#16
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Bending and laminating the sides
Thank you to all who have commented so far. As I have enjoyed many builds here myself, I'm happy to be able to share this experience. It is nice to now be able to contribute something to the forum.
Well, the real work has finally started on my build, first up is the sides. Those familiar with Joel's build process will know he uses laminated double sides. In this case, we purchased two sets of Manchinga sides, one was a backup if there was an issue in bending the first set. Since the first set bent fine, the second set became our inner liner for the build. Here is a pic of the two pairs of sides before bending. Joel noted that the sides where a little harder to bend then most woods and was happy for the laminated sides which will help hold the pieces in the correct shape and position thereby helping to reduce any tension when glueing the body pieces together. Here the sides are bent and the individual pieces are laminated into the two halves for the body. First is the inside view of each half - The second is the outside view of the halves - I have heard of Joel's building humour, so when I saw this preliminary image of the sides joined - - I was a little skeptical when he said the sides were now tacked together ready for the neck and tail blocks to be glued on ... Haha As a lot of people have noted in their build threads with Joel, he's a fun guy to work with. This has been my experience as well, he has a good sense of humour and a positive attitude. He has involved me at every stage of the process and has been very inclusive (which also seems to be fairly common with the luthier community, judging by the builds on this site).
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Ian K. 2018 Michaud OO-R 2012 Webber Dreadnaught *SOLD* 2010 Eastman E20OM 1994 Guild D30 1979 Yamaha FG375S (retired) 1974 Norman B30 (retired) |
#17
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Talk about a cool look....!
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onedayatatime |
#18
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Here is my Baranik 00M Machinga over Sitka.
I love the tonal properties of machinga. Plus, and to me it is a big plus, machinga is a completely renewable tonewood. Joel is a great builder and a great guy. I will look forward to this build. Steve
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Still crazy after all these years. |
#19
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Thanks, I'd like to take the credit for this, but I was only in the right place at the right time
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Ian K. 2018 Michaud OO-R 2012 Webber Dreadnaught *SOLD* 2010 Eastman E20OM 1994 Guild D30 1979 Yamaha FG375S (retired) 1974 Norman B30 (retired) |
#20
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Quote:
I'm glad you found this thread as your guitar was the one that inspired me to choose this Manchinga B/S set. Mike did an exceptional job on your guitar and seems like another great luthier to work with. Though the patterns are different between our sets, they still have similar colours, especially in the sides. There is quite a lot of variation in this Manchinga material, something for everyone. I do not really know much on the renewable story, I'll have to look into this some more.
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Ian K. 2018 Michaud OO-R 2012 Webber Dreadnaught *SOLD* 2010 Eastman E20OM 1994 Guild D30 1979 Yamaha FG375S (retired) 1974 Norman B30 (retired) |
#21
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Joining the sides
Got Joel straightened out on the side orientation and he has the blocks glued in with no trimming of the edges yet.
I'm including the proverbial "sides in the mould" picture only for the reason that it shows off the hand tools well on Joel's shop wall. I'm sure there are many forum members (myself included) that enjoy snooping on the various luthier's tool caches (maybe even a luthier or two as well). If you're wondering what the sign on the back wall says it's - Drive is key to HAPPINESS Set Goals and ALWAYS Strive to ACHIEVE ! And a second one without the mould blocking the view The joined and trimmed sides The joined halves at the tail, very nice if I say so myself And my favourite, showing off the spalted inking lines coming around the lower bout Sigh ... what a great start to the build, looks like I'm in good hands
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Ian K. 2018 Michaud OO-R 2012 Webber Dreadnaught *SOLD* 2010 Eastman E20OM 1994 Guild D30 1979 Yamaha FG375S (retired) 1974 Norman B30 (retired) |
#22
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What's the lower bout width on his new 00-R?
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#24
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WOAH Ian that is spectacular! Amazing how material lile that can achieve such a close book match looking at your "butt".
On a side note, love that sign by Joel as well; a great reminder to us all
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THE GOLDEN ERA GUITAR FOR SALE | VIDEOS AUTHORISED DEALER OF: Astrand | Bowerman | Brondel | Buendia | Casimi | Datlen | Doerr | Fujii | Gerber | GR Bear | Heinonen | Isaac Jang Keith | Keystone | Matsuda | Michaud Made | Ogino | Pellerin | Petros | Poljakoff | Strahm | Tom Sands | Wingert ...and more www.TheGoldenEraGuitar.com [email protected] +65 8666 0420 |
#25
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Progress update
Finally hit 50 posts, only took me 4 years and 268 days
Joel has continued work on the rim with kerfing being added. Nice clean work - Here is the end view showing the wedge feature. The spalting match looks great between the halves - Last pic is a teaser of the back centre seam - Looks like no need for a centre strip on this bad boy!
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Ian K. 2018 Michaud OO-R 2012 Webber Dreadnaught *SOLD* 2010 Eastman E20OM 1994 Guild D30 1979 Yamaha FG375S (retired) 1974 Norman B30 (retired) |
#26
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I think Joel has built you a left handed instrument by accident, or even worse, a reverse wedge
The book match in that set is pretty ridiculous! I think not going for a back strip could create a really cool effect
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THE GOLDEN ERA GUITAR FOR SALE | VIDEOS AUTHORISED DEALER OF: Astrand | Bowerman | Brondel | Buendia | Casimi | Datlen | Doerr | Fujii | Gerber | GR Bear | Heinonen | Isaac Jang Keith | Keystone | Matsuda | Michaud Made | Ogino | Pellerin | Petros | Poljakoff | Strahm | Tom Sands | Wingert ...and more www.TheGoldenEraGuitar.com [email protected] +65 8666 0420 Last edited by Marcus Wong; 04-15-2017 at 06:07 AM. |
#27
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Really special Ian! Congrats on 50!
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Life is like a box of chocolates .... |
#28
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That is a stunning set of manchinga, IBKuz! Congratulations on trying something a little different. I'm sure that Joel will turn out a great guitar.
I played a Baranik 00m in manchinga at TAMCO a couple of years ago. If memory serves me well, with the manchinga, the midrange warmed up nicely without getting cluttered when I really lay into some heavy strumming. That Baranik 00m was a lovely instrument, whose sound was a hair more focused on the fundamental than on the 00m that came home with me. Different tops, mind you. The manchinga had a sitka top (like El Conquistador's), whereas mine has Carpathian over higuerilla. (You can see the pics still on TAMCO's website.) Looking forward to more pics.
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____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |