#16
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Quote:
And another recommendation for those who choose to use the VJ: Have a dedicated strap for that guitar with the right angle adapter and fasten the adapter to the strap. This is obviously on a mandolin strap, but the idea is the same. Last edited by kydave; 10-29-2014 at 08:13 PM. |
#17
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I've got one in my 1976 HD-28. If I used it more for playing out, I'd put a regular jack in it.
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It's all about the sound. |
#18
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Thanks a lot guys, appreciate all the responses.
Is looks like it will be ok for me I just twiddle away in my living room cos I like the amplified sound. I will work up the courage to cut a bigger hole when I need to use it more. Seems like a lot of people mention Maury, he certainly sounds like the man, I will definitely get in touch. Thanks again.
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Bourgeois: OMC Custom European Spruce/Cocobolo Cole Clark: Fat Lady 2 Taylor: 312e Taylor: GS Mini Maton: 225 Traveler Guitar: Escape Mark III Epiphone: 220 |
#19
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Quote:
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#20
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Perhaps something like this would be a good solution for you - especially if you only play plugged in occasionally. Just discovered them myself.
Myers pickup Seem like a simple, non-invasive and good sounding option. Roy
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#21
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Quote:
Way back in the day (late 1970s) when Barcus Berry came out with pickups (the outside mounted Dentyne stick of gum type), they and all their competitors were using ⅛" (mini) jacks. I jumped in and soon discovered they were fragile, frizzy, easily damaged, and a handicap not a blessing. In fact if you step on one (or someone else does) and breaks the tip off in the jack, you can dig it out easily later, but you are dead in the water for the rest of that gig. Poor electrical connections, Light/weak cable tips which snap off easily is someone steps on your cable while you are on stage (or you step on it yourself), expensive cables...etc I took to wiring my own, but metal ends were hard to find at that time, and the cables were still prone to crapping out in the middle of a gig...so you had to baby them and have backups around (which you had to build and repair frequently). I was never so happy as I was the day Fishman used a ¼" connector on their pickups and invented a way to incorporate it into the endpin/strap. I suppose if I had a 1940s D-28 which was worth half a million bucks, I'd perhaps put in something more reversible. But only collectors of rare instruments devalue guitars these days because of an endpin jack. Naw…I just thought about it. If I had one of those I'd sell it and buy a custom built guitar I could alter any way I want, go on a cruise with the extra bucks. You would have to pay me, and pay me well, to go back to ⅛" end jacks. |
#22
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Thanks LJ, they do sound pretty terrible and getting stuck at a gig with a broken off jack in the thing would suck bad.
I went and had a look at some nice pickups today i think your right i am going to go the extra width and just have done with it.
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Bourgeois: OMC Custom European Spruce/Cocobolo Cole Clark: Fat Lady 2 Taylor: 312e Taylor: GS Mini Maton: 225 Traveler Guitar: Escape Mark III Epiphone: 220 |
#23
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I tried it too and won't install it again. It doesnt stay plugged in if you move. It is an option if you just can't drill into a particular guitar, but expect some draw backs. Its just my two cents..
Curt
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http://www.youtube.com/kmgreensman 1943 Banner Gibson J-45 1936 Gibson Roy Smeck Fairbanks F-30 Roy Smeck Fairbanks F-35 Fairbanks F-20 Nick Lucas Kevin Kopp K-35 Martin D-18 Golden Era VoyageAir VAD-2 |
#24
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Quite simply: they suck
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