#1
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Theory Book from basic and up
There is just too much I don't understand sometimes actually a lot of the times my teacher talks over my head. I need a book that REALLY BREAKS IT DOWN from the beginning to a certain point so for example I can understand such things as this:
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Also, please don't try to explain the examples for they are just examples. I believe theory is much like everything else much like my career, you need to understand the foundation and build from there. For instance when I got into IT I was getting pieces of info here and there but none of it made sense till one day I learned the base and that tied it all together and all of a sudden I had an understanding that was beyond words. That is what I need in regards to theory. I want to read from the beginning to x-level for it does get to a point it hits a level that I might not need to reach. Also, to emphasize I would prefer a book and prefer Amazon. I was doing searches but too many with no reviews so not sure what would be a good choice: hopefully you know.
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Taylor 314c; GS Mini Koa; Fender American Elite P-Bass; Fender American Pro-J-Bass; 2 Hohner Marching Band key of C harmonica; Fender Rumble Amp; Ukulele |
#2
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Look for something more than theory. APPLIED THEORY should be more beneficial. Having the theory keyed to readily available, listenable "standard" material would be the way to go.
So much of the theory and systems are "post mortems" of actual music, mere dissections of the corpse of what was once a living thing... Good luck. I wish I had a specific recommendation other than working with the Real Book and recordings, but I don't.
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Harmony Sovereign H-1203 "You're making the wrong mistakes." ...T. Monk Theory is the post mortem of Music. |
#3
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I mean no offense, but those "for dummies" books can be really helpful:
Music Theory For Dummies The Complete Idiot's Guide to Music Theory |
#4
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Yep, dummy books are usually pretty good intros. I have bought a number on various subjects.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#5
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Taylor 314c; GS Mini Koa; Fender American Elite P-Bass; Fender American Pro-J-Bass; 2 Hohner Marching Band key of C harmonica; Fender Rumble Amp; Ukulele |
#6
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~~~~~~~~~ Here's the link -- it's post #5 by JonPR He starts by explaining why there are marks on the finger board at the 5th and 7th and 12th frets, because they represent a string divided into half, two thirds, and three fourths. http://www.acousticguitarforum.com/f...d.php?t=414852 ~~~~~~~~~
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Martin OM-18 Authentic 1933 VTS (2016) |
#7
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You may find the book series "The Skeptical Guitarist" by Bruce Emery helpful. Several books in the series and it's available through Amazon. I tend to take on little "bites" of theory here and there with the help from AGF and some supplemental reading. This series may be helpful to you.
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#8
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https://youtu.be/VRhSxvTcuL8
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Martin OM-18 Authentic 1933 VTS (2016) |
#9
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I started by grokking the concept of simple major chord triads (3 note chords) and their construction as the I, 3 & 5 notes of the scale. Then I started to train my self to look at, recognize and think about the chord tones as numbers with an assigned place in the scale , or chord. A little bit at a time, builds up a store of information that one day is going to become a lightbulb that glows brighter and brighter with every new little bit you master. It can be a lot of fun. Last night at our ladies jam we had a collective pat on our shoulders as we leveraged our combined knowledge to figure out what note we needed to add to the D7 chord to convert it to a D7-9.
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amyFb Huss & Dalton CM McKnight MacNaught Breedlove Custom 000 Albert & Mueller S Martin LXE Voyage-Air VM04 Eastman AR605CE |
#10
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Find a teacher who does what you are paying for.
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"Still a man hears what he wants to hear, and disregards the rest." --Paul Simon |
#11
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