#1
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Some add-ons I bet you haven't considered...
https://www.youtube.com/watch?v=IiMlhOAhW9U
Where did I put my alligator clips and horsehair...hair?
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If the Dawn Patrol gotta tell ya twice, they're gonna do it with a shotgun, I'm cashing in this ten-cent life for another one. |
#2
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There's a whole subset of composers who write music for "prepared piano," with all sorts of things attached to the piano strings. It was kind of a fad in academic music circles starting in the mid-1960's or so, though it seems to have faded from prominence as the novelty has worn off.
This woman's guitar piece would seem to be an outgrowth from and/or reaction to that. Wade Hampton Miller |
#3
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As if string tapping wasn't annoying enough.
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Bob DeVellis |
#4
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If the cat gets any where near my guitars it would have been given a swift kick, she sounds even worse!!!!!!
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Maton CE60D Ibanez Blazer Washburn Taurus T25NMK |
#5
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Ultimately any musical piece has to stand or fall on its own musical merits. Back in my college days I attended a couple of "prepared piano" recitals, and there wasn't anything musically memorable about them. They sounded like noodling around with some odd, occasional sound effects.
Now, I can see where something like this might be useful as a sound component in a layered recording of some sort. Certainly the Beatles were able to use non-musical snippets to add layers of meaning and texture to some of their later recordings. But the live performances of prepared piano pieces that I attended seemed to be more about testing the audience's patience than anything else. It's not as though I ever had any musical epiphanies while listening to those compositions. I guess what I'm trying to say is that - from my limited perspective - the use of these techniques seems to be more about exercising the intellect than it is about musical communication. whm |
#6
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Wade - I applaud your diplomatic comments.
All I could come up with was a metaphor about art and a jar of urine. |