#16
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In my somewhat limited collection of guitars, the one that is closest to the "lots of volume, overtone and sustain" is a Wechter spruce top / hog BS 000.
The opposite side of the spectrum, with plenty of warmth, dryness, and fundamental, uncluttered tone, is the Waterloo WL-S, a ladder braced little sweetheart. Between those two poles, slightly more on the side of the Waterloo is my Martin 000-17SM. Based on my somewhat limited experience, and speaking as a fingerpicker, I recommend you try the Martin 00/ 000-17 series. They sit very nicely in both realms..... that is, unless you fall in love with the Waterloos first. And, in between the Martin 17s and the Waterloo would be the all hog Martin 000-15s, in my opinion. Unless you spend a lot of time up past the 12th fret, I'd look for a 12fret neck to body joint in any of the guitars I mentioned.
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Martin 000-17SM Supro 2030 Hampton Taylor 562ce 12 X 12 Taylor GS Mini-e Spruce/Rosewood Waterloo WL-S Wechter TO-8418 Cordoba 24T tenor ukulele Kanile'a Islander MST-4 tenor ukulele Kiwaya KTC-1 concert ukulele Kolohe concert ukulele Mainland Mahogany soprano ukulele Ohana SK-28 soprano ukulele Brüko No. 6 soprano ukulele Last edited by Swamp Yankee; 09-25-2017 at 07:23 AM. |
#17
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Thanks for the replies.
For those of you suggesting strings I definitely understand the impact of strings and have experimented greatly to that extent. The guitar is still super thick and rich sounding and I'm not trying to change that. More I want to compliment it. And thanks Wade, I have thought about looking into Walnut from some of what I've heard. Also thinking OM style. I don't need lots of low end, just balance. Infact I think that's the perfect word to describe what I'm looking for balanced, not super complex, not super bright, not super warm. Little more on the fundamental side and crisp. |
#18
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I would also like to duplicate Wade's statements about Walnut. I have two walnuts that I love...they are drier, more fundamental...but very articulate. Depending on the species of walnut, they will be Bright but with less Jangleness.More definition than Mahogany..and Walnut can have lots of bass if paired with the right body style.
However...You should also consider cocobolo. And that is actually what I would like to own as my next guitar. It is articulate like walnut or Koa..but with sustain like Rosewood. The problem of course...is that any cocobolo guitar is very expensive. If funds are not a consideration...I would search to play and hear a cocobolo. But...there are not a lot around to play and hear. You might have to travel a bit...like I am going to. Personally I like a bit of Jangle. Another person mentioned a good point..that you are use to a certain type of sound..that rosewood creates. And that might another reason to investigate cocobolo..as having parts from the two worlds. But the last thing I would like to say...is even if you pick a mahogany because you want that type of sound...you can control that jangleness with the type of bridge pins you insert into it. bone will bring out more jangle..and ebony will subdue it. So many variables...so many body sizes..and so many wood choices. I wish you good luck...as I do myself in the search of the sound that inspires us..that we wish for. |
#19
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Hog back and sides with cedar top. Job done. Try a Taylor. Although they are supposed to be bright this combination makes them mellow and articulated. I have a GC but they also do a cedar top on a GA. good luck
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#20
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What models are cedar over hog?
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#21
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It was close, but I went with the Taylor because it was brighter.
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________________________________ Carvin SH 575, AE185-12 Faith Eclipse 12 string Fender RK Tele Godin ACS SA, 5th Ave Gretsch G7593, G9240 Martin JC-16ME Aura, J12-16GT, 000C Nylon Ovation: Adamas U681T, Elite 5868, Elite DS778TX, Elite Collectors '98 Custom Legend, Legend LX 12 string, Balladeer, Classical Parker MIDIfly, P10E Steinberger Synapse Taylor 320, NS34 Yamaha SA503 |
#22
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I might recommend a Martin D-18. They are reasonable if you buy used and the new ones (IMHO) with the forward shift bracing sound great.
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Fender "58" Re-Issue American Precision Bass, , , 2014 Martin D-18, 2009 Rickenbacker 330 Mapleglo.. 1967 Fender Bassman with 2x12 Cabinet,.. Fender Tweed Lacquer Blues Junior. "And I wonder, still I wonder, who'll stop the rain"? |
#23
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The sky's the limit really, so knowing your budget will greatly help others make suggestions that are doable for you...
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Martin 000-28EC '71 Harmony Buck Owens American Epiphone Inspired by Gibson J-45 Gold Tone PBR-D Paul Beard Signature Model resonator "Lean your body forward slightly to support the guitar against your chest, for the poetry of the music should resound in your heart." -Andrés Segovia |
#24
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Quote:
I love the Taylor 322's but when I think "dry", I think 15 series Martin.
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#25
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Try a 514ce-LTD if you can get your hands on one - cedar top, granadillo b/s. I sure have liked mine..... they're a little hard to find probably, a 2016 LTD....
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In order of appearance: Aria LW20 Dreadnaught Seagull Maritime HG Dreadnaught Seagull Natural Elements Dreadnaught Taylor 418e Taylor 514ce LTD |
#26
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Thanks everyone. Don't really have a set budget, just depends on how many years I have to save or how many banks I have to rob! Probably around $2000 but not set in stone.
I wish I had more guitar stores close by. Live in the very northeast corner of Missouri. I can see trees in Iowa and lllinois is about 10 min away. I am about 3 hours from St. Louise, and three hours from 2 other cities with guitar center. Not only that but I have never been pleased by the selection or sound at guitar center. I don't know if its the strings or humidity or just the guitars that happen to be there but I have just never been impressed with what I've tried. On a side note I recently saw some videos by Eddies guitars in St. Louis. I may have to take a trip there as that looks a lot more promising. |
#27
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Quote:
One big problem I have noticed..is listening to a guitar in a wood sided or wood floored room...as they often have at many stores..like guitar center's special high end small rooms. Guitars always sound better in those rooms...because of the reflections. Love playing in those kind of rooms...but they are misleading. Even in a room filled with other guitars...the sound is reflecting off them as well. No easy answer when auditioning a guitar...so many variables. |
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Tags |
crisp sound, hog guitar, new guitar |
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