#1
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Strings!!!
Hey, so I just got a new Hummingbird and had a couple of questions about strings. First, would going to .13 gauge strings be recommended for going down a half-step on the ‘Bird cause it has a shorter scale? I just sold a D-18, and it handled .12s down a half step anywhere with a capo great, but it was also a long-scale guitar. The ‘Bird is great except for a bit of fret buzzing with a capo.
Also, what brands are you guys into? I’ve been using Elixirs cuz I hate changing strings, but I’m finally starting to hear what people don’t dig about them. They sound very bright to me compared to other strings. Thanks in advance!! Last edited by ricky.kent91; 03-20-2018 at 11:01 PM. Reason: Spelling |
#2
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Ricky, the guitar will handle mediums just fine. I'd recommend that you try the John Pearse phosphor bronze strings on it. They have a lot of tonal complexity to them.
Full disclosure: I use, prefer, recommend and endorse John Pearse strings. I've always found that the Gibson guitars I've owned seem to sound their best with the Pearse phosphors, as opposed to some of the other alloys. Hope this helps. Wade Hampton Miller |
#3
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#4
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This probably won't help but all I ever use are the cheapest 80/20 bronze strings I can find. Usually Martin or D'Addario. I am not a fan of coated or PB strings. I change them maybe 3-4 times a year. Every 3-4 months. In the summertime maybe more often.
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#5
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Gibson Masterbilt Light Phosphor Bronze sing on my J-15. They sound noticeably better than any other PB string I've tried. DR Veritas are a close second.
You can try Mediums but you may not like it, I've never tried them but others on the Gibson forum say the extra tension chokes up the top. |
#6
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#7
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Based on my playing experiences with Hummingbirds, John Pearse PB's would work well, but really any PB's probably would.
At some point you might try some DR Rares or GHS Vintage Bronze if you want to take out some of the brightness. Hummingbirds with new strings are pretty bright to my ears. As an aside, I wish I owned one. Lucky you!
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#8
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Strings are cheap!!!! Try a bunch!!! My Gibson Songwriter is tuned down a step and I split the difference with Martin medium-lights!!!!!
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#9
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I will say that Pearse Strings are darn good. They are among my favorites for my 12-Strings. I’d also recommend Ernie Ball Aluminum Bronze, and Phosphor bronze. I tend to generally use D’addario strings. But as they are currently raising their prices to match a lot of the others, I’m branching out. As always, I advise hitting up Strings and Beyond, or Just Strings and ordering up some to try. Personally, I love changing strings, so I’m about to do another six string before the day is out.
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A bunch of guitars I really enjoy. A head full of lyrics, A house full of people that “get” me. Alvarez 5013 Alvarez MD70CE Alvarez PD85S Alvarez AJ60SC Alvarez ABT610e Alvarez-Yairi GY1 Takamine P3DC Takamine GJ72CE-12-NAT Godin Multiac Steel. Journey Instruments OF660 Gibson G45 |
#10
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D'Addario EXP for me. Warm and bright with a balanced tone.
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#11
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how often
Hi all - a lot of you suggest getting a bunch of different strings and try them out. When doing that, how long do you recommend keeping them on before swapping out?
Also - anyone have opinions on Curt Mangan PB mediums... I was turned onto them, really liked the sound on my Guild D25 - but interested in other's opinions. |
#12
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Broy, what I do when in this sort of "R&D" phase trying to decide which strings sound best on an instrument that's new to me is leave the strings on for a much shorter time than I do once I've settled on a brand and alloy. I can leave the John Pearse phosphor bronze strings on my guitars for 6 weeks to two months normally, but during this comparison period I leave them on for less than a week, usually, before I swap them out with something else.
I do that deliberately so that I can hear each successive set of strings at its peak; if I wait long enough for the test strings to go dead, ANYthing I put on there next will sound better. So during this test phase I deliberately sacrifice strings a lot more quickly than usual simply to get the most accurate comparisons that I can. The results are often surprising. Perhaps four fifths of the time I can accurately predict which string alloy I'm going to like best on any given guitar, but that still leaves 20% of the time when I guess wrong. So for me it's necessary to make those R&D comparisons every time. Hope that makes sense. Wade Hampton Miller |
#13
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Thanks Wade - a weeks time makes sense, and it's not a horribly expensive way to do some R&D that could make a big difference.
Rgds - broy |
#14
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Happy to help.
whm |
#15
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Different guitars of the same model can vary, but my H'Bird seems over driven with medium strings on it. To my ear, I get the most balanced tone with .11s.
I'm also a huge John Pearse fan. I use their Nuages on my Parlor guitars and 80/20's on the bigger wood.
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Bill Guitars: 1910's Larson/Stetson 1 size guitar 1920 Martin 1-28 1987 Martin Schoenberg Soloist 2006 Froggy Bottom H-12 Deluxe 2016 Froggy Bottom L Deluxe 2021 Blazer and Henkes 000-18 H 2015 Rainsong P12 2017 Probett Rocket III 2006 Sadowsky Semi Hollow 1993 Fender Stratocaster Bass: 1993 Sadowsky NYC 5 String Mandolin: Weber Bitterroot |