#1
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What is an E5/B chord?
I bought a Dave Matthews book, and Crash calls for this chord. It's the only chord that doesn't have a picture.
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I hate signature lines, but I love irony. SCGC OO Brazilian Collings D2HB 955 Custom 814B - LOTF 712 |
#2
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i have no idea what chord that is but i play crash this way, it might be one of these chords
E x x x x 4 5 7 --> E major chord a 4 0 2 0 d 2 2 x 2 g 4 4 4 4 b 5 5 5 5 e 0 0 0 0 i think it might that third chord, or not
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got a garden of songs where i grow all my thoughts, wish i could harvest one or two for some small talk. |
#3
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the E5/B chord is a inverted E5 chord...it's an E5 with B in the root of the chord...hah, a little theory lesson I can't exactly remember the inversion though...I think it's 2nd inversion, not quite sure
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Donald 2003 D-28 My modified Epi Dot |
#4
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Yep Christopher is right, it is a second inversion. First inversion would be if it was the 3rd (G#) that became the lowest note.
God bless! |
#5
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A "5" chord has only the root and the fifth, in this case E and B, with B as the lowest. The "easiest" way to play it would probably be something like x22400.
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#6
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so the "/" is an inversion on the power chord, and the "B" is the inverted note. whao, Something new everyday.
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"we're a totem pole, hey yah hey yah hey ya.." - Ralph Wiggum |
#7
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Usually a slash chord indicates that a note other than the root will be in the bass. Thus a D/F# indicates that the F# should be in the bass. Depending on the chart this can either tell you which inversion to play, or can indicate that a separate bass part is playing a different note.
For instance, if you're playing a basic G-C-D progression, but you want a bass player to stay on the G you might write G, C/G, D/G. While many guitar players are familiar with a C/G chord, most of us would let the bass player handle the G in the D/G and play a straight D chord. |
#8
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An E5/B is an E chord with no 3rd. It would be spelled with just 2 notes: E & B. I would make an E5/B like this...
Ex a2 d2 g4 b0 e0 or like this... Ex a2 d2 g4 b5 e0 or like this... E7 a7 d9 g9 b0 e0 or if you like to stretch, like this... E7 a7 d9 g9 b12 e12 or like this... Ex a2 d2 g4 b5 e7 I've never heard the song you are talking about, but hopefully, one of the voicings above will get you close to the sound on the CD. |
#9
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The E5/B refers to the 3rd chord posted above by Imperfectly.
-Chris |
#10
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Quote:
Thanks for the help.
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I hate signature lines, but I love irony. SCGC OO Brazilian Collings D2HB 955 Custom 814B - LOTF 712 |
#11
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I do.
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#12
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Quote:
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I hate signature lines, but I love irony. SCGC OO Brazilian Collings D2HB 955 Custom 814B - LOTF 712 |
#13
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Chet,
Didn't you mean to ask 815C how many hands he is using on the neck??? Bruce ________ Toyota Wish History Last edited by bcaylor; 02-13-2011 at 11:56 AM. |
#14
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Here are the fingerings I use....
E7 1st finger a7 1st finger d9 2nd finger g9 2nd finger b12 4th finger e12 4th finger or like this... Ex a2 1st finger d2 1st finger g4 2nd finger b5 3rd finger e7 4th finger I you want to incorporate a new chord voicing that is akward, try this technique: 1. Gently place your fingers on the strings for the chord - but don't press down at all - just let your fingers lay on the strings. 2. Go through your chord changes this way, just laying your fingers on the strings, but not pressing down. 3. Once you can do step #2, start to add a minimal amount of downward fretting pressure to your fingers, but don't try to put enough to make the notes actually fret. 4. Keep repeating the chord changes, gradually increasing the fretting pressure as you go. Eventually, you'll be fretting the notes clearly and moving through the chord changes easily. Peace. |