#31
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Be patient and use your ears. Once you have it dialed in, you're pretty much set. Incidentally, used mine last night at an "open mic" and got lots of compliments. From what I could hear, most of the other performers were using UST's alone because there was a lot of quacking going on. |
#32
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<°)))< 1998 Very Sweet Wife 2000 Cute Daughter (Grand Concert) 2005 Handsome Son (Dreadnought) 2007 Lovely Daughter (Parlor) 2017 Cute Puppy (Duke the Uke) |
#33
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Yep. Small world. And here's what my own Anthem SL-equipped guitar sounded like on the same night. I finished up the night after most of the sign-up acts had gone home. https://youtu.be/nrXSulnEvJ0 Last edited by guitaniac; 02-20-2016 at 10:43 AM. |
#34
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Anthem SL
I just installed this in my J45 to replace the Element that was factory installed. Not only was the replacement installation easy, it is a big upgrade in sound quality. The SL is more natural sound and not quacky.
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#35
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Gary, I have heard a lot of your clips over the last few years and I think this might be my favorite as far as guitar tone wise.
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Vancebo Husband of One, Father of Two Worship Leader, Music Teacher Oregon Duck Fan Guitars by: Collings, Bourgeois, Taylor Pickups by: Dazzo Preamps by: Sunnaudio Amps by: Bose (S1) Grateful |
#36
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With the A3, I can use the 2 band parametric EQ and the 6 band graphic EQ in series, or I can even use two parametric EQs in series. On top of that, I can use the A3's basic 3 band EQ for "quick and dirty" adjustments at the gig, when needed. I can also use the A3 as a blender, since the mic input is a compound jack which will also handle a 1/4" mono plug. The mic channel works well with active pickup systems, as well as mics. At last night's gig, I used the A3 to blend the PUTW I/O UST (in a different guitar) with a Baggs Lyric which I recently installed. Last edited by guitaniac; 02-21-2016 at 08:42 AM. |
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Initial observations on the switch from the Lyric to the Anthem SL are a much better amplified sound, after dialing in the mic/UST balance. Through my non-eq'd Bose L1 Compact, the bass is a bit heavy, even on this 3/4 LG-2, but similar to my Fishman Ellipse Blend in my D-18. Much happier with the sound so far. I guess I like that UST added in. A better test will be this Monday night at my monthly acoustic gig. There, I plug into my buddy's Loud Box, and can dial the bass back a bit if needed. The tech even switched the covers so I could have the tortoise color instead of the crème, which I much prefer inside the sound hole.
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#38
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I captured a few new recordings of my Collings OM1A w/Baggs Anthem PU at a solo acoustic gig I played last night. I thought maybe a recording or two might be worth a thousand words? This was my first time recording with my iPhone 6S Plus.
Forgive the clams and timing issues with the Looper. If you hit the 'loop play' at the wrong time, it occurs overtime the loop repeats. LOL Oh Well. While the jam on Stairway is a bit self indulgent and cliche, I thought it would be good to hear the acoustic with a little bit of delay. I used a Strymon Ola Chorus on the rhythm part of the loop.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#39
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That was a very enjoyable listen, Mr. Roberts. Are you blending in some UST signal (with the mic signal that's above 250Hz), or is your blender simply set in the full mic position?
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#40
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I watched a YouTube demo of the Anthem and the presenter indicated the sweet spot was 90% Tru-Mic. That was just one persons opinion, so I gave it a try. I will dial 100% to Tru Mic for my next gig and if the background is quiet enough, I'll try to capture a recording. Then again, maybe I need to try that at home in a more quiet/controlled environment. Hmm. :-)
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#41
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#42
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To be fair, the high school kids were using cheap guitars with cheap electronics. Most higher end UST systems don't sound that bad. A DTAR Wavelength system, for instance. sounds pretty decent in that kind of "casual listening" environment.
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#43
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#44
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I could leave the Anthem dialed 100% to the tru-mic side where I believe it sounds the best and is the most organic and natural sounding. FYI - When the thumb wheel is dialed all the way toward the tru-mic side (which is toward the neck of the guitar), the Anthem still uses the UST for 150Hz and below.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#45
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PS Here's one of the places where its been stated that the crossover frequency is 250Hz. This is Doug Young's Anthem review from 2010. He mentions the crossover frequency at about 1:35 in. Its possible, I suppose, that the Baggs folks have revised the design since then. https://youtu.be/jNJwDq3OV6o Last edited by guitaniac; 03-01-2016 at 10:33 AM. |