#1
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acoustic baritone history??
does anyone know anything about the origin and history of the modern day acoustic baritone guitar??
I'm not interested in the electric baritone guitar. also I am talking modern day history. not from 200 years ago. I've researched a bit and I don't find much at all. I read that alvarez has been making them for awhile. I'd like to know who else has been making the acoustic baritone. and any other details about how they came to be. I think that they have not been around very long. they are in their infancy. I think I read that the electric baritones were first made in the 50's. and the acoustics came later. I am fascinated by the possibilities with these guitars. |
#2
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Chas, from what I can tell American acoustic baritone guitars evolved from the electric baritones. The first time I became aware of them was when I bought a copy of the Danny Ferrington guitar book - he had at least a couple of acoustic baritones that he'd built for famous musicians in there.
When I ordered my first baritone from Roy McAlister I hadn't laid my hands on an acoustic one, just a couple of electrics. So it was a leap of faith on my part, but I wasn't relying on blind faith alone: Roy had already designed and built the prototypes for the Santa Cruz Bob Brozman signature model baritone guitar. So Roy had already worked within the field of acoustic baritone guitar design when he took on my project (which gave him an outlet for the other ideas he'd had for the instrument when developing the Brozman model.) Anyway, the Santa Cruz Brozman model came on the market in, I don't know, 1997 or thereabouts, and I received my McAlister baritone in 1999. I assume the Ferrington baritones were built in the 1980's. So, short version: in terms of American acoustic baritone guitars, the lineage is pretty simple - first came the electrics, then the acoustic versions evolved from those. While it's true that the Mexican bajo sexto is a baritone instrument and is much, much older than either the electric or acoustic baritone guitar, there's neither much similarity or a direct lineage between them. At most the bajo sexto might have given the Fender company the idea to tinker around with the idea of a longer-scaled, lower-pitched instrument. Hope that makes sense. Wade Hampton Miller |
#3
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Martin Simpson played a Bown Baritone on Leaves of Life, which was 1990 or so?
Here's a link to a classicial builder with some interesting mid-80's info: http://www.caldersmithguitars.com/gtr.php I assume you did a basic google search and at least found the wikipedia entry?
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar Last edited by Doug Young; 07-04-2010 at 03:59 PM. |
#4
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love that book. |
#5
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When I worked at Westwood Music, I was doing baritone conversions in 1989 by taking whatever guitars clients would bring me and re-topping them and putting on new 27" scale fingerboards. The first was for a guy named Tim Ray, the second was for Jackson Browne, then Bernie Leadon, Stephen Bishop, and a couple more. They had absolutely nothing to do with electric baritones.
However, the real antecedents would be Stella 12 strings as per Leadbelly and Mexican bajo sextos. Once again, this has nothing to do with electric guitars or six string basses.
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Rick Turner Luthier |
#6
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hi
until the 19 century, there where not a standar guitar in number of strings ans sizes. check this photo of french composer and guitar player Napoleon Coste(1806-1886) watch his extra large guitar and his muti strings guitars with different sizes, comes for the renaissance traditions of using in the same instrument family the different pitches( soprano, c alto, tenor, bass etc) in our mexican guitars JARANAS, we keep this tradition. http://upload.wikimedia.org/wikipedi...leon_Coste.jpg |
#7
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and I just saw a funny clip on youtube: jackson browne is talking about his friend bruce cockburn (I wonder if he plays an acoustic bari; I know he plays some low tuned guitar, maybe an electric). he heard bruce play with all these effects. and he thought yeah, thats how bruce gets his sound. and then he heard bruce play again a year later with no effects at all. and jackson realized that the magic is in bruce, not the effects. |
#8
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Music: Spotify, Bandcamp Videos: You Tube Channel Books: Hymns for Fingerstyle Guitar (std tuning), Christmas Carols for Fingerstyle Guitar (std tuning), A DADGAD Christmas, Alternate Tunings book Online Course: Alternate Tunings for Fingerstyle Guitar |
#9
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I checked out the taylor 8 string bari today. (on a table at the music store, there was your article about it from acoustic guitar magazine. I just re-read that, and being a writer, please forgive my grammar.) I played the bari for a while. I loved some things about it. and hated others. for playing in lower keys to accompany singing, it was really very good. I don't like the paired strings though. sometimes they sound good. often, I don't like them. at all. I am now all the more interested in playing a 6 string bari. when that will happen, I do not know. maybe I'll see if guitar center will order one in. as for paired strings, it occurs to me that I don't like playing 12 string guitars either. I just am not happy with how I sound on them. to anyone thinking of trying the taylor 8 string bari, please remember this is all very subjective. you may love it. and things can change. I might go try it again someday and love it. though I really kinda doubt it. it just didn't work for me for the way that I play. |