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Build thread: Doug Fir & Walnut Humphrey Northwest II
I am hoping to finish this build in time for the Marylhurst show in Portland. I love building with doug fir, and clients are always interested in the sound- how does it compare to spruce, cedar etc?
I don't have any fir guitars on hand, and I love the sound so much, I decided I needed to build one to show at Marylhurst. I use ONLY doug fir and local black walnut woods in this guitar- it is 100% wood from within 50 miles of my home in Oregon. And these woods sound great! This is a refinement of my original Northwest model; some shape changes, bracing changes and a few minor tweaks. I hope you enjoy! NW II rosette by JBH woodworking, on Flickr
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Josh Humphrey |
#2
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Josh Humphrey |
#3
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Josh Humphrey |
#4
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Looks great. Can't wait to hear a sound file. Love the rosette.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#5
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Fantastic that you are using local wood. It just makes sense all the way around...nice looking guitar shaping up to be a beauty.
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#6
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Josh, so what will the fretboard material be if everything is local?
+1 on the rosette! Very cool design.
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Brandon "Life has no limit, if you're not afraid to get in it"-Mason Jennings |
#7
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Beautiful looking guitar, and local woods!! Excellent! Might have to take a road trip to Oregon.
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Alvarez AP-70 Squire Contemporary Jaguar Kustom Amp (acoustic) Gamma G-25 Amp (electric) |
#8
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Quote:
Congratulations Josh for being so adventurous! - Glenn
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My You Tube Channel |
#9
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Hi Glenn. Back in around 2003 I believe,Tim McKnight sent out a guitar for a road trip to get opinions and the one I tried was Mahogany/Douglas fir. Sweet!!
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Alvarez AP-70 Squire Contemporary Jaguar Kustom Amp (acoustic) Gamma G-25 Amp (electric) |
#10
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It's good to see that some builders are discovering how fine Doug Fir can be as a tonewood. I have about a half-dozen top sets in my stash that were re-sawn from a very old cabinet that came out of a woodworking shop. When we took the thing apart and cleaned up the boards, we found that every one was at least ten inches wide and perfectly quartered. Most had about 20 grain lines per inch. The color is pale tan, or "buckskin".
Re-sawn into guitar tops, the Doug Fir has a glassy, focused tap tone with amazing sustain. It's nice and stiff both ways, but has a very responsive feel to it. It makes a pleasing sound when you just brush your fingertips over it. I think it rivals the best Sitka, and may even be as good as red spruce- with a lot of the same tonal character. Great choice pairing the Doug with your local Claro Walnut. These woods will definitely play well together, and I think you'll have a great sounding guitar, and a beauty to behold.
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Edwinson |
#11
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Thanks all for the encouragement! I have built several doug fir guitars and agree that it is a top-notch tonewood, and am excited to finally have a "demo model" to show people who are interested.
picassov- the fretboard and bridge will both be walnut. I saved a particularly dense and ringy (as in tap-tone) section with straight grain (some figure) just for this purpose, have used it before as such, and it works excellently. Pictures of binding and neck soon!
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Josh Humphrey |
#12
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Carving the neck today. Here is the blank roughed out:
rough neck blank NWII by JBH woodworking, on Flickr and truing the sides of the peghead: NW II headstock rough by JBH woodworking, on Flickr
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Josh Humphrey |
#13
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Hello Josh,
What are you using for the neck? Maple? I really liked the sarod guitar you posted here before. |
#14
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Thanks EW!
The neck is doug fir with a walnut center strip. Here is the pegbox carved: Pegbox carved by JBH woodworking, on Flickr and the fingerboard bound, ready for inlay: NW II walnut fingerboard by JBH woodworking, on Flickr
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Josh Humphrey |
#15
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Approaching go time! Hoping to get everything together by Friday. The finish is curing, ready to be buffed out tomorrow.
Here are some shots of the inlay process- inlay bits cut: inlay materials cut by JBH woodworking, on Flickr epoxied in place: inlay epoxied by JBH woodworking, on Flickr and finally leveled, polished and neck fretted: final inlay NW II by JBH woodworking, on Flickr
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Josh Humphrey |