#46
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Just wondering where the line is drawn in the absurdity...er, sand!
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Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada... St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00 Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson |
#47
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I'm a little slow on the uptake...just seeing this.
That is most impressive - the design and the execution both!
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"One small heart, and a great big soul that's driving" |
#48
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Larry is quite the artist, isn't he? Steve |
#49
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It'll still be unbelievable with that rosette. Steve |
#50
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Awesome inlay as per usual with Larry's work.
Now were are the pictures of this cool guitar you're making
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Rod True, aspiring luthier My current project A guitar I built for my Father in Law The Celtic Beauty - The Epic Journey True SJ - #9 |
#51
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Thanks Rod.
The Ren-Ovation (does that name work?) has been like pulling teeth. The guitar body has sat around our shop far too long, in Bob years. So, no pics yet, other than the rosette. However, Larry's rosette is pushing us over the cliff as far as really getting going. Maybe not too much longer you'll see some pics. Steve |
#52
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What a Tour De Force! just amazing inlay artistry!
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#53
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Are you kidding?
That's the PERFECT name for it! (Though I might suggest removing the hyphen while keeping the Capital "O".) "RenOvation" Bending the Limits That sounds cool. Just as a nod to its design roots, you should consider putting an Ovation pre-amp in it like the VIP or Op-Pro Studio (my personal favorite). It's a shame I won't be able to afford this guitar, but I'm looking forward to the finished product.
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Well, it looks like one of those desiderata days..... MY OVATIONS Spruce: Patriot #76, 1768-7LTD, 1122, 6774, 1779 USA, 1657-Adi Redwood: 2001-X, 1537-X, 1713-X, FD14-X, Dan Savage 5743-X Koa: 2078LXF, 1768-X, 1997-X 12-string: 1755, 1615-X Walnut Exotic tops: 1768-XWF (Bubinga), 1987-M (Mahogany), Adamas 1681-X (Q. Maple) Others: MM-68-7LTD Mandolin, MM-868-X Mandocello |
#54
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Ok, thanks for the encouragement, Patch!
If we can get Bob on board, then he's our uncle. Steve |
#55
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I am good with and probably prefer the electronics ... What about herringbone to make it truly different (if no Pearl). Koa bindings?
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Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada... St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00 Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson |
#56
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Herringbone? I dunno, Bob, doesn't that say "steel string" more than we want?
Maybe a wheat motif? (Close, but more like a classical.) Steve |
#57
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Wow, very cool work!
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Chad Fengel itunes My YouTube "Only by becoming acquainted with your own self, can you gain the composure to write original music" Michael Hedges ♫ |
#58
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#59
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Ok, thanks for the encouragement.
So--on the peghead--do we use the basic Ovation logo, put an "N" in front, and dub this the NOvation? Or N (and then an O with a diagonal slash through it) with "vation" trailing behind? Can you picture that? Perhaps one of our Scandinavian brethren could type that out for us.... Steve |
#60
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Yeah no Herringbone... Agreed.
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Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada... St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00 Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson |