#1
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mic Domparis: Neumann KM84 vs. Line Audio CM4
Ouch !!! Should be "comparison" in the title - sorry !
Hi folks, I thought it could be of some interest how the very affordable Line Audio CM4 compares to the classic Neumann KM84. And I'm really interested in your opinion. Thanks for listening and commenting ! Robert https://www.youtube.com/watch?v=Wnj-YMbE2cY
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Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 Last edited by guitarman68; 02-20-2024 at 03:37 PM. |
#2
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Well done video and some nice playing, Robert. For the money, the CM4 is a great value. The most obvious difference to my ears is that the Neumann delivers clarity in the lows and low-mids that aren't matched by the CM4 where I hear some muddiness and smearing. But for $125 USD, I'm not expecting perfection and the CM4 might, as its many fans would argue, be the best value at its price point.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#3
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I have the Line Audio CM3 (precursor) and like it on anything where I need a flat response.
I heard the KM84 as delivering a 'mix-ready' tone, whereas the CM4 seemed to have a little more upper-midrange presence and clarity, but not quite as polished of a sound.
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#4
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#5
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The km84 is much more detailed & dimensional. The cm4 has a certain amount of "splat" on the transients that is unpleasant, and an overall wooliness.
That said, you could make a decent recording with the cm4, you might need a little more space between it & the guitar & some extra post processing.
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#6
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Thank you so much Guitarman68!
I have been waiting for so long for someone to do a comparison like with the Line Audio CM4. It is a mic that you hear so much about. Yet I have not seen anyone make a comparison against a high quality mics like a Schoeps or KM84 like you have done. I think Jim1960 & Duplemeter hit it on spot. The KM84 is more detailed, less wooliness. Especially on Big open slow Strummed chords where harmonics are ringing out. That is where there is the biggest possibility of blending between all the notes. Then definition of the single notes & harmonics can sometimes get lost in the overall sound. And for my style of playing, this is an all important factor. But no doubt, the CM4 will make fine recordings and is a tremendous deal at that price point. Thanks again. Great comparison. |
#7
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I'm not nearly impressed as other people are of the CM4. It's just not a very accurate, or even pleasant sounding, microphone. And what I mean by this is in comparison to the upper end mics it frequently gets compared to.
Last edited by rockabilly69; 02-21-2024 at 03:55 PM. |
#8
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Agreed. When heard side by side, there is little doubt they are budget mics. I will say, what they don’t have that “cheap mic” brittle top end. There seems to do better in that department. Yet are quite wooly & claustrophobic sounding. The reality is, as much as we’d like this to not be the case, quality costs. I still firmly believe good mics start around $1k. KM184s are a touch less (800-ish), but that’s really the dividing line. I still think it’s worth either (a) waiting & saving or (b) just booking time in a studio.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#9
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It doesn't stand up to comparisons against high end mics but I'm betting it's one of the better options in the $100-150 range. Given the choice between a muddy bottom or nails on a chalkboard highs (the thing that so many cheap SDC mics suffer from), I'll take the muddy bottom if that's all I can afford.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |