#16
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Quote:
Thanks for this suggestion to keep panels to a practical size. Also, I really appreciate our recent phone conversation covering the range of topics from room treatment, to mic placement, to recording techniques, to the 3 Zigma mics, and of course the guitars themselves.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#17
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PM'ed Ya Chuck
Aloha Chuck,
I sent you a private message. alohachris |
#18
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I framed my panels with the aluminum L angle stock that is typically used for drop ceiling installations. It edges the insulation under the fabric. The field of a drop ceiling uses stock that is T in cross section. You want the stock that goes around the perimeter of the ceiling where it meets the wall. It's cheap, light, and assembles pretty easily with just tin snips and pop rivets. Worked out great for 703/705. When I need to build some more, I'll do the same.
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Sobell Model 1 Sobell six string archtop Gibson ES-165 Herb Ellis Eastman John Pisano Gibson Johnny A Franklin Prairie State Collings D1A |
#19
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Something simple like this might be a good solution for portability:
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#20
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If you want a 'dead' sound, for sure. Foam absorbs the high frequencies, and it's abosrption specs diminish as the frequency goes down. For voice, what you end up with is a very boxy sound with no 'air' (high end sparkle).
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |