#16
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I did finally find a lefty diagram of the major scales that go along with the C-A-G-E-D chord forms. It indicated in a different color where to the find the root notes in each scale. I printed this out, drew a box around the notes that made up the chord shape, and then used a different mark to indicate the pentatonic scale within the major scale. I have found no such multi-purpose tool anywhere on the internet. But it works for me, and has become a very useful element in my daily practice.
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Carol "We are music fingered by the gods." ~ Mark Nepo |
#17
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I don't really use the interactive part though as I get a heck of a lot of fun just from the E minor stuff from the 3rd fret to the 5 fret positions. Even just 3-5 3-5 (frets on the first and second strings) and 5-6-7, 5-8 (on the first and second strings) adds a lot of flavor in between E7 A7 and B7 (12 bar blues). You can play those notes in between the chords in the progression. For instance playing a E7 four beats, then 3-5, 3-5, 5-6-7 (1st string, 2nd string, then 1st string) in time and then going to the A7 chord is really cool to fool around with.
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#18
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I can't see it now either but from memory there were three scale patterns. Two were correctly named as Major Scales. The other was named as an A scale, without saying if it was major or minor, (It was actually A major, or F#m pentatonic), but at the top left of the page it was called Am.
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#19
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Carol "We are music fingered by the gods." ~ Mark Nepo |
#20
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#21
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Neck Diagrams
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The software can build scales, will display the fingering, notes, intervals, etc. I really like it and use it a lot. Pretty inexpensive too! Take a look. I'm not affiliated with them in any way, just find the software really useful.
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