#16
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Given the choice, I'd rather CITES be pro-active rather than reactive, so I'm fine with things as they sit. And if that means some manufacturers opt to use a different wood on their low end guitars (or even their entire line), I'm okay with that. The needs of the planet come before the wants of us guitar players or anyone else.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#17
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Normally I’d agree. But I think they look fantastic on the newer Taylor models as long as it’s not too stripped. I’ve seen a few that there was more blond than black but I think most are a good combination of just a hint of blond. It gives the already natural look of the Taylor an additional earthy feel.
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"Sometimes the songs that we hear are just songs of our own." -Jerome J. Garcia, Robert C. Hunter |
#18
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I thought Fender was going with Pau Ferro as the replacement for rosewood? Seems counter-productive to go with ebony.
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#19
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FWIW, there are good substitutes for both. I have instruments that use Ipe (Lapacho) and it is much harder than ebony, believe it or not. Also one of Macassar and a few banjos with dyed pear. And one that someone else now owns with Bloodwood that was a real pleasure to have.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |