#1
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Pick the right tool for the job
First off hello. I am fairly new to this board. Nice to see so many passionate people in one play celebrating the coolest instrument in the world... the acoustic guitar.
A touch of background on myself. For many years I was a singer songwriter who fronted a few bands in the US. I released a fair few albums, toured a lot and called it a day when my last album in the US was released on 9/11. Not a good omen. I ended up soon after calling it a day and moved to Australia where I am still today. After a 10 year hiatus I am now in pre-production for my 3rd album release out here and 10th overall. Ok enough about the history. Now to my point. This board will have all sorts of players from novices who never leave the coach to touring and recording artists. The one thing that I have found critical is understanding that it is rare for one guitar to tick all of the boxes for all your needs particularly if you play live a lot. The three acoustic guitars that I use on a constant basis are a Larrivee D-02E, a Guild DCE-1 (both are mid 90's) and a two year old Epiphone Masterbuilt DR_500MCE. None of these guitars are what you would consider big dollar highly sought after guitar. I have other guitars and have access to many Martins, Gibsons etc. While the Larrivee is without my favorite of the three and records absolutely incredibly it isn't the best axe live despite me ripping the first pickup which was a cheap Fishman out of it, then replacing it with a K&K Mini, and then ripping that out to favor a LR Baggs M-80. Live my guitar goes through a Radial Tonebone PZ and into an older Acoustonic JR. It's OK but not nearly as good live as the cheaper Epiphone which is perfect for my hybrid finger picking and strumming going through the same system. That guitar comes with the oft maligned E-sonic 2 pickup. It pairs up perfectly with the Tonebone Pre. The Guild is the backup and is useful for some recording (particularly strumming parts) and can do pretty well live as well. My long winded point is understand that it is rare to have one guitar that ticks all the boxes. Know what does what best. Some guitars might sound great live in a stripped down setting but not fronting a rock band. Don't be afraid to try everything out until you settle on what sounds absolutely best. Also it is too easy to get caught up with the name on the headstock instead of just playing the hell out of what you have and finding it's perfect application. The biggest tone creater isn't the guitar, effects or the amp but your hands. |
#2
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Welcome to the forum. The comments you made reference often covered topics on the forum (nothing new under the sun as they say), some with debates one way or another. Welcome your input.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#3
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Welcome! It's always great to have a new member and hear of their opinions and experiences. My own experience confirms what you said about the player and the instruments he or she chooses. I will say I have played some guitars over the years that made me sound better. Most of them cost more than I could afford.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#4
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Quote:
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#5
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Just an "at home" player here, but that's the size of it. Buy something you like and practice like heck for a few years. Does wonders for your tone....
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#6
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Welcome to the wonderful world of acoustic (and some electric) guitar community! Whereabouts in Oz are you? There are a few of us from "down under" on here.
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Maton CE60D Ibanez Blazer Washburn Taurus T25NMK |
#7
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When I quit performing I sold all or mostly all my equipment and bought a really nice guitar. I don't have to compromise on either my equipment or my music. The music is the thing that is thrilling me as I wouldn't be playing the music I am if I were still entertaining. It's been like a reboot.
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Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#8
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I know that for me it took a while to understand the different things that I wanted to do on the guitar and find those right tools for the right job. My guitar collection has some variety but my two main guitars fit me pretty well as a singer songwriter who plays guitar for mainly accompaniment. I think that the single thing that impacts my playing more than anything else is my level of technique and expression. The guitars I have are great. I am the one that has to continue to improve.
Best, Jayne Last edited by jaymarsch; 11-30-2016 at 09:16 AM. Reason: Fixed a typo |
#9
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animal eater, are you fretkillr? It's the only mystery in life that has any meaning anymore.
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#10
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Welcome to the AGF!
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#11
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I live in Brisbane by way of Los Angeles.
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#12
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Thanks The Growler. I like your name mate!
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#13
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Last edited by Kerbie; 12-02-2016 at 05:47 AM. Reason: Removed masked and unmasked profanity |
#14
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Can't say I am riverrummed. The mystery continues.
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#15
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