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  #16  
Old 10-17-2016, 02:10 AM
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Fernando Sor/Etude №1 op.31/Dmitry Nilov


Dmitry Nilov:
I chose Etudes by Fernando Sor op.31 for several reasons:
1) Fernando Sor is an outstanding composer;
2) My students play these etudes on different levels of their study. At their request I will from time to time record in my home studio etudes with which we are working now;
3) Not only the playing technique (here I mean velocity) is improved with the help of Sor's etudes, but also the musical thinking is developed. In my opinion it is even more important for a musician;
4) There is nothing very complicated at first sight in scores, but this impression is misleading. Each etude can be performed in a different fingering. And on the assumption of the problems to solve (conception of performing) you can identify for yourself the level of this piece's complexity.

Fernando Sor/Etude №2 op.31/Dmitry Nilov
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  #17  
Old 10-28-2016, 06:28 AM
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Fernando Sor/Etude №3 op.31/Dmitry Nilov
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  #18  
Old 11-03-2016, 01:25 AM
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Default Dmitry Nilov/Aspects of playing passages/Tactile contact/Part 2



While providing better freedom of the fingering's choice for the right hand, this exercise will help to make your playing passages technique universal, your tactile contact while moving from one string to another closer, as well as to attain the timber evenness and the mobility of different fingers' pairs
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  #19  
Old 11-09-2016, 05:01 PM
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Fernando Sor/Etude №4 op.31/Dmitry Nilov


Fernando Sor/Etude №7 op.31/Dmitry Nilov
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  #20  
Old 11-19-2016, 12:45 AM
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Fernando Sor/Etude №5 op. 31/ Dmitry Nilov

DN: One has asked me whether I work with sound of Sor's etudes additionally. This etude I will publish in two variants - dry and wet for you to compare. This one is wet.


Here is the original as all others
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  #21  
Old 11-26-2016, 07:58 AM
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Fernando Sor/Etude №8 op. 31/ Dmitry Nilov
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  #22  
Old 12-02-2016, 11:25 PM
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Default Tremolo/Rights hand's position/Muscular freedom/Dmitry Nilov


In this clip the right hand's (wrist's) position in the condition of muscular freedom and the angle of the each fingers' attack towards the strings are demonstrated. In the example I showed, how one can control a tempo without any effort.
More information about improving the tremolo evenness -
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  #23  
Old 12-12-2016, 02:01 AM
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Default Maria Linnemann/ "Canzone d' Amore"/Dmitry Nilov


Maria Linnemann was born in 1947 in Amsterdam, Holland, and grew up in England. She developed an early love for English, Scottish and Irish folklore.
She studied conducting, piano and violin at the Royal Academy of Music in London.
Since 1971 she has lived in Germany, working as a composer, teacher and performer.

P.S. This guitar is looking for a new master.
Masaki Sakurai (Kohno Workshop) 1979.
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  #24  
Old 12-15-2016, 04:12 PM
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Default How to play natural harmonics vibrato//Dmitry Nilov


Natural harmonics vibrato is a simple, but a very lucky find for classical guitarists. Using this technique you can add several amazing accents-"salts" that will decorate a performed piece and will arouse public's interest.
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  #25  
Old 12-23-2016, 01:15 PM
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Here http://planetsixstring.com/russian-c...magical-style/ you can find one interviews of Dmitry Nilov (2014) that are very rare. For me it was interesting to read. Looking to hearing your opinion!
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  #26  
Old 01-23-2017, 04:09 PM
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Technique of the "p" finger under the classical right hand's position/ D.Nilov


I took the Etude №1 by Emilio Pujol as a base for the first part of this exercise. It's a very good example because of the opportunity to play with the "p" not only on neighboring spun strings, but also next but one, improving the tactile contact and developing the movability of the thumb.
Then I pay attention to the extensor. I consider this moment to be crucial for the developing of the classical guitar performing technique. Classical guitar players don't use such technical actions in the majority of cases (in virtue of the repertoire) whereby confining their technical capacities.
In the clip only the direction vector of the work is shown, but it's the theme by itself that is worth looking at more closely. Beyond all doubts it is subject not only to the thumb.
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  #27  
Old 02-06-2017, 11:32 AM
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Default J.S. Bach : Cello Suite No.3 (Sarabande)//D.Nilov

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  #28  
Old 03-06-2017, 10:19 PM
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Default Tirando//Apoyando//Touch//Dmitry Nilov

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  #29  
Old 03-13-2017, 12:24 PM
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Default Canare + Neutrik vs Van Damme + Abbatron (test)//Dmitry Nilov


This clip demonstrates a comparative test of the Canare cables + the Neutrik connecters and the Van Damme cables + the Abbatron connecters (in both variants star quad).
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  #30  
Old 04-04-2017, 08:03 AM
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Default Emilio Pujol//Etude№1//Dmitry Nilov

Emilio Pujol//Etude№1//Dmitry Nilov

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