#76
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Yairi Virtuoso Maple Martin D18 kit build Alvarez PD-85SC AV Bedell TB-28G Guild GAD M20 NA Michael Kelly V65 SP Tacoma PM20 Alvarez AP70 |
#77
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Yairi Virtuoso Maple Martin D18 kit build Alvarez PD-85SC AV Bedell TB-28G Guild GAD M20 NA Michael Kelly V65 SP Tacoma PM20 Alvarez AP70 |
#78
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HPL is similar in composition to, but not the same as, formica.
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#79
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#80
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There are some wood and nomex composite double top nylons that many would consider to produce sound on par with the highest echelon solid wood top nylons. And even if someone set out to build a carbon fiber that sounded better, that would be at best subjective judgement. To some, the Rainsong may already be there. hunter |
#81
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I share the traditionalist sentiment against artificial materials and design: I play a Spanish guitar and a Martin dread, not a plastic uke and an Ovation. That said, I am a fan of Richlite.
Purist concerns: The plastic horse is way out of the barn. Martin has been binding their boxes with cellulose or plastic since -- I believe -- the 1920s. Pick guards haven't been any natural material for at least that long. The herringbone binding HD-28 owners love, for instance, is multi-colored, patterned plastic instead of the plain white plastic on my MMV. Naturally, the concern is elevated when dealing with a fingerboard, compared to a mere ornamental binding (which has as its highest functional purposes to seal end grain against moisture and protect a corner against damage). Feel: While I rank ebony highest, I think Richlite is preferable to many of the Rosewood fingerboards you'll find these days. It is hard, smooth, and has otherwise a nice feel to my fingers. Appearance: Richlite is solid black with a subtle grainy brushed texture that avoids looking like plastic. It looks like the smoothest, tightest ebony ever, if you don't look too close and notice the missing pores. Again, I think it is superior to many of the rosewood samples I see these days. Tone: If there is a tonal difference, it surpasses my ability to distinguish it. Others say they hear it. They'll need to pony up for a wood fingerboard. Sustainability: Richlite is paper and resin. It doesn't contribute to the overharvesting of tropical trees. A bonus, in my opinion.
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Martin 00-28VS (2006) Takamine C132S gut string (1990) Alvarez AF77E (2015) Gretsch open back banjo (1972) Walnut Creek mountain dulcimer (2004) |
#82
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Well, I have heard many proponents of CF guitars over the years. And always hear them tout the benefits of stable tunings, and that they are not subject to humidity changes. Toughness on the road. Good ability to record because of the sterile, articulate nature of the sound. Some do sound very nice. And have great attributes. But I haven't heard anyone say yet that any particular CF guitar was the best sounding guitar they have ever heard. I guess I misspoke when I inferred "everyone". I know there is no issue in the world that "everyone" agrees on.
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Yairi Virtuoso Maple Martin D18 kit build Alvarez PD-85SC AV Bedell TB-28G Guild GAD M20 NA Michael Kelly V65 SP Tacoma PM20 Alvarez AP70 Last edited by StrumFu; 03-19-2015 at 10:12 AM. |
#83
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Yairi Virtuoso Maple Martin D18 kit build Alvarez PD-85SC AV Bedell TB-28G Guild GAD M20 NA Michael Kelly V65 SP Tacoma PM20 Alvarez AP70 Last edited by StrumFu; 03-19-2015 at 10:16 AM. |
#84
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#85
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Yairi Virtuoso Maple Martin D18 kit build Alvarez PD-85SC AV Bedell TB-28G Guild GAD M20 NA Michael Kelly V65 SP Tacoma PM20 Alvarez AP70 |
#86
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A student of mine has a Martin with a black Richlite fingerboard.
Feels like ebony. Unless you look really close, it looks like ebony. I dunno. I think it's a great fretboard material. I'd like to hear from someone who's had to refret it, though. |
#87
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This guy seems to like working with the Richlite. Page through his album to see some great detail of a refret. http://www.renchguitarwerks.com/www...._GPCPA4.html#1 |
#88
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I have a OOO MMV with a richlite board/bridge and I like it was well. It looks and feels nice. |
#89
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Richlite has been used at my place of employment for years in various tooling applications such as forming blocks and models. It is dimensionaly stable with temperature and humidity changes, machines well, is durable, and basically doesn't crack. Density is slightly higher with Richlite than ebony, 76 lbs cuft to about 62, which could be a concern with bridge use. I don't know of acoustic properties such as damping.
I don't have any guitars with Richlite. |
#90
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I frequently do and would rather have a Richlite fretboard than plastic (ivoroid) binding. Trevor |