#16
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No arguments there...but I'm not obsessive about brands of strings. To my ear - 80/20 sound like 80/20 and phosphor bronze sound like phosphor bronze. When choosing strings, if guitars are already somewhat dark - Cedar top and Vintage Martins, and they respond well to 80/20 versus PB. And some spruces tops are already bright and PB help tone them down. My string drawer has a good supply of both, and also some 85/15s which are somewhat brighter than phosphor bronze, but not as bright as 80/20. And I keep a few sets of both Nano and NanoPB on hand as well, and the obligatory D'Addario EXPs which I find darker sounding than Elixirs, but love the ''bite'' of the winding for hammer ons/offs. |
#17
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I've been switching from 80/20s to PBs ever since they were invented and I've come to the conclusion that I can't tell the difference. How dumb is that? No matter - for some reason, I'm happier with 80/20s on mahogany and PBs on rosewood.
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#18
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I've found PBs to be much less bright than 80/20s. The Elixir PBs are mellow and warm to my ears. I put them on my cedar top 714 and didn't like them. The sound was less crisp and punchy, almost muddy sounding. I lost the string definition I was used to. The 80/20s work best for me.
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Olson SJ (Cedar & Indian Rosewood) Applegate SJ (Tunnel 14 Redwood & Madagascar Rosewood) Custom Lowden Style F50 (Sinker Redwood & Madagascar Rosewood) Custom MJ (Cedar & African Blackwood) Eastman E40 OM Taylor 816ce Builder's Edition Taylor GS Mini Mahogany Taylor T5 Koa “The secret of life is enjoying the passage of time.” –James Taylor |