on an exceptional guitar ! John
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12 Fret Tinker Dread 12 Fret EJ Henderson Dread 12 Fret Hotrod Tricone 13 Fret Charis SJ Martin D-41 Halcyon 12 Fret 000 A&L Ami McIlroy A30c Taylor 610 LTD Martin DCPA1 Seagull Original Gretsch White Falcon Epi LP 60's Tribute Plus (Ebony) Epi LP 60's Tribute Plus (HC Burst) Epi Swingster Royale Gibson LP Trad Pro II Godin Exit 22 Last edited by psychojohn; 05-02-2016 at 07:04 AM. |
#63
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Stunning combination of guitar and performance. My hunch is that you would still sound great on a Kay.
Chris
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The Electrics check The Acoustics Tom Doerr - Trinity. Flamed Maple under Swiss Tom Doerr - M/D. Braz under Red |
#64
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Wooo - my head's spinning with all this tech talk, so thanks to these threads I've discovered, thanks to Dad-Gee (or D-Gad) experts - I don't need a FF to experiment with this, or any other tuning, thankfully for my wallets sake.
I've come to the conclusion scale vs string gauge is the answer, as Mr Pierre Bensusan obviously found out decades ago. Speaking of which, Quote:
I see Mr Bensusan gauge for DADGAD is - 13 17 23 32 42 56 and other brands are as good as the same - 13,17,24w,32w,42w,56w D'Addario EJ24 Phosphor Bronze, True Medium, 13-56 .013, .017, .024, .032, .042, .056 which states - “these gauges are optimal for DADGAD tuning” !!!!!!!!!!!! (there's that word again) some suggest - John Pearse New Mediums. They run 13, 17, 24, 32, 42, 55. does this suggest Mr Bensusan's (two) Lowdens soundboard & bracing system guitars with his chosen string gauge would be the real ‘optimised for dadgad’. Joe, great sound, what mic u using, did I see a small Apogee ?. couldn’t help but notice you guys must all be Clark Kent fans. And do you find the r/upper arm up off the l/b helps r/h hand position ?.
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I play an 'evolved' (modified) Cowboy guitar Not sent from my iPhone using Tapatalk |
#65
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Thanks guys. It sounds cliched but this guitar does give me a lot of inspiration, so I'm really enjoying learning new pieces & seeing what new sounds I get.
As for the DADGAD queries, those are probably best answered by the experts. Michael Watts and Michael Greenfield were incredibly helpful guiding me thru the process, and the result (which is all that matters) is a guitar that can handle the tunings I like to play in and is super comfortable to play. Westman - my previous videos used an Apogee MiC, which is a great little mic and makes for a simple setup. However, I recently treated myself to a pair of Neumann KM184s and an Apogee interface. That's what you're hearing in the most recent video here. And regarding the bevel, it does really help as its not a small guitar but it's very very comfortable to play. Have happily sat for hours at a time without any strain. Joel |
#66
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Quote:
Quote:
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#67
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Had a spare moment this afternoon to have another stab recording this lovely Monteverdi piece in DADGAD.
Enjoy! Joel https://youtu.be/YLpyiCn2Y_c |
#68
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Quote:
Very nice. You bring out the best in the guitar. Congrats.
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J Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#69
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Really Spectacular!
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#70
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Made a thread about this in the RECORD section but for sake of completeness, here's the latest recording on the Greenfield. This was a very quick attempt at testing mic placement & using zero eq for a more 'live' natural sound.
Enjoy |
#71
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One more, this time with the wife!
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#72
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WOW ZA!
She could win "The Voice" with that song and your accompaniment .
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2014 Paul ‘Woolson Signature, “the Samurai” 2014 Keystone MD Germ/ABW 2011 Huss & Dalton Custom OM M Ital/Snkr 1980 Nakade classical, Spruce/EIR and... a bunch of ukulele |
#73
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Somewhere Over the Rainbow
That performance sent shivers up my spine! You and your wife both have beautiful instruments. Thank you for sharing and please continue to do so.
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#74
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Thank you! I love simple arrangements like this - really makes it all about the voice.
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#75
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As James has said... I would imagine you have a job to be able to afford gear like that. You must have really good time management to be able to juggle that and playing so well! A very much well deserved instrument; keep the videos coming
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