The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Acoustic Amplification

Reply
 
Thread Tools
  #1  
Old 10-24-2017, 05:37 AM
dave42 dave42 is offline
Charter Member
 
Join Date: Oct 2011
Location: Central Ohio
Posts: 983
Default Wampler Ego experiences please

Hi! On my small board I've had a Boss CS-3 to use with my 12 string to even out the sound a bit. A week ago it started a hissing sound engaged or not. Looking around the web I guess it's common. So off the board it went.

I'm looking for folks that use (or have used) the Wampler Ego. Seems well regarded. Your comments please! Thanks!!
Reply With Quote
  #2  
Old 10-24-2017, 11:32 AM
pieterh pieterh is offline
Registered User
 
Join Date: Oct 2010
Location: Near Stockholm, Sweden
Posts: 3,921
Default

Quote:
Originally Posted by dave42 View Post
Hi! On my small board I've had a Boss CS-3 to use with my 12 string to even out the sound a bit. A week ago it started a hissing sound engaged or not. Looking around the web I guess it's common. So off the board it went.

I'm looking for folks that use (or have used) the Wampler Ego. Seems well regarded. Your comments please! Thanks!!
I like mine a lot on my electric setup and use it both for getting that chicken picking feel and for boosting solos. I am not sure I would use it on an acoustic setup: it does color the sound a bit but in a pleasant way. I have recently acquired a Carl Martin compressor pedal and that is very neutral and would be the one I will use with my acoustics if I need a compressor.
__________________
Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV;

Ex-pat Brit in Sweden
Reply With Quote
  #3  
Old 10-25-2017, 05:07 AM
dave42 dave42 is offline
Charter Member
 
Join Date: Oct 2011
Location: Central Ohio
Posts: 983
Default

Quote:
Originally Posted by pieterh View Post
...I am not sure I would use it on an acoustic setup: it does color the sound a bit .....
Great info. Thanks for your input!
Reply With Quote
  #4  
Old 10-25-2017, 06:43 AM
Revy Revy is offline
Charter Member
 
Join Date: Nov 2004
Location: Iowa
Posts: 347
Default Wampler Ego

I run one on my pedal board. I use my pedal board for both electric and acoustic applications. I would agree with possibly coloring the sound a bit, but not much. Will add quite a bit of boost if you need it for that and will also add sustain (if needed). Wampler makes great pedals. When on, it make zero background noise. Mine is the full version, not the mini.
__________________
1995 Collings D2H
Larrivee SD-60 12 String
2014 Martin D-18 Sunburst
2014 American Standard Telecaster (Maple Board)Mystic Blue
2008 Fender American Standard Telecaster (Rosewood Board)
1994 Fender 40th Anniversary Stratocaster Caribbean Mist
2011 Martin JC-16RE 50TH Anniversary
2004 Martin J-15
2011 Gibson ES-335 Cherry Red
1993 Continental TriCone
Reply With Quote
  #5  
Old 10-25-2017, 06:54 AM
stevecuss stevecuss is offline
Charter Member
 
Join Date: Nov 2007
Location: Front Range, Colorado
Posts: 1,362
Default

Wampler makes great pedals and the Ego is a fine compressor. My favorite though is the Barber Tone Press. Dave Barber actually started the "blend" feature on compressors, but he also added a switch to add some highs and presence back into the signal after compression. The Wampler (and most compressors) tends to squash the highs a little, so if you're sensitive to that, you may prefer the Barber pedal.
__________________
Steve
Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.)
Maton 75th Anniversary OM
50th Anniversary Fender Am Std Strat.
Gretsch 6120 Nashville Players in Blue.
Line 6 Helix.

If I played as much as I read threads, I'd be a pro....
Reply With Quote
  #6  
Old 10-26-2017, 05:18 AM
dave42 dave42 is offline
Charter Member
 
Join Date: Oct 2011
Location: Central Ohio
Posts: 983
Default

Thanks for all the input!

Recently I had a Boss Super chorus in the house and was amazed at how much it colored the tone even when not engaged. So I'm a little apprehensive of the Wampler's slight coloring of tone. Does the Wampler color tone in the slightest even when not engaged?

Is your Barber quiet? That was the big problem I had with the Boss.. lots of hiss.
Reply With Quote
  #7  
Old 10-26-2017, 07:07 AM
stevecuss stevecuss is offline
Charter Member
 
Join Date: Nov 2007
Location: Front Range, Colorado
Posts: 1,362
Default

I would expect the Wampler to not color the tone when not engaged, and I would expect the same from the Barber. I'm guessing that old Boss Super Chorus may not have been a true bypass pedal, hence the permanent coloration.

Yes, the Barber will definitely add noise to the signal, but that is more due to it being a compressor. I think all compressors are noisy by definition. They are a tricky effect for sure - usually a little goes a long way unless you are Dave Gilmour

Quote:
Originally Posted by dave42 View Post
Thanks for all the input!

Recently I had a Boss Super chorus in the house and was amazed at how much it colored the tone even when not engaged. So I'm a little apprehensive of the Wampler's slight coloring of tone. Does the Wampler color tone in the slightest even when not engaged?

Is your Barber quiet? That was the big problem I had with the Boss.. lots of hiss.
__________________
Steve
Mcilroy A25c (Cedar, English Walnut) with Schatten HFN (custom MiSi Crystal Jack Preamp, putty install.)
Maton 75th Anniversary OM
50th Anniversary Fender Am Std Strat.
Gretsch 6120 Nashville Players in Blue.
Line 6 Helix.

If I played as much as I read threads, I'd be a pro....
Reply With Quote
  #8  
Old 10-27-2017, 11:42 AM
RockerDuck RockerDuck is offline
Registered User
 
Join Date: Sep 2008
Location: Canton, Georgia
Posts: 1,309
Default

The Strymon OB-1 is the best compressor I've found for acoustic. Very transparent.
Reply With Quote
  #9  
Old 10-27-2017, 06:05 PM
dave42 dave42 is offline
Charter Member
 
Join Date: Oct 2011
Location: Central Ohio
Posts: 983
Default

Thanks, RockerDuck!
Reply With Quote
  #10  
Old 10-27-2017, 06:25 PM
Laughingboy68 Laughingboy68 is offline
Registered User
 
Join Date: Nov 2010
Location: Stratford, Ontario, Canada
Posts: 1,037
Default

I've used a Wampler Ego on my acoustic pedal board for a few years now. It has both a blend control and a tone knob to combat the usual concerns of using compression with acoustics. I find it sweetens the tone nicely and use mine as an "always on" pedal. It works great on acoustic guitar and can be as subtle as you choose. YMMV.
__________________
Mike

2018 Furch D31TSR
2008 Martin OMCRE
1992 Takamine EAN20C
1996 Fender Telecaster w/ Barden Nashville set
1986 Charvel Model 5
2005 Art & Lutherie Ami
1980ish Hohner copy of a 'burst
Reply With Quote
  #11  
Old 10-28-2017, 07:31 AM
Laughingboy68 Laughingboy68 is offline
Registered User
 
Join Date: Nov 2010
Location: Stratford, Ontario, Canada
Posts: 1,037
Default

A comment on noise. A compressor will "tame the loud" and "boost the quiet". So... if your signal chain is already noisey it will be moreso. I can't hear any extra noise when I engage my Ego.
__________________
Mike

2018 Furch D31TSR
2008 Martin OMCRE
1992 Takamine EAN20C
1996 Fender Telecaster w/ Barden Nashville set
1986 Charvel Model 5
2005 Art & Lutherie Ami
1980ish Hohner copy of a 'burst
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Acoustic Amplification






All times are GMT -6. The time now is 02:53 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=