#16
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I had a similar impression of my new D18 I got after only playing my Yairi for a year or so. Sounded so much tighter than the Yairi, I thought I had made a mistake. I played it more, it loose es up and very quickly came to love the sound. Now I play it more than the Yairi.
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Too many guitars and a couple of banjos |
#17
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I have never owned a Martin. I have played a few even visited the factory.
They are fine well made and good sounding instruments. They may be worth the price. But. They have never reached out and grabbed me. Like anything else it is all very personal. If it doesn't reach out and grab your inner musician don't buy it or send it back.
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"My opinion is worth every penny you paid for it." "If you try to play like someone else, Who will play like you". Quote from Johnny Gimble The only musician I have to impress today is the musician I was yesterday. No tubes, No capos, No Problems. |
#18
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Don't forget that the BR you have could be one of those special ones too.
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#19
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#20
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#21
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I had the same experience. I owned a standard D28 and it just sounded way to dead to me. You might think about exchanging it for a D35 or just return it for a refund.
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https://www.mcmakinmusic.com |
#22
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I would try different strings also to find the tone you are looking for. I recently purchased a Martin MMV used over the internet. I had gone to 3 different GC's and played 3 different MMV's. They all sounded comparable to each other. I decided to buy used because it was significantly cheaper, I bought one almost unused. It still had the pick guard protector on it.
I put on a new pack of Martin SP medium strings and played it. I was not satisfied with the sound I had heard compared to the ones I have played at Guitar Center. I tried Martin Retros next and then I tried Martin SP lights next that I had on hand for my other guitar. Still not satisfied I bought some D'Addario EJ16's and wow just what I was looking for. Thoroughly satisfied now with the tone and play ability with these strings.
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Gibson J-15 Martin MMV Yamaha FG 800 Last edited by Ozark; 01-21-2018 at 11:47 AM. |
#23
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Good point Ozark. The 28 came with light PB Martins of some kind. They were fairly dead so I immediately replaced them with SP PB mediums. I have EJ-16's, 17's and Retros to try on it but I'd like to give the medium SP's a chance to settle in good before I change them out. |
#24
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#25
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I have two responses, and hope they can be helpful.
My local guitar shop carries good selections of Martin and Taylor acoustics, and when I drop by and the shop is more or less empty, I head into the acoustic room and play some guitars. My experience with the Martins is that, new off the rack, they are fairly variable--much more so than the Taylors (though I'm not saying the Taylors are better.) A D35, 0018 and OM28 I've played in the shop have been world class, truly exceptional, but others have been only ok, and some have been uninspiring. The smaller Martins have been the most consistent, and the worst have been ok; but the dreads have varied wildly with a share of clunkers. The D35 that came in to replace the wonderful D35 I had previously played was so boomy that if it were the first D35 I'd played, I'd assume they were pretty awful guitars. I'm guessing that the one you played and took home, like the other you compared it to, was just ok, and it really isn't as satisfying as what sounds like a fine Blueridge. My second response is that if this happened to me and I had a window to return the guitar, I'd run it back to the store. I guess I'd give it a day or so to break in, but after that I'd give up. There are too many fine guitars at that price point, and I know that I would always be believing I conceded to the feeling that all Martins should be good. Sometimes they just aren't. |
#26
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M vs B
IMHO, your ears have been accustomed to the guitar you have been playing for a while. Anything 'new' or 'different' will of course sound different.
But 'better'? I think not. Your are comparing apples to oranges. |
#27
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You can say the Blueridge isn't better, that's your privilege, but it just might be. I own a D18 that I think is the best-sounding guitar of it's type. It is a killer guitar. The first time I played it, it was WOW! I've also played a fair number of D18's that I would not own. I also owned an Eastman E20D that I thought was "better" than any D28 I had played except one which was also dynamite. There are variations of everything.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#28
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Too many guitars and a couple of banjos |
#29
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I never really thought about giving up on it because the tone is so sweet. So I stuck with it, playing it daily, including my usual heavy handed strumming. And BOOM - suddenly after about a month it was playing smooth as silk. I’ve never had a guitar loosen up so dramatically so quickly. Now it’s one of my favorites...and will be for a looong time.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#30
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Please correct before the universe implodes. |