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#16
10-30-2016, 02:39 PM
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Quote:
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) 
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#17
10-30-2016, 03:04 PM
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Taylor GS Mini Mahogony Martin SC 13E Martin HD-28 Epiphone Hummingbird Pro Epiphone J-200-SCE Gibson J-35 Taylor 416 Taylor 214ce Ovation Balladeer I cut my teeth on the bread of pure temptation. I tried it all and I learned to fall Like I would never hit the ground. - Jeffrey Foucault
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#19
10-30-2016, 04:30 PM
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Quote:
 Sent from my SM-G920V using Tapatalk
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"You don't have to be great to start, but you have to start to be great." -Zig Ziglar Acoustics 2013 Guild F30 Standard 2012 Yamaha LL16 2007 Seagull S12 1991 Yairi DY 50 Electrics Epiphone Les Paul Standard Fender Am. Standard Telecaster Gibson ES-335 Gibson Firebird
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#21
10-31-2016, 11:06 AM
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Quote:
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19
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#22
10-31-2016, 12:26 PM
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need a new amp
Quote:
+1 Those Tweed and snakeskin sure look cool. But I guess they're very limited. Any opinions on the new Roland JC-22 Jazz Chorus? They sounded nice in the adverts.. I used to have a Roland Cube amp and they where nice amps. But this new one must be a shot for that ol Cali sound.. https://m.youtube.com/watch?feature=...&v=ylS6AyYN7zk Last edited by Northward; 10-31-2016 at 12:42 PM.
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#23
10-31-2016, 01:10 PM
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Here's a sort of non-traditional option. These little amps are real sleepers...which is why they're still so cheap on the used market. They're also rugged as they come...still gigging with the one I bought new back in '91.
https://reverb.com/item/2744139-tube...pYNxoCcBvw_wcB The TD-752 was perhaps the very first serious hybrid amp...has a tube preamp identical to the TubeDriver pedal, which then goes into a mosfet power amp that is every bit of 100 watts...seriously, if you need it, these can be LOUD! They have an Accutronics spring reverb, line out and FX loop. The amp only weighs about 25 lbs. The cool thing that BK Butler did was to design the FETs so that they imitate the way power tubes react to signal...called it "Mosvalve". The tube preamp has a 12ax7 tube in it that is really designed more for blazing distortion, but you can easily tame this by replacing the 12ax7 with a 12au7 or similar preamp tube that has a more hifi tone to it. I have 2 of these, with which I have done hundreds of gigs. I keep one at our rehearsal space and the other at my home studio. I use a Line 6 POD and a Boss CS3 compressor at the input, but really, you could just play straight in, as these are known for their fantastic clean tone just using the power amp.
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Larrivee L-10 Custom Larrivee DV-10K Larrivee L-03 Taylor 412K ('96) Yamaha LL16-12 (SOLD) PRS 'Studio' (SOLD) Rickenbacker 660-12 (SOLD) Fender USA Deluxe Strat Fender USA Roadhouse Strat Fender MIM/USA Partscaster Fender MIM Nashville Tele Kelsey Custom Hardtail Strat Fender MIM P-Bass
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#24
10-31-2016, 03:30 PM
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Quote:
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I only play technologically cutting edge instruments. Parker Flys and National Resonators
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#26
11-08-2016, 06:45 PM
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Quote:
http://carvinaudio.com/collections/sx-series Small wonder they've got trouble keeping them in stock...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased)
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#27
11-25-2016, 08:01 PM
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Have been playing through a 100 Watt Fender Champion since last X-Mas {Gift from my Lady Love}. I had a Peavey Bandit 65 that I traded in and did the deal for $200 flat. The Champion has twin speakers and a LOT of presets that are really cool for todays modern music. However...it has that Fat Fender Twin Reverb sound I was after and about 50 lbs lighter. This Amp is a Winner!!!!.
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