#46
|
|||
|
|||
Quote:
However this is neither a world affairs nor a political forum (in fact such subjects are banned). It is, however an acoustic guitar related thread on a general acoustic guitar discussion forum, and so it seems to me to be a perfectly reasonable discussion. Of course, not all threads will interest us and many seem pointless or trivial and we all have the option to ignore them. I note that the OP titled the thread clearly so that we could all understand the subject matter before choosing whether or not to open it. A simple strategy that many could helpfully adopt. Best, |
#47
|
|||
|
|||
I like wooden guitars.
That is all. |
#48
|
|||
|
|||
I like cheddar!
__________________
Dum Spiro Spero (While I breathe, I hope.) 1979 Martin D-35, 1978 Yamaha G230 classical, Yamaha A3R VS, Yamaha AC3R VS, Yamaha LS16 ARE sunburst, Yamaha NCX1200R Classical, Wechter TO-8418, Wechter DN 8128, Takamine EG334C.][/COLOR] |
#49
|
|||
|
|||
The one guitar I have with an Adirondack top is underated if anything... It's the best guitar ever made.
Period. No one can prove otherwise because it's only an opinion and mine is all that matters in my house. Seriously the top may or may not have anything to do with it. All I know is it's great... I figure this stuff is just like ingredients. Put me and a great chef is the same kitchen with the same ingredients and I guarantee you'll want to eat what they're serving.. Overrated underated ? Really? Aren't we passed this ?
__________________
--------- |
#50
|
|||
|
|||
Quote:
I'm with 'Tache on this one. It seems to me perfectly reasonable on a guitar forum to chat about whether a tonewood that commands a high price is worth it. Come to think of it, I also think it's perfectly reasonable to talk about whether we think it's worth spending megabucks on an acoustic guitar. These are questions I might chat about with my brother, who also plays the guitar, without either one of us resorting to sneers and eye-rolling. I think there's a danger of our taking all this a bit too seriously at times. When we start getting miffed that someone should even bring up a topic because it offends our specialist sensibilities, that is one of those times, in my view. |
#51
|
|||
|
|||
Quote:
__________________
My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#52
|
|||
|
|||
Quote:
James Taylor is still great in the newer video (I saw him live this summer and he was amazing). However, IMO, the Gibson DEFINITELY sounds better when he sings over the top of it. Honestly, it gives an example to how I've always felt about acoustic guitars. I prefer the guitar to sound a bit more mellow, lush, and deep... it seems to give a better foundation (or, as you put it, a "calm lake") for singing over it. Whereas a brighter guitar, one that might sound fantastic for just solo fingerpicking (when you really want the guitar itself to have a voice of its own to shine), starts to compete. Thanks for that! |
#53
|
|||
|
|||
Okay, now you're talkin'!
|
#54
|
|||
|
|||
Although this obviously isn't possible, I'd find the JT comparison a tad more convincing if he were playing and recording the Olson through the same vocal/guitar signal chain that was used in the early recording.
__________________
My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#55
|
|||
|
|||
Since "discovering" the Martin 15-series, I have arrived at the opinion that spruce in general is overrated.
|
#56
|
|||
|
|||
Whatch it my friend. Da Ditka will come for you in da night.
|
#57
|
|||
|
|||
...its kinda funny how threads like these develop...folks chime in with their takes on what they believe is NOT what it's cracked up to be....others state that the same things ARE what they're cracked up to be....others start to question the validity of the question altogether....along the way some try to interject some humor....(though it sometimes has the opposite effect).... finally we always end up with "to each their own"...fortunately knowledge and understanding does come to light occasionally and thats valuable....
...i'm of the mind that we could share our knowledge and understanding more efficiently by posing our questions more directly instead of inviting people to take a particular stance on the subject at hand....i know thats not as provocative and doesn't seem to generate as much buzz but for someone who is actually trying to learn something the divisiveness of some threads is hard to wade through... ...i think its fine to relate your personal experience, good or bad, as it relates to a particular subject or topic...but starting a thread with the intent of soliciting negative experiences and responses is a recipe for dischord...in the end i know its just another way to explore a given topic but as the saying goes...you'll attract more bees with honey... |
#58
|
|||
|
|||
+1 on this
HPL is fake wood, it is basically formica, like a counter top with a photograph of real wood it does not sound good IMHO |
#59
|
|||
|
|||
Is it really? Would you get ruffled if someone asked, "Is koa overrated?" and you had a favorite guitar made of koa? It's so general that I think one would have to be very sensitive to feel offended. What can be inflammatory and insensitive, I think, is to nail a particular model. "Does anyone else think OM28s are crap?" is a very different opening gambit, I think, from, "Does anyone else think Adi is overrated?"
|
#60
|
|||
|
|||
Quote:
Last edited by J Patrick; 12-11-2014 at 10:10 AM. |