#16
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Sounds great, noman. I'm fascinated by your versatility.
It would amazing to see you on YouTube... |
#17
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I tried different picks and found that a thicker gauge gave me the proper lead tone and twang. I also had to learn how to use a tremolo bar. I just took it slowly. I used Guitar Pro to make the backing track. Here I was in the strange zone because I'm not use to creating drum tracks. But surf music is more forgiving than other genres. Though the drum pattern was robotic, it served the purpose. Then I needed a lead guitar. I couldn't afford a Mosrite, so instead I looked at contemporary surf artists and I discovered Los Straitjackets. I loved their sound and that's when I discovered their signature guitar sold by Dipinto. I listened to samples on-line. I decided to order it. This guitar is highly versatile with its 4 single coils and 4 switches to supply any on-off pickup configuration you want. I also listened closely to the vintage recording and when I created my version, I made sure that the bass was low and I also replicated the instrument placement in the stereo channels. Those were still the days of monaural recordings. For a while, both monoaural and stereo versions were simultaneously sold. Anyway, my main goal was to hype up the song a bit. I saw lots of power in it. noman Last edited by noman; 03-13-2015 at 12:09 PM. |
#18
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So my first album cost 50 cents. It was The Dave Clark Five. It was before they hit our shores. The songs were primitive by today's standards, but at least I started to form ideas about music. Of course, my eyeballs didn't pop out till I played Jimi Hendrix's debut album for the first time... Are you experienced? I am not worthy! noman |
#19
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WOW!!
Great rendition of a song that means a lot to me. When I started taking lessons with my first guitar back in 1963, THAT was the song I told my instructor I wanted to learn to play!! Thanks!! |
#20
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I would say that it was a unique experience for anyone who witnessed American music before the "British Invasion". noman |
#21
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There was no way I could own all their albums, but like you, I wore out the ones I had. I was into Gary Lewis and the Playboys also. Music was exploding like crazy during the sixties. I still remember having the transistor radio up against my head at night so I could check out the latest hits. The DJs were people like Cousin Brucie and Dan ingram. noman |
#22
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#23
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noman |
#24
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I have a cheap knock-off "Jazzmaster" in the other room. The complete turnoff was a buzzing sound in the bridge. The main thing in my favor is that I have no problem tearing out what I don't like and redoing everything. Yep, the saying around here is "every dog has his day"! noman |
#25
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noman |
#26
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Rusty, thanks for checking out this tune! noman |
#27
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This song is great for learning how to shape notes. The verb I got from a preset on Line6's Guitar port. I just got real lucky on that one. For a while I just practiced the lead against the backing track I made. If you have any suggestions for tunes, please let me know. noman |
#28
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Most people don't know this, but this song was originally composed by the great Jazz Guitarist, Johnny Smith. Here's the original: Sounds like you witnessed the heyday of the Surf Scene. I'll try to select some more tunes for the future. Right now I'm gearing up. noman |
#29
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Big fun! And, you did a great job with it. Apparently, there are a lot of us who grew up with that sound... and still play.
Jim |
#30
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A tele will do fine for surf. It's basically just a very twangy single coil sound. I'm using a MXR 10-band EQ pedal and also a Boss '63 Fender Reverb FRV-1 Pedal. Most of the multi-effects units have presets that go well with surf. That's where I found the reverb for Walk, Don't Run. I'm also experimenting with delay. Lots to learn, but all that fine tweaking will give you an approximate sound. I would say start from scratch with each song. That way you are always choosing what is optimal as opposed to a preset. Anyway, it's lots of fun. Great change of pace for me. noman |