#16
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Aren't pretty much all modern violins very closely based on Stradivarius intruments?
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#17
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Quote:
I suppose it comes down to how you define "very closely based".
__________________
侘 寂 -- wabi-sabi -- acceptance of transience and imperfection by finding beauty in that which is imperfect, impermanent, and incomplete |
#18
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Quote:
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#19
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How could they possibly tell how good they sounded if there were no soundports in the side?
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#20
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Many modern instruments are based on either Stradivari or Guarneri. Guarneri tend to (in VERY general terms) be slightly darker than the typical Strad. I have never played a genuine violin of either make, but I have played copies of both, and I tend to prefer the Guarneri copies. I have heard several of each on many occasions and I can easily tell a Strad from a Guarneri, but I am pretty sure I could not tell a very good reproduction from the original.
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#21
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[QUOTE=mc1;3902448]The soloists played each of the 12 violins during two 75-minute sessions, one in a rehearsal room and another in a concert hall. They wore welder goggles so they would not be able to identify the violins by sight.
That works for me!!!!!! |
#22
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I dont like the sound of violins, they hurt my ears but I can tell the difference between an average, a bad and an excellent guitar.
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#23
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I nominate this for best joke of this thread... perhaps the best of the year on this forum. Kudos!
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#24
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No. There are differences in scale, neck length, and so on. Stradivari still being played nearly all have neck/peghead splices.
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#25
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Maybe new violinists prefer new violins because in that sound they are used to.Its the same with classical guitarists who prefer new designs (lattice, double top) vs traditional (fan braced) guitars.
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#26
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I don't think the proud owner of a Stradivarius would mind if a luthier cut a hole into their multimillion dollar instrument. Do you?
__________________
Guitars: 2008 Martin M-38 1978 Hohner HG-320 Original Martin Backpacker Little Martin Lotus Dread (1st guitar) |
#27
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Quote:
"The violinists were also unable to tell whether an instrument was new or antique by playing it, even though seven of them regularly play antique violins."
__________________
侘 寂 -- wabi-sabi -- acceptance of transience and imperfection by finding beauty in that which is imperfect, impermanent, and incomplete |
#28
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Preference is preference and everything is subjective. I didnt say that guitarists prefer lattice guitars because they are lattice. They prefer them because they like the sound better. As for differentiating the violins its still subjective. |
#29
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They failed to identify the Stradivari. That has nothing to do with the subjectiveness of preference. "The violinists were also unable to tell whether an instrument was new or antique by playing it, even though seven of them regularly play antique violins."
__________________
侘 寂 -- wabi-sabi -- acceptance of transience and imperfection by finding beauty in that which is imperfect, impermanent, and incomplete |
#30
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LOLOLOLOL
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