#31
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Good luck!
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#32
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I played the D18 again tonight while my 6 year old daughter worked on her "Darius Rucker chops" as she calls it lol. Pure magic!!! |
#33
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talk more about D-18s?
I'm curious: is it your particular D18, or do would you be equally enthralled by others. You make me think maybe I need one after all...
Will
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Huss and Dalton TROM custom Voyage Air VAOM-6 PRS SE Soapbar |
#34
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The real joy is how I feel when I play it. Music happens. Maybe some of you can relate, but when I play my Taylor, my right ear is close to the sound hole and I'm listening. I enjoy the tone, but I'm constantly paying attention to what is coming out of it. I focus on what I like or don't like about what I'm playing that moment. With the D18, music just happens. I'm just playing and singing and I'm focusing on the FUN. It just sounds right, feels right, looks right, and it just is an amazing experience. My eyes shut and I'm just into the moment. There is no point at which I focus on the sound and whether or not I like what I'm hearing....It's perfect. If there is any weakness at all it would be in the fingerpicking. Great tone, but I feel like I need more volume to get where I want to go, whereas on the Taylor (or 000s I've played) the notes just jump out. But, I can tell that my 814 is very lightly built, and I'm not sure I like that. I can't hit it very hard before it starts to flub out and clang around on the frets. |
#35
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I wonder if "finding THE ONE" is actually a matter of realizing that none are perfect and you're losing money buying new guitars, falling in lust with them, then finding another, falling in lust, selling the first one to buy it ....etc.
Maybe it sinks in eventually, that the guitar you have in your hands, the one that you've bonded with, the one that you know just what to do with to get the best sound..that guitar is THE ONE... signed by the guy with 8 guitars who's still sulking because he missed the guitar he wanted in the AGF classifieds
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Martin 000-17SM Supro 2030 Hampton Taylor 562ce 12 X 12 Taylor GS Mini-e Spruce/Rosewood Waterloo WL-S Wechter TO-8418 Cordoba 24T tenor ukulele Kanile'a Islander MST-4 tenor ukulele Kiwaya KTC-1 concert ukulele Kolohe concert ukulele Mainland Mahogany soprano ukulele Ohana SK-28 soprano ukulele Brüko No. 6 soprano ukulele |
#36
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It seems like the die is cast and you have resolved to sell it.
Don't play it anymore or you may have second thoughts. Simply clean it up and prepare it for sale. A bit of advice.. Don't assume that because you like one offering by a company that you will like all the rest. There is a considerable difference between the OM and the D sound wise. Thats not to say Martin doesn't make good OM's - just that their OM's are quite different from D's.... Hopefully you will like that difference too... Best of luck on your quest. I hope you find what you are looking for. |
#37
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With the D18, there hasn't been an ounce of disappointment or regret, and I've been impressed with every aspect of this guitar. Every guitar I've ever kept has been one that made me feel like the D18 makes me feel. I'm not saying I won't ever sell it, but does anyone really plan on divorce??? |
#38
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Like I mentioned before, I thought my 314ce would be the only guitar I would ever need. But a great deal came up on the D-18 and I thought, "Well, if I don't like it, I can sell and not worry about taking much of a loss because I got a good deal on it."
When I first played them side by side I thought there really wasn't that much difference. They both play great, same size neck, etc. But each time I play the D-18 it just sounds better and better. I find myself composing a Craigslist ad in my mind for the Taylor every time I play the D-18. "For sale--2013 Taylor 314ce. Great condition with only one slight scratch that can only be seen from a certain angle. ES 1.3 electronics system...professional setup...new bone saddle...etc....."
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#39
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the Eastman version of the GA is a louder guitar than the Taylor and is more balanced. The bottom is rounder but not fluffy and it will give you similar attributes as the Taylor. You could still ahve a GA and money in your pocket. Before you laugh and dismiss either one:
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#40
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I know where you're coming from. When I bought my 2016 Taylor 812ce 12 fret (Sitka/EIR) I thought I'd found the one - easy to play, comfortable, sounded great. Then six months later I found and bought a 2007 Santa Cruz OM/PW 14 fret (Sitka/Mahogany) in great condition. Just as easy to play, even more comfortable, really sounded great - substantially better IMHO. So now I'm going to sell the Taylor since it's just gathering dust. Could it be that the OP and I just love the sound of Mahogany? I'm guessing that's the case since I also love my Taylor 552ce 12 string.
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"I guess if you keep making the same mistake long enough, it becomes your style" - John Prine __________ 2014 Collings Custom OM2H SS DB Sitka/EIR/Addy Bracing (“Yogi”) 2016 Collings D1 Sitka/Hog/Addy Bracing (“Bubba”) |
#41
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I was playing my J-45 exclusively for months and then put my Larrivee into Csus2 tuning. Wow.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#42
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I didn't see how long you've had the Taylor.
If you've had it a year or more, and you haven't bonded with it like the Martin, sell it. It is unlikely that you'll ever bond with it in that way, IMO. And it will ALWAYS be in the shadow of the Martin.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#43
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But, my style and music ventures have changed considerably in the past couple years. All of my favorite artists play Martin, I like the Martin tone, and my entire family plays Martin acoustics. I tried so hard to go against the grain, but I just prefer Martin these days. They just sound right. I'll be the first to say that I think Taylor has amazing branding. I dig what they stand for and Andy is doing wonderful things. I myself identify more with Taylor as a company than I do their product. I don't know if that makes any sense at all. |
#44
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....and the D-18 is the best until you play a D-18GE, and then until you play a D-18 Authentic, and so it goes.............
IMHO there is no best, just choices, and we all have different preferences. I have what I call my "keeper" list, but no guitar is exempt if I find a better comparable instrument (same size/wood combinations), that blows me away, but my keepers have survived numerous A/B's, Martins and Collings/Bourgeois/Santa Cruz, that's how they became "keepers". I am open to finding better, they have all lasted years now, not missing anything I'm looking for at all, but I personally never say never. There is no "The One" to me, and every guitar I own is a different wood combination (mostly Martin OMs), variety of voicings. I'd like a dollar for every "I found the one" post guitar that shows up in the classifieds down the road, enjoy the journey more than the instruments....
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Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#45
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I felt the same as the OP about my >2012 D18. Then I got my Gibson J15. It may well be my all-time favorite guitar. I hate its mini-Grovers, but now I don't even notice them because I like the guitar so much. It's a crazy good slope shoulder.
And as far as the D18GE goes, it's not a step up from the D18 or D18V. I've tried to like two GE's and sold them both. Whereas, the D18A is on a whole different branch - way up the tree -from the rest of the D18 family.
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‘00 Martin HD28LSV ‘04 Martin D18GE ‘22 Burkett JB45 Last edited by Zissou Intern; 09-19-2017 at 09:03 PM. |