#1
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Picks for a Bright and Loud sound
What picks do people like for a loud and bright sound? I mentioned in an earlier post that a lot of the heavier picks I tried end up sounding muddy to me. So far my favorite picks are Guitar Moose .50's. I've tried some gravity picks and v-picks which were okay. They were loud but i didn't like the metallic clank the picks made when hitting the strings.
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#2
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Do a Google search for Pickboy MetaCarbonate picks.
May find some on Ebay.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#3
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Try some D'Andrea Pro Plec celluloid in 1.5mm. They sound pretty bad out of the box but if you re-bevel the edges to a knife like edge, they are both bright and lound.
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#4
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Try a Tusq ST 0.89 . Pretty good sounding pick.
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"234" "In The Wind" |
#5
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Loud AND Bright?
Play it closer to the bridge
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Rod Neep - England |
#6
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wegen bluegrass 1.4
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#7
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A firm grip on my pick increases bass. A less firm grip decreases bass thus emphasizing treble.
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I don't have a bunch of guitars because they all sound just like me. 1984 Carvin LB-40 bass 1986 Carvin DC-125 two humbucker 1996 Taylor 412 La Patrie Concert 2012 American Standard Telecaster 1981 Carvin DC 100 Harley Benton LP JR DC Bushman Delta Frost & Suzuki harmonicas Artley flute Six-plus decade old vocal apparatus |
#8
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"The guitar is the perfect drug because when you play it you're in no pain, and when you put it down, there's no hangover." Paul Reed Smith 2018 Taylor 812ce 12-fret DLX 2016 Taylor GS Mini-e Koa |
#9
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I think celluloid is still the best. Crisp and clear. Acetate is more so, but they get nicked up too easily. I find nylon to be deader.
I also did my own non-scientific experiment, and the thinner the gauge of pick the brighter and louder the sound. Thick picks are more dead. Thin picks are more loud and bright, but they have more floppy pick noise too. So it's a trade off. I stick with mediums.
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You're talking to me. I hear music. And the whole world is singing along https://marshallsongs.com/ https://www.reverbnation.com/marshal...ther-tragedies http://www.youtube.com/watch?v=x-UGW...neHaUXn5vHKQGA http://www.youtube.com/watch?v=dGxDwt26FZc http://www.cdbaby.com/cd/marshallsongs http://www.myspace.com/marshallhjertstedt |
#10
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The Dunlop Big Stubby is the brightest pick I own.
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1987 Alvarez Yairi DY-39 2010 Bedell MB-28-G 2010 Bedell MB-18-G 2014 Recording King RP1-626-C Blueridge BR-341 |
#11
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John Pearse camel bone. They 'squeek' a tiny bit on attack when they get warm (which I like) and they are Loud and Bright for sure.
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#12
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I've just submitted an article about picks and so did some research.
I've also just got a new guitar by a maker that I haven't used before and it has a totally different balance compered to my usual guitar make. I bought some D'andrea Pro-plex and some Dunlop Primetone (the 1.5 m/m copies of Blue Chips. I found the D'andeas muddy with little attack compared to my preferred BCs, and the Primetones hard,harsh with lots of attack "clacky" and little tone ....however for my new bass heavy guitar they work quite well. Observations: For well balanced guitar - Blue Chip. For a bass heavy guitar - Primetones and heavy Wegens (TF140) For an overly bright guitar - Those D'Andreas might just work. "Other brands are available" YMMV etc. |
#13
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try a Jim Dunlp tortex .60 - love 'em - great for flat picking; you can really dig in for volume yet they are stiff enough for control - cheap too - get them anywhere - too thin? move up to .88
http://www.guitarcenter.com/Dunlop-T...id^44639487282 |
#14
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Quote:
I consider most low cost picks over 1.0mm as "some assembly required" |