#16
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People also seem to forget that all string sets of the same gauge are not created equal. Different manufactures use different alloys and most importantly different core to wrap ratios. Two d strings of the same overall gauge can have very diffferent core sizes, making one feel much stiffer.
I recently took off a set of Thomastik infeld strings (.012-.054 roundcore PB) and replaced them with Gibson Masterbuilts (.012-.053 hexcore 80/20) and the Gibson strings are significantly easier to fret/play.
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"Without music, life would be a mistake.” |
#17
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'71 Martin 00-18 '76 Martin D-28-sold '04 Martin D-15-sold '14 Martin 00-15m |
#18
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Personally I do not see a major advantage to ultra heavy strings. Ultra lights are very easy to play.
Dan |
#19
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Okay thanks for the tip. Appreciated.
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Guild D50 Bluegrass Special (Tacoma) Cordoba C5 CE Martin Dreadnought Junior D45 Replica in open D Squier Classic Vibe 50s Telecaster Marshall AS50D Amp. Line 6 Amplifi 30 Blackstar HT1R Tube Amp DigiTech JamMan Stereo Looper Pedal |
#20
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If you feel a desire to shim the saddle at least use a proper shim and nod cardboard or a business card. Very poor choices for sound transfer.
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#21
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Some might call me a "Webber Guitars enthusiast". |
#22
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Mycroft sounded like he was suggesting it just as an exercise to test out the action - I have used makeshift paper/cardboard shims like that in the past and they do the job just fine since stacking pieces of cardboard or whatnot is a quick and easy way to play with the action to find your desired height. It's not something I'd ever keep in there for the reasons you mentioned, though.
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Some might call me a "Webber Guitars enthusiast". |
#23
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+1........all other things considered, if the frets are not easy to slide up and down the neck the ease of play is missing! |
#24
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Right. Except if you actually read what I actually wrote I was offering a cheap and easy method to experiment with string height at the nut before having a permanent replacement made. I never mentioned the saddle. And I never said anything about this being long term.
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#25
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Guild D50 Bluegrass Special (Tacoma) Cordoba C5 CE Martin Dreadnought Junior D45 Replica in open D Squier Classic Vibe 50s Telecaster Marshall AS50D Amp. Line 6 Amplifi 30 Blackstar HT1R Tube Amp DigiTech JamMan Stereo Looper Pedal |
#26
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Thanks for that but I am pretty sure Mycroft was only suggesting this as a temporary move to ascertain correct nut height.
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Guild D50 Bluegrass Special (Tacoma) Cordoba C5 CE Martin Dreadnought Junior D45 Replica in open D Squier Classic Vibe 50s Telecaster Marshall AS50D Amp. Line 6 Amplifi 30 Blackstar HT1R Tube Amp DigiTech JamMan Stereo Looper Pedal |
#27
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What I said was that when adjusting the height of the strings, via adjusting the nut, saddle or relief, if the frets are not level that the lowest that you can go without buzzes is whatever is clear of the tallest fret. So having the frets leveled if needed before having the action itself adjusted can and will result is a lower, more easily played action throughout the length of the fretboard. (presuming uneven fret height in the beginning, of course) While most common in factory-production guitars, as this is a skill and time intensive operation, it can also happen in some pretty high end instruments as well. And in used instruments too, as due to setting in or environmental factors a fret can push up. Often it only involves leveling a fret or two, and the difference you get in playability can be astonishing. TW |
#28
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Glad to help. (I've picked up some pretty good tricks here too)
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#29
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I have found that a $150 setup is night and day better than a $50 setup. The difference is a fret level and crown.
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