#1
|
|||
|
|||
Holy Mother of Mercy... this guy is amazing!
I'm sure many here already know who he is and are familiar with him, but for those who don't... Jarle Bernhoft must be seen and heard to be believed. Like many of you, I've been playing a LONG time, I'm a bit jaded as I get longer in the tooth... I don't dole out high praise because it just isn't often that I see someone who truly blows my socks off, but in this case, I have to give it up... no choice.
I've had the good fortune to see him live in a smaller club setting and if I'm being honest, it kind of changed my whole paradigm and feeling about what was even possible for a solo singer/ guitar player. There are plenty of great singer/players who are good at live looping, but this guy just sets the bar at a whole other level with what he is doing. Combined with his clever songwriting, amazingly soulful voice, creative use of gear (notice the old Eko Ranger strung with actual bass strings for the low A and E and tuned down an octave) and his unique guitar playing... It all just puts him in a special category from others... at least for me... I'm sure others may disagree if what he "does" is not your thing. Doesn't matter if you're into rock, blues, soul, country, or even classical... even if his style is not exactly your thing, I think there is really almost no way to ignore this guys talent as a musician. Just thought I would share a few of my favorite clips. If you've never checked out Jarle, you owe it to yourself to take a minute and discover... Last edited by chris6120; 09-26-2017 at 10:17 PM. |
#2
|
|||
|
|||
I really appreciate this guys talent and its a gift for sure, but this does nothing for me. Looping usually drives me nuts unless it someone like Tommy Emmanuel or Phil Keaggy or even Shun Ng.
Still this could inspire someone else so thanks for the post. |
#3
|
|||
|
|||
Same here. I appreciate the skills, that's about it. To each his own.
I've seen Phil Keaggy a few times and I don't even care for all his looping and effects. Just play and sing Phil, your so talented, you don't need all that stuff. That's why Neil Young unplugged in a small venue was so awesome. He just played his instruments and sang... mesmerizing and jaw-dropping!
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#4
|
||||
|
||||
I didn't really see or hear anything that won me over, either.
__________________
Bob DeVellis |
#5
|
||||
|
||||
I dug his groove and vox, very talented; thank you for sharing this!
__________________
NOLE TUNES & Coastal Acoustic Music one love jam! Martin D18 & 3 lil' birdz; Takamine KC70, P3NC x 2 |
#6
|
|||
|
|||
I'm sorta conflicted about the whole looper thing. If you've ever tried it yourself, you know it's hard to do, even in a rudimentary way. You have to divide your attention (more than I'm capable of, anyway). Your time has to be really, really good. And you're pretty limited in terms of the songwriting possibilities.
So I'm impressed by anyone who can do it at all, and flabbergasted by anyone who can do it at this level. When I say "anyone," I've personally worked with another guy who's different but at least as accomplished. On the other hand, it's a gimmick. In the case of this performer, my takeaway on the songs is zero. My take on his singing is cynical -- he sounds soulful enough, but how much can he be feeling it while doing all that other junk? It's like Joe Cocker (r.i.p.) singing She Came In Through the Bathroom Window -- the words are nonsense so the "soul" must be manufactured. Mailed in. On the third hand, it's incredibly visual. In the world we have now where the record business is basically gone, it's good business to be a performer who literally must be seen to be appreciated. On the fourth hand, it makes for highly un-compelling radio. |
#7
|
|||
|
|||
Quote:
However, there are a lot of things that are incredibly hard to do that just aren't fun to listen to. I even agree with what people say about Phil Kaeggy's use of it. Clearly he has mastered this technology, but I can only watch/listen to him do it for about 2 minutes before I get a little bored. But when he is just playing, I can watch for hours. So, while I admire it. I really don't want to listen to or watch it. |
#8
|
|||
|
|||
I couldnt watch it through, sorta hurts.
|
#9
|
||||
|
||||
Good thing he can play with a nut smaller than 1 3/4"
|
#10
|
|||
|
|||
Awesome
I'm old and terminally un-hip. But I thought he was awesome!
John C. |
#11
|
|||
|
|||
He plays an Eko Ranger, wow! Not seen one othese played in anger for 40 years or more.
|
#12
|
|||
|
|||
It's fun...it's not the type of music I seek out, but you gotta appreciate people who are so good at what they do.
Have you guys seen Jacob Collier? |
#13
|
|||
|
|||
What's even more amazing is that he's 41 years old but looks 25.
|
#14
|
|||
|
|||
Lack of stress from not having to deal with musicians. Obviously.
|
#15
|
||||
|
||||
It's hard to do looping well - you really need to treat it as a music instrument in its own right - and too often the music can just sound too repetitive (for my taste).
The most impressive looping performance I've ever seen live was by young British artist Joni Fuller - absolutely astonishing and very often apart from the initial loop buildup you really wouldn't guess it was looped at all. She has some videos on the Tube: Cheers, David
__________________
Wolfram Perfecting the interface between you and your guitar.
wolframslides.com Endorsed by Martin Simpson and Tony McManus. |