#46
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I was just preparing to order those for GS Mini...hopefully they would fit without too much hassle. To me they look better than pretty much anything else.
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Cort AS-E4 Taylor GS Mini Mahogany -- |
#47
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Bane, they have a 5º taper to them, if that helps.
whm |
#48
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My practical sense says if you pluck a string behind the saddle or nut, you get a toneless "ploink" sound. My assessment says that due to this, changes behind the saddle or above the nut aren't going to be doing much tonewise.
Anyway, that's my story and I'm sticking to it. |
#49
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Yes, they don't seem to have 3 degree variation of any pins. But many people seem to put Martin pins on the Mini, so I thought I should give it a try.
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Cort AS-E4 Taylor GS Mini Mahogany -- |
#50
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Quote:
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Cort AS-E4 Taylor GS Mini Mahogany -- |
#51
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I guess because then people would wonder if the knob material changes the tone.
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#52
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Quote:
Dan |
#53
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Black pins make a guitar sound darker. White pins make it sound brighter.
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |
#54
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Recently I swapped out two sets out of necessity.
In one guitar I installed ebony pins I sanded down* precisely to replace some poorly fitted plastic pins and there was an improvement to my ear. On the second guitar I fitted bone pins to replace the original plastic pins which were beginning to disintegrate. On this one I could not detect any meaningful difference with the new pins. *Note, in both cases I started with slightly oversize pins and sanded them down slowly - a little job I enjoy from time to time. So yes, in some cases, pins can make a difference to tone. All my guitars have nice pins and for the most part its about the look.
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Takamine EF360S-TT - TLD-2 Line Driver 1990s Daion D Body Gretsch Deltoluxe Parlor JBL EON ONE Pro Yamaha DXR speakers |
#55
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It's "figment," although "pigment" is very creative.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#56
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Ebony vs. plastic
Quote:
After installing them, and reading comments like those in this thread, decided there really was no discernible difference, so I removed them. But, then realized I liked the previous sound far better and reinstalled them immediately. They've been in ever since. Apart from appearance, the ebony is less likely to deform. Purely by conjecture, seems to me there is a connection of the bridge to the sound board and bridge plate below by the pins wedged in place against the ball ends and all three pieces of wood critical to sound production, although everything is already bonded by glue. The consensus seems to be that many detect zero difference or prefer plastic, but on some more lightly built guitars differences can be real. ~~~~~~~~~ Here's one more thing. Read that end pins can cause damage during shipping or transit, and I don't use a strap on the OM size, so for four to five months just left out the end pin. Sound seemed to improve when I installed it, so it too has been in ever since - ebony, of course.
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Martin OM-18 Authentic 1933 VTS (2016) Last edited by Arthur Blake; 08-06-2014 at 05:40 PM. Reason: end pin |
#57
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I have Torrefied hide glue bridge pins. ...........Mike
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#58
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Those are OK, but the ones carved from moonrocks really stand out. Tyrannasaurus bone is a close second.
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#59
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Oh, did I forget to mention that the Torrefication process was done on a full moon? Tyrannosaurus bone? That would be a T-bone, right? .....Mike
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#60
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Yes, pins change tone. I try ebony, buffalo horn and bone pins in every guitar I acquire and settle on the one that sounds best with that particular guitar. I find the effect quite obvious.
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