The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #1  
Old 10-10-2009, 08:38 PM
Bigzam12 Bigzam12 is offline
Registered User
 
Join Date: Jan 2009
Posts: 71
Default Solid vs Laminate back and sides

Hello,

I'v been looking into buying a twelve string guitar recently, and I found a Breedlove guitar that I really like, but I was upset when I figured out its back and sides are laminated. I would buy the all solid maple guild, but the Breedlove has a solid englemann spruce top.

I know that both of those brands are great guitars, and one isnt better then the other, they're just diffrent. My question is, would you get the solid maple tone out of a good laminate maple, even though its three sheets of wood glued together? Does it sound diffrent?

Thanks!
Reply With Quote
  #2  
Old 10-10-2009, 09:16 PM
66strummer 66strummer is offline
Registered User
 
Join Date: May 2008
Posts: 6,762
Default

A lot of the overall tone rests in the top bracing and soundboard. I own a solid top/ laminate maple Washburn jumbo that sounds very nice. Would it sound better if it was all solid? It might, but I'll bet it wouldn't be a huge difference.
Reply With Quote
  #3  
Old 10-10-2009, 09:22 PM
brian a. brian a. is offline
Registered User
 
Join Date: Oct 2007
Location: Wasatch Mountains
Posts: 2,706
Default

Quote:
Originally Posted by 66strummer View Post
A lot of the overall tone rests in the top bracing and soundboard. I own a solid top/ laminate maple Washburn jumbo that sounds very nice. Would it sound better if it was all solid? It might, but I'll bet it wouldn't be a huge difference.
+1 for Ryan's comment.
Reply With Quote
  #4  
Old 10-10-2009, 09:31 PM
Wadcutter Wadcutter is offline
Registered User
 
Join Date: Jul 2006
Location: Upstate New York
Posts: 6,145
Default

I would venture to say that the average person if blind folded couldn't tell the difference in tone between a guitar with laminated B&S and one with solid wood B&S. The top is the major contributor to tone and would be my major point of focus in geetar acquisition.
Reply With Quote
  #5  
Old 10-10-2009, 09:34 PM
SpruceTop SpruceTop is offline
Charter Member
 
Join Date: Jan 2006
Location: Rochester, New York
Posts: 12,362
Default

Quote:
Originally Posted by Bigzam12 View Post
Hello,

I'v been looking into buying a twelve string guitar recently, and I found a Breedlove guitar that I really like, but I was upset when I figured out its back and sides are laminated. I would buy the all solid maple guild, but the Breedlove has a solid englemann spruce top.

I know that both of those brands are great guitars, and one isnt better then the other, they're just diffrent. My question is, would you get the solid maple tone out of a good laminate maple, even though its three sheets of wood glued together? Does it sound diffrent?

Thanks!
I'd say not too different. Breedlove builds quality across their product line and for a 12-string, unless you're Pete Seeger, you'll most likely play the 12-banger sparingly, but with its laminated back-and-sides, it'll still sound very nice! I'd suggest getting a mid-level 12-string and see if you'll play it very much. For me, 12-strings are the most wonderful sound in the Universe--for about 20 minutes--but my fretting-hand tends to get tired and I begin to miss the punch and dynamics of a good six-string guitar real quick! Your mileage with a 12-cylinder tone engine may vary.

My 12-string experience is based on owning a 1976 Guild Madeira 12-String, a 2007 RainSong JM3000 12-String, and a 2008 Taylor 355ce 12-String. Others may disagree with me but I'd suggest keeping your foray into 12-string axes fairly cheap to begin with.

Regards,

SpruceTop
__________________
Martin HD-28 Sunburst/Trance M-VT Phantom
Martin D-18/UltraTonic
Adamas I 2087GT-8
Ovation Custom Legend LX
Guild F-212XL STD
Huss & Dalton TD-R
Taylor 717e
Taylor 618e
Taylor 614ce
Larrivee D-50M/HiFi
Larrivee D-40R Blue Grass Special/HiFi
Larrivee D-40R Sunburst
Larrivee C-03R TE/Trance M-VT Phantom
RainSong BI-DR1000N2
Emerald X20
Yamaha FGX5
Republic Duolian/Schatten NR-2
Reply With Quote
  #6  
Old 10-10-2009, 10:24 PM
66strummer 66strummer is offline
Registered User
 
Join Date: May 2008
Posts: 6,762
Default

Quote:
Originally Posted by SpruceTop View Post
I'd say not too different. Breedlove builds quality across their product line and for a 12-string, unless you're Pete Seeger, you'll most likely play the 12-banger sparingly, but with its laminated back-and-sides, it'll still sound very nice! I'd suggest getting a mid-level 12-string and see if you'll play it very much. For me, 12-strings are the most wonderful sound in the Universe--for about 20 minutes--but my fretting-hand tends to get tired and I begin to miss the punch and dynamics of a good six-string guitar real quick! Your mileage with a 12-cylinder tone engine may vary.

My 12-string experience is based on owning a 1976 Guild Madeira 12-String, a 2007 RainSong JM3000 12-String, and a 2008 Taylor 355ce 12-String. Others may disagree with me but I'd suggest keeping your foray into 12-string axes fairly cheap to begin with.

Regards,

SpruceTop


Sounds like a good perspective and some very good advice there, SpruceTop.......
Reply With Quote
  #7  
Old 10-10-2009, 10:31 PM
JackInTheGreen JackInTheGreen is offline
Registered User
 
Join Date: Jun 2009
Location: Pacific Northwest
Posts: 448
Default "Solid Wood Back & Sides, Not Required"

I've played Gibson 12 Strings for about 29yrs...I picked up a cut away Breedlove import at a GS store and played it for about 4 min......I went home a bought one on Ebay...The neck profile is amazing....My Luthier told me a story of a Classical Guitar builder that to prove a point, made a guitar with a proper solid wood top, and the back and sides of "Papier Mache'e".....Enjoy
__________________
Epiphone EL-00, sold the other twenty something.
Reply With Quote
  #8  
Old 10-10-2009, 10:32 PM
Wade Hampton Wade Hampton is offline
Registered User
 
Join Date: Sep 2008
Location: Chugiak, Alaska
Posts: 31,233
Default

Quote:
Originally Posted by SpruceTop View Post
My 12-string experience is based on owning a 1976 Guild Madeira 12-String, a 2007 RainSong JM3000 12-String, and a 2008 Taylor 355ce 12-String. Others may disagree with me but I'd suggest keeping your foray into 12-string axes fairly cheap to begin with.
I agree.

What all-solid woods for the back and sides will give you over laminated back and sides is more "warmth" and a bit more resonance. But those qualities, ironically enough, can actually get in the way in a 12 string.

12 strings basically give you too much of everything, and clarity can be a problem as a result.

You already know you like the sound of this inexpensive Breedlove, and that right there ought to be your guide above all else when selecting a guitar.

I sure wouldn't let the supposedly "lesser quality" of laminated sides and back stop me from buying a guitar.

I've put my money where my mouth is on this, by the way. I own some very fine, very high dollar musical instruments, including several custom made guitars. If I wanted to, I could put the money aside and get any 12 string guitar I wanted.

But the one I chose and the one I own and play is a Seagull 12 string, with a solid cedar top and, yes, laminated cherry back and sides.

It sounds better than some all-solid wood 12 strings that I tried out that cost three and four times the price.

I'm not a big fan of laminated woods in 6 string guitars, but 12 strings operate in a slightly different way, and laminates on the backs and sides actually help the clarity and projection, in my opinion.

Hope this helps.


Wade Hampton Miller
Reply With Quote
  #9  
Old 10-11-2009, 03:17 AM
Michael T Michael T is offline
Registered User
 
Join Date: Nov 2007
Location: Central Gulf Coast Florida
Posts: 2,773
Default

I tried a couple Laminated cherry Breedlove during my hunt too, nice guitars and I do like the Breedlove style. I ended up with a Mahogany B/S Larrivee primarily for the tone. The separation was clean and the punch was signifcantly better to my old ears. I also liked the neck better, but I already had a 6 string Larry, so that may be attributed to familliarity. I originally went looking for a Breedlove Classic Xll ebony, but the Larry couldn't be resisted at less than 1/2 the price.
__________________
08 Larrivee L05-12
02 Larrivee DV-09
73 Granada Custom
Kids got the others

http://www.soundclick.com/bands/defa...?bandID=797065
Reply With Quote
  #10  
Old 10-11-2009, 03:52 AM
wgnorman wgnorman is offline
Registered User
 
Join Date: Mar 2008
Location: Morgantown, WV
Posts: 798
Default

Quote:
Originally Posted by Bigzam12 View Post
Hello,

I'v been looking into buying a twelve string guitar recently, and I found a Breedlove guitar that I really like
If you really like it, then who cares about the back/side construction material?...IMHO, you are worrying too much about what folks say about solid vs laminate construction - as some have already pointed out, there are probably very few people that could ever distinguish a sound difference between back/sides laminate vs solid - if you like the guitar - go for it.
__________________
Grant

2010 Simon Fay German Spruce/ EIR OM
2010 Taylor NS24ce Nylon
2006 Cordoba 55R Nylon
2008 Takamine Nylon Crossover TC135SC
1978 Takamine Nylon C128
2006 Miranda Nylon (My Motorcycle Guitar)
1973 Guild G37 Sitka/Maple
Reply With Quote
  #11  
Old 10-11-2009, 09:11 AM
Kitchen Guitars's Avatar
Kitchen Guitars Kitchen Guitars is offline
Formerly Yamaha Junkie
 
Join Date: Jun 2007
Location: South West Pennsylvania
Posts: 7,930
Default

I attended a Collings gathering. Bill was asked "when will you build a 12 string"
He said never. The Collings overtones would be overbearing, buy a laminate Yamaha for a good 12 string. His words!
Reply With Quote
  #12  
Old 10-11-2009, 09:28 AM
Huckleberry Huckleberry is offline
Registered User
 
Join Date: May 2008
Location: London, UK
Posts: 1,465
Default

Play them both and buy the one you like the sound of. I don't much care how a guitar is built or what it's made of so long as it sounds good and feels good to play.

I used to own a few Martins, including HD-28 and D16GT. The one I held onto the longest was an HPL DX1R because it sounded great and, bang for the buck, the best guitar I've ever owned.
__________________
Huckleberry
-----------

Baranik Meridian "Aurora" fan-fret - Celebes ebony / Colorado blue spruce
Tom Sands Model L fan-fret - Macassar ebony / European spruce
Hamblin GC - Macassar ebony / Italian spruce
Kronbauer SMB - Macassar ebony / Engelmann spruce
Baranik JX - Indian rosewood / German spruce
Sheppard GA - African blackwood / Bosnian spruce
Collings OM1
CA Cargo Raw | Ele
Reply With Quote
  #13  
Old 10-11-2009, 09:52 AM
gary0319 gary0319 is offline
Registered User
 
Join Date: Apr 2007
Location: Sarasota Florida
Posts: 1,882
Default

Quote:
My 12-string experience is based on owning a 1976 Guild Madeira 12-String, a 2007 RainSong JM3000 12-String, and a 2008 Taylor 355ce 12-String. Others may disagree with me but I'd suggest keeping your foray into 12-string axes fairly cheap to begin with
I agree with Spruce Tree

My two love affairs with 12 strings lasted about 6 mos. each, and selling them took longer than the love affairs.

Gary
__________________
Taylor 612c (1994)
Taylor Custom GC All Mahogany (2010)
Eastman E10-OM
Yamaha NTX700
Recording King ROS-06
Greg Bennett OM 8CE
Yamaha CGX 171 SCF Flamenco
Ibanez AG95 DBS
Reply With Quote
  #14  
Old 10-11-2009, 10:49 AM
devellis's Avatar
devellis devellis is offline
Charter Member
 
Join Date: Nov 2007
Location: North Carolina
Posts: 8,399
Default

I think I'm with Gary and Spruce Tree on this one. The first guitar I bought, about a million years ago, was a 12-string and I have a nostalgic attachment to the idea of a twelver. But when I've picked them up recently and played them, I find myself wondering if I'd really get much utility from one. Back when I had the 12-string, I was primarily a strummer, a style that made good use of the 12-string's virtues. Now, I mostly flatpick and a 12-string doesn't do that very well. For one thing, upstrokes and downstrokes sound different on the octave-strung pairs, and that's typically not good for flatpicking. Triplets don't sound like triplets anymore. Pick direction can't be determined primarily by what works best mechanically and the differences in sound have to be taken into consideration. That makes everything harder.

If I ever get back into strumming or fingerpicking, I might be tempted to get another 12-string. But for what I'm playing these days, it would just be a novelty that wears pretty thin pretty fast. In the right hands, playing the right stuff, I still love the voice of a good 12-string but I just don't think it would be a good choice for me. No doubt, I'll continue to admire some of the beautiful ones out there, though. They definitely have a certain pull for me.
__________________
Bob DeVellis
Reply With Quote
  #15  
Old 10-11-2009, 11:05 AM
Tunes Tunes is offline
Registered User
 
Join Date: Apr 2009
Location: Ontario, Canada
Posts: 2,080
Default

Mr. Big,

I'd personally give the nod to a Guild 12 string, there are many models with spruce tops. The Guild F-212 has a spruce top, the JF-30 has a spruce top, the F-412 has a spruce top - and so on.

There are several of these on ebay today at VERY cheap prices. The Westerly U.S.A. built Guilds are among, if not THE best production 12 strings every made, IMHO. They are still highly sought after and played by the best players in the industry.

And they are solid wood.
__________________
_____________
Collings D1H Custom
Collings D2HA
Collings OM2H Custom
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 09:39 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=