#16
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Probably the first actual instrument was a form of drum. Today, some of the touring Japanese drum ensembles are still able to generate visceral reactions from audiences mostly unconnected to that form of music. Humans have some kind of "cultural DNA" for music.
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#17
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Depending on how one defines "getting music", you could argue (as OP does) that 90% of the world don't get it. Or, with a different definition (akin to what Kevwind is pointing to), you could say that 90% of people get it.
What is a truth across all pursuits: if you give your attention quite fully to the phenomenon of interest, you are among the elite in that pursuit. And, with full attention, we experience things VERY differently. |
#18
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Not to mention singing.
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#19
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I've played open mic s where I've seen the entire (non muso) audience obviously responding to the painful emotional content of my work; some of them even weeping openly and covering their ears
Don't try and tell me that they don't get it. |
#20
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lol.....maybe I've seen you before..
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#21
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That is brilliant. We might make a powerful duo!
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#22
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Quote:
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#23
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#24
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Quote:
Tapping back into my teaching/psychology background, there's also the matter of learning styles - in simplest terms, the manner in which we approach, confront, process, and appropriate new information/tasks - which in over three decades in classrooms from elementary to collegiate I've found to be, on the innate level, as highly individualized as a fingerprint as often as not; by the same token, with exposure and training one can be taught to augment - or even supplant - one's "instinctive" approach with new skills. I'm reminded of a former bandmate from about forty years ago, a young lady with a three-plus octave jazz-singer voice, choral experience from elementary school through college, and enough ability on guitar to credibly accompany herself in most popular genres - this was unquestionably someone who "got" music, from the OP's standpoint. Our trio was having one of those days when "it" just wasn't there, and we couldn't get a handle (Handel?) on a song we were learning; calling a break I pulled out the original recording and played it several times, each time asking her to focus on a different interior part of the arrangement - deconstruction, if you will - and when we revisited the tune we nailed it on the first take. After rehearsal she came up to me and smacked me on the arm; when I asked her why, she said, "That's for spoiling everything - I'll never be able to listen to music the same way again; I'm always going to be listening for who's playing this line or who's singing that part - I can't just hear the whole thing all-at-once anymore..." Referring back to Kev's point, while it's true that music need not be analyzed to "get it," for those of us who have the natural proclivity it adds a deeper dimension of appreciation and understanding when we do...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#25
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I believe that EVERYONE hears/experiences music differently, and certainly differently than I do... realized this over 4 decades ago...
Some folks don't listen to music at all, just what they encounter in their day-to-day lives. Many folks just like having "something on" in the background... some folks really love to listen closely to a piece of music or a song/album. And then there are some who let the music take them over, in all ways; just let it saturate them completely, so much so that the music actually becomes a part of them. And every different way is JUST FINE! Seems that the original post was laced with supposition, judgement (fairly self-righteous) and a healthy dose of "tsk tsk tsk" (the way an adult will frequently treat a child). I would suggest that he GET OVER HIMSELF! Folks are gonna hear what they hear, and they'll do with it what they will. OF COURSE you hear music differently than most - you're a musician, right? You are SUPPOSED to hear it differently... doesn't mean you're superior to someone who experiences it differently. Believe me, I used to be firmly in the same campground, if not the same campsite! Used to be, I would "hold" a person's tastes and method of experiencing music against them completely... to the point of not even associating with folks who weren't working on the same "level" as me... I found that ideology led me to a dead-end (and enlightenment wasn't even in the vicinity...)! One of the incredible aspects of music is that people experience it (or not), on so many levels and in so many different ways...
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#26
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Well, thanks to Long Jon, for his sense of humour, and for not taking the whole thing too seriously.
There is nothing "to get over", it is just an observation that some folks have no real interest or understanding of music. I mean no insult, nor disrespect to anyone, indeed I consider those who aren't that interested in music as, possibly, more "normal" than ...well, myself. There are those with no natural sense of rhythm, and those who have but most may be instinctively moved by a simple drum beat etc. This was a Sunday morning musing and an invitation to discuss. Thanks to those who did.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#27
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Outside to the carpark, now! |
#28
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Don't know about the original premise, but I will say this...Every time I hear a thread bemoaning the fact musicians can't get gigs in restaurants or bars, it makes me want to say to them.... "It's your own darned fault". Now not speaking about everyone obviously, but I can't count the number of times we have gone into a restaurant and simply left, or asked that the performing musician turn it down, (which they inevitably do for a song or two, then turn it right back up) I don't know if it's ego, or a simple misunderstanding of what they are hired to do. They are background music for people to listen to while having dinner. If you (you in the general) are so loud people can not hear to have a conversation at the table, you are not being what you are hired to be. Most people did not come to hear you sing or play, they came to eat, and you are "nice atmosphere" If I can't talk to the people we are eating with because the music is so loud, we are leaving and going somewhere quieter. Simple as that. So I don't blame restaurant owners for refusing to hire live musicians. As for bars, well it depends on the venue. I know I used to absolutely love going to Murray's in Lexington, sitting on the patio with a date and a bottle of wine, and listening to this older gentleman who played guitar with an accompaniment machine and sang a lot of old Mowtown, Classic Rock, etc. But he got what he was there for and was always at a nice level. Too many do not understand this and think they are giving concerts or something. Trust me, people want to be able to hear the people they are having dinner with....... I love restaurants with live music, and they are getting harder to find, and I suspect this has a lot to do with it.
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#29
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I'm an old man, and I've not been well, and ....er.. I wear glasses !
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#30
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This post sounds like me. I love to play, create and study music. I don't care to be an audience. For music to get my attention it has to transcend the mechanics of making it. And that is rare. Most music is generic to me. I don't know what other people get or don't get about music. That's why I quit playing for them and only play to please myself. Playing music for people is a little like making a post here. A couple of people get it and the majority mistake it in someway. Like I probably have. :-)
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