#1
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Most under appreciated Carbon of 2014
Blackbird Lucky 13 Revoiced
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#2
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I've shown my (2014) Lucky 13 to a few guitar friends and they absolutely loved it. I do too. It's not as loud as my (late 2013) Emerald X20. I reach for the Lucky when I want to try something quiet or with finger picking. I reach for the X20 when I don't know what I am going to do or if I am going to jam with someone. I'll bring the Lucky if I have a specific reason, but I consider the X20 my general purpose guitar. Those are the only two I ever play anymore as I find that I just don't consider grabbing any of my wood acoustics.
I would offer that something by Emerald could be considered the most under appreciated guitar of 2014 also. I love my L13, but Alistair has so many innovations and will build pretty much anything you can imagine that it boggles the mind. For 2015 I would love to see a stock 12 string based on either of these two models though if I had my druthers I would want something in-between such as an X20 with a slightly shorter scale (but not the super short Amicus 18 inches). |
#3
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I don't disagree about Emerald guitars, kind of in a class by themselves. But I do hear a lot of discussion about them. You hear the most about Rainsong here. My thought was the Lucky 13 is very much like Rainsong very traditional and is not really discussed here like Rainsong.
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#4
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Quote:
Would my decision have been different if I had not missed the L13 road show? I suspect it would have made the decision much harder.
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Don't chase tone. Make tone. |
#5
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Quote:
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#6
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Quote:
If money were no object I would add to my collection: Larivee OM-09 Blackbird Lucky 13 (of course sight unseen at this point) Emerald Synergy But alas, I have been awfully naughty this year......
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Don't chase tone. Make tone. |
#7
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From my experience, you still get stuff, even when you're naughty. I look for the packages that say:
From: Me To: Me "Oh, look - it is just what I wanted!" |
#8
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rainsong is definitely the company of conversation of this forum but then they have the biggest production. I'd love to try one and an emerald and even the revoiced L13 to compare to mine. By the time composites become more common place, these wishes will be vintage.
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#9
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How does the revoiced model compare to the original?
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Champagne for my real friends and real pain for my sham friends -- TW |
#10
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Original bluesy but I only played one very briefly. New voicing sweeter, warmer, more wood like.
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#11
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Quote:
I think the Emerald X20 deserves more attention. I agree that my Emerald X20 has become my go-to guitar - especially if I'm doing a gig or playing with friends. It's got a big, clear voice and the electronics are terrific. It can hold up well in an unplugged jam or on a stage. I have a Composite Acoustics Cargo travel guitar that I really like for taking on trips or playing by myself. For wood guitars, I've got a Martin and a Breedlove as well, but at the end of the day, I'll still find myself picking up the Emerald X20... it plays so nice and sounds so good, I'm continually amazed. Agree too that a 12-string version of an X20 body, with a slightly shorter scale neck would be really nice. I want a big voice from a 12...not a trebly one. The Amicus just doesn't do it for me. Just one man's opinion.
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AC Phillips Emerald / Composite Acoustics / Breedlove / Martin / Aria / Ibanez |