#32
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Ceylon satinwood is not often seen because it is neither widely available nor widely in demand. In terms of sound, it could be replaced by a bunch of cheaper tone woods, some of which may be more "traditional". Besides, a yellow guitar may not be everyone's cup of tea... |
#33
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But I enjoy playing it though as its simplicity allows for more nuances. |
#34
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You are the best judge of your guitars, of course, since you're hearing them with your own ears. But the recording was excellent quality and the guitar sounds heavenly! |
#35
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Love the sound of a clear guitar played fingerstyle. Clarity is only one of the outstanding qualities this instrument delivers....when you are playing it. It must be fun to go from this little gem to some of your other guitars then back again. Great recording quality and playing as usual.
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#36
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I would like to hear it or another piece without the effects, in order to really hear the guitar as crafted. |
#37
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Great piece, great guitar and great playing.
What's not to like? |
#38
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Hi Mau,
What a magic sound! And a beautiful song! I, too, listened to it multiple times before posting here. That was just lovely! Thanks for sharing that Mau! - Glenn
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My You Tube Channel |
#39
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Sounds great as usual Mau, with exemplary playing.
Sounded very "Olsonesque" to me once it had come out the other end of YouTube, so I'm interested in your comments that the two are different. I've played a few Petros guitars and my faves were definitely the "FS" model - easy to hold, easy to play, and a very sweet sound indeed that made slow airs sound very "pretty", quite the way a good Olson does. How does this one stack up to the one in the shop that, when you played it, caused you to change your mind re the Tunnel? Yes, would be nice to hear the "K" again as well. Love that geeetar! Cheers, Steve |
#40
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I needed a pretty guitar to stand next to the Olsons -- and the Yellow Rose fits the bill perfectly. It wasn't exactly a planned purchase -- but I am enjoying the guitar thoroughly and I am very happy with my decision. |
#41
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I'm not good with dry recordings -- but I believe Kinloch posted a couple on his YouTube channel. |
#42
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This is an emotional purchase that turned out well. I'm happy. |
#43
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I'm glad you enjoyed my latest recording -- I kept it pretty short... |
#44
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If I were to play both guitars with the exact same attack (if that were possible), you'd hear dramatic differences. But I usually have a tone in mind when I pick up a guitar -- so I will adapt my attack in order to get close to that tonal goal. If you A/B with my latest Olson recording (http://youtu.be/jgGcynzJJ_Q), you may hear that the Petros sounds clearer. Its tone is finer grained, smoother than the Olson's -- and the trebles are definitely edgier. In terms of response, the two guitars are also quite different -- the Olson being quite willing to bark in the bass and mids whereas the Petros remains more polite. Acoustically, the Petros FS definitely sounds "smaller" (not a bad thing) than an Olson SJ. As for the T13/YR switch, I will candidly admit that I thought the YR was way prettier and that was the main reason for making the change. |
#45
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Your 'polite' descriptor seems similar to a descriptor I used for my last commission (mine being 'reserved/controlled'). Seemed like some folks could relate to this means of describing its tone and others were confused by it. I guess it only matters if the builder builds what the player wants.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi Last edited by ChuckS; 05-06-2014 at 04:33 PM. |