#16
|
|||
|
|||
The new D18 is certainly worth a look if you're in the market.
I got one 2.5 years ago and since then each time I look at buying another guitar I go home, play mine for a bit and realize this D18 works best for me. Although I think there's an HD35 in my immediate future after playing one a few days ago. |
#17
|
|||
|
|||
I have one of these;
http://www.youtube.com/watch?v=n6pLqcsB8ek
__________________
Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#18
|
|||
|
|||
There's an embarrassment of riches available. Personally, I would look at the used market. $2500-3000 will land you a Collings D1 or D1A, Huss & Dalton TD-M or TD-M Custom, Bourgeois Country Boy, or Santa Cruz Vintage Artist. $3500-4500 you're into a used Martin Authentic, either 1939 or 1937 variety. $4500-5500 and we're talking used Merrill, Circa, Hooper, Altman, and Nashville Guitar Company. Stellar instruments, all.
__________________
Do I contradict myself? Very well then, I contradict myself (I am large, I contain multitudes). --W. Whitman Last edited by Redbeard; 11-23-2014 at 05:50 PM. |
#19
|
|||
|
|||
D18 authentic for sure. Definitely consider both models the old discontinued 37 and the new 39. The 37 is more powerful and is a real boomer, the 39 is more melodic and singing imo.
If those weren't around, I love Bourgeios guitars, I'd probably look for a country boy. I find bourgeois to have a little more richer sound than similar martins but otherwise pretty similar . That's a BIG generalization though |
#20
|
|||
|
|||
was checking out a mahogany Taylor yesterday and noticed they called it Tropical Mahogany and am wondering if it might be Phillipine Mahogany (luan).
I know honduran mahogany is in very short supply these days and there is a big difference between the two. |
#21
|
|||
|
|||
The usual suspects: Martin (my choice would be the Authentic 1937), Bourgeois (VVMD, Vintage Aged Tone), Santa Cruz (D-PW or, better still, 1934 D Mahogany), etc. All of these are great, but in my opinion the Martin Authentic, besides being a great sounding and playing guitar, is a relative bargain. If I were in the market for a top quality mahogany dread, my search would probably begin and end with it.
__________________
Collings CJ Goodall RCJ Martin 00-18 Tim O'Brien Jonathan Vacanti archtop Aaron Garcia Ruiz classical Last edited by Watt; 11-23-2014 at 05:59 PM. |
#22
|
||||
|
||||
Great replies!! Keep em coming. How many years back would you need to go for a used D18 to compare to an authentic?
__________________
Dave 2013 Rockbridge slope |
#23
|
||||
|
||||
Sixty years if more!
__________________
i got tired of updating my guitars. |
#24
|
||||
|
||||
Funny, my Dad's birth year is 54. That would be sixty years old and something nice to have.
__________________
Dave 2013 Rockbridge slope |
#25
|
|||
|
|||
Quote:
Specs wise, you've gotta go back to 1944 to find red spruce top and scalloped rear shifted braces. Tonally? I've played some D-18s from the 50's that are remarkable. Market price has caught up with them, too. I'll add this from personal experience. I used to have a 2008 D18 Authentic 1937. At the shop where I acquired it, I got to play it against a 1945 D-18, as well as a 2013 D-18, and a 2013 D-18 GE. Could've bought any of them, and I came home with the Authentic. That being said, Jim Merrill has ruined me. I traded my last Authentic in on a Merrill C-18. No looking back!
__________________
Do I contradict myself? Very well then, I contradict myself (I am large, I contain multitudes). --W. Whitman |
#26
|
|||
|
|||
Quote:
Now I could've played a dud Authentic, though Id be shocked. Martin is making some GREAT guitars right now, and I don't think you have to drop Authentic coin to get a great one. YMMV
__________________
Treenewt |
#27
|
||||
|
||||
Interesting stuff!! I've never played an authentic, or Merrill (wouldn't even know where to), but I'll keep everything open as an option.
__________________
Dave 2013 Rockbridge slope |
#28
|
|||
|
|||
I like bacon and pork chops. Ham on Christmas and Easter but not cold cuts. I hear pigs make good pets!
__________________
---Rob Martin GPC 11E Guild CV-1 Gibson L-00 Studio Gretsch Jim Dandy Fishman Loudbox Mini |
#29
|
|||
|
|||
So far, I keep preferring and buying mahogany as seen below.
__________________
2010 Allison D (German spruce/Honduran mahogany) 2014 Sage Rock "0" (sitka spruce/Honduran mahogany) 2016 Martin CEO-7 (Adi spruce/sipo) 1976 Ovation 1613-4 nylon--spruce top 1963 Guild Mark II nylon--spruce top |
#30
|
||||
|
||||
One of the guys from Rockbridge just finished their personal 12 fret slope with mahogany and German spruce. I want to get my hands on that to try.
__________________
Dave 2013 Rockbridge slope |