#61
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Greta 13 Fret
If the Sitka and Wenge deliver the sound Mark expects... and has worked to achieve, then I will own one very impressive instrument and ....... I promise to post the first 3 songs I compose after receiving it. Unless Mark asks me to kindly remove them. lol lol lol
daniel |
#62
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Today I did the binding and purfling on the top. The purfling is black, maple, black, mahogany, black, maple, black. All elements that are in the rosette. Here it is getting glued and after a rough sanding;
And we have a neck! Here it is getting glued up. It has maple laminates with cross grained Wenge up the center; Thanks, Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#63
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Absolutely stunning! I listened to some of the sound clips on your site Mark...incredible tone. This one is gonna be a winner!
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Bourgeois Indian/Sitka OMC Collings Coco/German OM M.J. Franks Madi/Adi 12 Dread Santa Cruz Vintage Southerner ‘96 Gibson J-100 |
#64
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Thanks for your kind words clicktone!
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#65
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Man, I know that the router has depth guides and all that but cutting that perfect little binding rabbet into the finished box always looks so terrifying to me! One slip up and things are really messed up. At least I would have a good chance of goofing it up, that's for sure. Looks great, Mark.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#66
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Thanks Jon!
Here is a picture where you can have a good look at the cross grain Wenge going along the back of the neck; We are going with my sculpted head stock for this guitar. Here are a couple pictures of the head plate after roughing it out; It will have a black ebony binding with maple pufling. Thanks for following along! Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#67
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the carve on the wenge head veneer looks awesome, this guitars going to look beautiful under finish.
love your threads mark, keep up the great work!!!! George |
#68
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Quote:
I enjoy doing these threads. Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#69
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Beautiful...but that 3 3/8" neck width is going to make G chords really hard to play!
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#70
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Greta 13 Fret
I originally asked for 4 3/4 '' neck but Mark suggested it might me a tad wide.
So we compromised. dgd |
#71
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For 4 3/4" necks you do barre chords with your left foot, I think.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#72
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So I'm getting the idea the neck is looking a little wide?
I leave the neck wide while I work on the headstock and heel. This gives me some meat to hold on to in the vise and I won't damage anything in the process. Here is the bound head stock plate getting glued up and with the head stock generally cut to shape; Here I am working on the binding for the fret board; This is a relatively short scale length of 25". That with a 13 fret neck will make a very comfortable guitar. I am quite happy with how this is shaping up and I'm thinking I'd like to make a nylon hybrid like this, maybe with an open head stock. Hmm, Somebody order that, I'd like to see how it would come out! Thanks, Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#73
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Greta 13 Fret
Mark, every thing is coming together very nicely. There are so many steps that add up to a lot of work. When do you start getting a little nervous using sharp tools on an assembled guitar ?
daniel |
#74
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Love the bound fretboard. What nut size do you use on your crossover nylon string guitars? How would you characterize their tone relative to a regular classical (I may have asked you this before but can't remember the answer)?
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#75
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Quote:
Mark
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |