#1
|
|||
|
|||
What does a Capo do?
Please bear with me as I trudge through the arduous task of teaching myself guitar.
I notice that alot of songs have capos, particularly at the second or third fret. I imagine this changes the key of the guitar, but how does it affect chording? I don't have a capo yet, or I imagine I'd be able to figure this out myself. For instance, if you capo the second fret, your guitar now plays G,C,F,A#,D,G. So you have to learn an entire new set of chords each time you capo? I'm having enough trouble getting down 20 or 30 chords on an open guitar. I can't imagine learning those sets or being able to write music with capos in so many places. Which leads me to believe there's some trick behind it...is there? Thanks! |
#2
|
|||
|
|||
All the capo does is behave as though you have moved the nut further up the neck--it sort of raises the key, if you will. For example, if you're trying to sing a song in C but it's too low, you can capo at the second fret, and still play the C fingering. It will be a higher key but you can keep the chord positions you already know. Some folks (purists) may regard them as a "cheat," in a way, but I like mine and it's a handy thing for me since I don't do barre chords too well.
__________________
Lauren "I love technology...but not as much as you you see..." 2011 Collings CJ sunburst |
#3
|
|||
|
|||
Hi Kairo! Welcome to the forum!
No, don't fret (sorry, I couldn't resist). When you capo the guitar, you're changing the pitch, but you're still using the same chord shapes. For example, you might add a capo if you wanted to play using the same chords but the pitch was too low for your singing voice.
__________________
Karen "Those of you who think you know everything, annoy those of us who really do." 1992 Seagull S6 Cedar - "Jonathan" 2004 Gibson Southern Jumbo - "Magic" 2007 Epiphone EL-00 - "Elmo" 2005 Gibson J-185 - "Lily" |
#4
|
||||
|
||||
Your chord positions stay exactly the same...but you're correct: a capo moves the key signature up...your G chord becomes a G# chord, etc. However, you'd still play it with the same finger positions. Just think of a capo as shortening of the fretboard. Capos enable you to play a song using easier to fret chords (or less barring) in a different key signature, which might be more suitable for singing along with a song, or doing individual leads, etc. Some call capos "cheater bars," a rather unfair diss.
But it's a lot easier to play a song, for instance, in the key of D, rather than Eflat (D#). And you'd figure it out pretty fast--now as to which capo is "the best" you'll get 10 different opinions.
__________________
"It takes all kinds to make a world...including the kinds who think only their kind belong in it." (unknown) "Next To the Word of God, music deserves the highest praise." (Martin Luther) 1992 Taylor 855 2000 Deering Sierra 2009 Recording King RD-16SN ~ "utility" 2009 Martin HD-28 |
#5
|
||||
|
||||
Quote:
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#6
|
|||
|
|||
Excellent, thank you everbody
|
#7
|
||||
|
||||
If you play with a keyboard player, a capo can be your best friend as they seem to like to play in keys like Eb.
Go HERE for a visual on how it works. The line across the top is the chord shape you make with your left hand. The numbers down the left side are the fret you put the capo on. The chords shown are the actual chord sounds you are making when you make the shape across the top. For example, playing the C chord shape with the capo on the first fret results in a chord that sounds like C sharp (C#) or D flat (Db). So if my keyboard playing friend wanted to play a song in the key of Db and I did not want to try to play chords like Db, Ab, F# etc. I would capo at 1 and play in C. |
#8
|
||||
|
||||
Quote:
A capo is like a sliding version of the nut. Song is too low or too high, put the capo on the neck and play the same chord sheet. If it's still not right, just move it a fret or two at a time till you find the right key to play it in. |
#9
|
||||
|
||||
There are two ways to look at of how to use a capo. One is as mentioned before, the other is to change the voicing or inversion of chords of the same key. For example, playing in G in the open position or playing in G (capo 5th fret) using the D chord shape will change the voicing of the chord. This very helpful when two guitars are playing, creating a nice full harmonic sound.
__________________
There are still so many beautiful things to be said in C major... Sergei Prokofiev |
#10
|
||||
|
||||
Q. "What does a capo do?"
A. Mostly break people's kneecaps.
__________________
"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#11
|
|||
|
|||
Partial CAPO's
Not to confuse the issue at all, but have you guys heard of "partial" capos; ones that only hold down 2-3 strings..?
Ive heard of some fingerstyle guys using those, along with different tunings... |
#12
|
|||
|
|||
Any C-clamp capo can do that. You just clamp it on, e.g., the lower four strings and leave the B and E open. Give surprising effects.
Another thing that a capo does is change the sound of the guitar, usually for the better. The increased weight at the neck improves wave reflection and so increases sustain and clarity. That's why a capo on the second fret usually sound better than a bar with your index finger.
__________________
|
#13
|
||||
|
||||
Quote:
Yup. There are lots of different kinds and you can cut 'em up in all kinds of perverted ways, as well! Bob
__________________
"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#14
|
|||
|
|||
Quote:
A partial capo is one who isn't quite "capo di tutti capi." Anybody here read Italian mafia type books? Anyway, back to the original thread.
__________________
"Dreams are the answers to questions that we haven't figured out how to ask." - Mulder |
#15
|
||||
|
||||
Quote:
My traveling kit has two Esus (cut) capos, 2 standard full capos, One dropped D capo. They are fun to explore with. A 3 string ''Esus'' application simulates DADGAD intervals, and flipped upside down in an ''A'' shape simulates Open G for slide work. Some very creative and fun variations and voicings can arise from cut capos. You can build one by inverting a Kyser capo, removing the short piece and trimming it so it covers the 3rd, 4th, 5th strings with a bit of overhand. Best to measure it at the 5th fret incase you want to move it up the neck and the spacing is wider at the 5th fret than at the 2nd fret. Just trim the rubber piece with a sheetrock knife, Wire cutters, or sharp knife and replace it. I build mine with a hacksaw from Shubb Dropped D capos. I know Shubb makes an Esus, but the Shubb Dropped D are a better fit when chopped into Esus (slightly different curvature). I may trim the rubber piece on a Dropped D Shubb into a 4 string version that covers strings 2-5. At the 2nd fret this would simulate Double Dropped D. |