#46
|
|||
|
|||
Companies like Collings, and in the electric world Hamer, came about because the biggies (gibson, martin, etc) did drop the ball a while ago. There has been some recovery, and you can find truly exceptional guitars coming from the biggies. But there was a time where if you had a great old Martin, and you were starting to worry about taking it on the road, a new Martin was a bit of a disappointment.
In the electric world it's no surprise that the Paul Reed Smiths first attempts at electric were blatantly slab bodied Les Paul Juniors. And Hamer's first production model was prettier, but pretty much the same thing. The biggies left a void. And folks like Collings stepped up in the early 70's building pro-level instruments that didn't disappoint.
__________________
I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#47
|
|||
|
|||
Horsefeathers !~!
Coliings are fine guitars, as are Bourgeois/Santa Cruz/H&D, and they all have their own twist on voicings. Martins are the most copied guitars in the world for a reason, but coming from someone with a signature full of Taylors (who nobody copies) your confusion is understandable. A snide comment to a snide comment........
__________________
Rich - rmyAddison Rich Macklin Soundclick Website http://www.youtube.com/rmyaddison Martin OM-18 Authentic '33 Adirondack/Mahogany Martin CS OM-28 Alpine/Madagascar Martin CS 00-42 Adirondack/Madagascar Martin OM-45TB (2005) Engelmann/Tasmanian Blackwood (#23 of 29) |
#48
|
|||
|
|||
Quote:
Sorry -- but a snide comment to snide comment to a snide comment. But I agree that the OP is more than a little off the wall. |
#49
|
|||
|
|||
Why? Because it is crazy to think that Collings would ever copy a Martin?
__________________
Custom Martin D 35 Taylor GS Mini w/ES2 Koa GPC12PA4 Martin 12 string [/B]"What does it profit a man to gain (all the greatest guitars in) the world and lose his soul" Paraphrased |
#50
|
|||
|
|||
Really? Why is that?
__________________
Custom Martin D 35 Taylor GS Mini w/ES2 Koa GPC12PA4 Martin 12 string [/B]"What does it profit a man to gain (all the greatest guitars in) the world and lose his soul" Paraphrased |
#51
|
|||
|
|||
Quote:
Adam Aijala (Yonder Mountain String Band) Alejandro Escovedo Andy Summers Bill Frisell Bill Hearne Bob Schneider Brad Whitford (Aerosmith) Brandi Carlile Bruce Robison Charlie Sexton Chris Masterson Chris Smither Cody Kilby (Ricky Skaggs and Kentucky Thunder) Craig Fuller (Little Feat) Darden Smith Jim Lauderdale Jimmy Dale Gilmore John Leventhal John Sebastian Justin Hayward (Moody Blues) Keith Urban Lloyd Maines Michael Martin Murphey Mumford and Sons Patti Smith Pete Townshend Redd Volkaert Robbie McIntosh (John Mayer) Robert Earl Keen Rodney Crowell Sam Baker Sarah Jarosz The Greencards Tim Hanseroth (Brandy Carlile) Zac Brown ZZ Ward Oh, and I almost forgot: Ray Benson Joan Baez David Grissom Chris Hillman Joni Mitchell Keith Richards Jimmie Vaughn Jerry Jeff Walker Last edited by Guest 728; 04-27-2015 at 09:03 AM. |
#52
|
|||
|
|||
Except that a copy should at least bear some resemblance to the original. I see nothing Taylor-like in Martin's Performing Artist Series. If there are Taylor influences at all, it's in playability.
__________________
Ray For where your treasure is, there will your heart be also. 2006 Art & Lutherie Ami Parlor: Solid Cedar Top/Wild Cherry Lam B&S/Black Satin Lacquer 2006 Art & Lutherie Dreadnought: Solid Cedar Top/Wild Cherry Lam B&S/Natural Satin Lacquer You can't change the tide with an oar. ---Nick Bracco (Gary Ponzo) |
#53
|
|||
|
|||
You're kidding.
|
#54
|
|||
|
|||
I would tend to agree that some of the Collings guitars do resemble the Martins or Gibsons that inspired their build. But that is where the similarities end.
The sound, tone, feel and playability of the Collings brand is so very much better in my opinion. For instance, my D-28 Marquis is a nice guitar but doesn't compare to the Collings D2HG. |
#55
|
||||
|
||||
To the OP:
You were baffled by Martin. Apparently you are flummoxed by Collings. What next...?
__________________
Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |
#56
|
|||
|
|||
Perplexed by Taylor!
__________________
Custom Martin D 35 Taylor GS Mini w/ES2 Koa GPC12PA4 Martin 12 string [/B]"What does it profit a man to gain (all the greatest guitars in) the world and lose his soul" Paraphrased |
#57
|
|||
|
|||
Congratulations! You found one. Apart from the pickguard, your first example isn't particularly Taylor-like. So just how many Performing Artist models look like that second example? Obviously, at least one model does, but none that I've see did. Those that I've seen all had Martin-style pickguards, and the highly-recognized slanted Taylor bridge wings on the second guitar were either not present at all or or with such a slight slant as to be un-noticeable.
But I'll have to allow that your second example looks very Taylor-like, at least as much a Taylor copy as I imagine Martin will ever make. Of course, there's the Martin headstock to eliminate confusion, unless your copy example also includes a Taylor headstock copy?
__________________
Ray For where your treasure is, there will your heart be also. 2006 Art & Lutherie Ami Parlor: Solid Cedar Top/Wild Cherry Lam B&S/Black Satin Lacquer 2006 Art & Lutherie Dreadnought: Solid Cedar Top/Wild Cherry Lam B&S/Natural Satin Lacquer You can't change the tide with an oar. ---Nick Bracco (Gary Ponzo) |
#58
|
|||
|
|||
This sounds almost like the chicken and egg dilemma. But here it's a bit more straightforward. Obviously Martin and Gibson have survived for many decades and can be credited with some innovations back about 80 or 90 years ago. After that followed many years of decline and focus on mass production and declining quality. It was the boutique builders in the 80s and 90s that started the "vintage" bandwagon, looked back how guitars used to be and integrated these characteristics into their own modern designs. Then Gibson and Martin jumped on the fad and are now producing clones of the clones of the clones, taking advantage of the trend with various "vintage/authentic" series.
|
#59
|
|||
|
|||
There -- you see? The headstocks are different. Couldn't possibly be any Taylor influence.
|
#60
|
|||
|
|||
Quote:
(sigh) The second example is a Taylor. It was a comparison. Martin changed their bridge and pickguard design for the GPCPA5K, and they strongly resemble Taylor's. As much as diehard Martin fanboys might protest, the two are competitors, so they make adjustments to capture the ever-changing demands of the market. I replaced the second photo with another Taylor to make it more obvious. Last edited by Guest 728; 04-27-2015 at 09:57 AM. |