#31
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I'm going with "they didn't think about it" and the guitars "were NOT fine".
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#32
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I'd bet the didn't know or care about it.
That's why so many old guitars have splits and cracks in them. |
#33
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Dump The Bucket On It! |
#34
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As a teenager in the ‘70s, I never even heard anyone discuss the topic.
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Stephen |
#35
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This is pretty much the only thing I've been able to find: https://www.amazon.com/Ever-Bamboo-G.../dp/B01BHP1JY2 |
#36
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#37
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You took a guitar to basic training? Wow I'm guessing it wasn't the Marine Corps, they would've PT'd us to death for even thinking of it lol.
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2004 Martin D-28CW 1983 Martin D-12-28 |
#38
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I'm sure geography plays an important role. Probably a lot of vintage/old guitars did fine with neglectful owners just because of where they were.
When I bought an acoustic years ago, I asked the luthier at the shop whether I should do anything to control the humidity. He laughed and said he'd never seen anyone with that problem, and had his own guitar sitting around his house for 30 years. We live in a river valley, and it can be humid but not outrageous. According to my hygrometer, the humidity is usually between 40 and 55%. The guitar stays in tune, subject to very small adjustments if I don't pick it up for a couple of days. By contrast, when I take the same guitar to our vacation place on the seaside, in a humid wooded area about 2 minutes from the water, it goes completely out of tune between morning and afternoon. Huge swings in tuning. I'm sure it's the swings in humidity. |
#39
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Humidity was talked about in the 70's. Applause (imitation Ovations) used humidity in their marketing, claiming that their steel reinforced neck would not warp taking it around the world.
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#40
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A lot of back and forth so now lets focus on the real world. It mattered then, as it does now, where you live.
I grew up in the Ohio Valley, there was always, even in winter, enough humidity to keep any guitar safe if you didn't place it next to a burning wood stove. I'll guess most guitar players didn't do that. If you grew up in the West or in an arid climate and didn't hydrate your guitar with a piece of fruit, or some other item, it probably got some finish, or body cracks. It wasn't a topic of conversation at the local guitar pull. They shut up and played guitar.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#41
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That's exactly what we used to do. Cut the apple in half, though, so it gives up its moisture.
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#42
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Really interesting topic, never occurred to me. My first guitar was an Epiphone Texan, ordered new in the 1970s. I gather there are different versions under that model name but mine was certainly basic. I don't play it much anymore but it hasn't been artificially humidified a day in its life and it's still fine. I assume its back and sides are some kind of laminate but I'll have to check it out. |
#43
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It was shipped to me at week four. Army Basic Ft Jackson.
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Happiness Is A New Set Of Strings L-20A |
#44
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I read an interview with Chet Atkins many years ago and he talked about being on the road with guitars. He said he used to sprinkle water on the carpet in his hotel rooms adjacent to where he kept the guitars.
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#45
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My personal belief is that although humidification is important for wooden instruments in most areas of the USA and other parts of the world, it is not as critical as many take it to be. The process is slow on both sides – humidifying and drying. I’ve found that I have fewer problems with my action changing if I let my case humidifiers get close to dry and then recharge them, rather than checking them constantly to keep a level in a particular range. I have no scientific explanation for that, but many years of actual experience backs it up for me and I don’t have any cracked guitars.
I can’t speak (with any experience) to years prior to the 1950s, but I can say that my early ventures into music stores in the 1950s exposed me to case humidifiers (clay) and they were recommended for all wood instruments including solid body electrics being sold back then. I have read the earlier stories of players using apples and kitchen sponges etc., so it would be inaccurate to believe that humidification was relatively unknown to players in the earlier years. As others have pointed out, there could be some validity to the woods used many years ago being more quartered and air dried over many years, therefore possibly more stable, and I doubt there was as much of a rush to meet production schedules and ship everything the second the finish is dry enough to put into a case. |