#31
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George 1930 National Style O 1931 National Triolian 1933 Gibson L-1 2007 Martin 000-18 SB Authentic 2013 Gibson 1935 Advanced Jumbo Limited Edition 2013 Gibson 1934 Original Jumbo Limited Edition 2021 Martin D-28 CAA 1937 2022 Martin 000-28 CAA Many Strat's, Tele's, ES 335's and a Gretsch Duo Jet |
#32
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Maybe it is because I don't CARE what bracing pattern is hidden under the tops of my guitars. I probably have a least 4 different ones in my signature. That Yamaha has NO top or bracing ! So, I am not married to one vs. the other. I suspect others, yourself included, feel nothing is better than the X brace method, and that is the heart of your problem with this change.
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2010 Guild F47R 2009 G & L Tribute "Legacy" 1975 Ovation Legend 1986 Ovation 1758 12 String 2007 Walden G2070 2008 Guild D55 Prototype 1998 Guild Starfire IV 2016 Guild Newark St. X-175 Sunburst 1996 Ovation 1768-7LTD " custom " Last edited by JohnW63; 03-19-2018 at 09:54 PM. |
#33
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In a recent Wood and Steel, Bob Taylor states that the new bracing assists you in singing. I won't try to quote him, as I've passed the issue on, but it was very stunning to read just how convinced Mr. Taylor has become.
I'm convinced I need one!
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#34
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I think we can agree it's Taylor's decision to design their guitars as they wish. Their motives for doing that are fun to speculate, but in the end they are just speculation. In my opinion if they didn't want all this chatter they wouldn't have gone so over the top with the marketing. The differences between X and V braced are so nuanced (they probably go away entirely when plugged in) that most players will give a rats behind. The passion fueled discussions are all about how these claims hurt the competition by creating the idea in customers minds that V-class bracing is superior and only Taylor has it... I think if you go through the many (now closed) threads on this discussion that's what it's really always been about. People aren't trying to attack the benefits V-class bracing will bring to certain players who like what it does, but instead we are just trying to defend the traditional builders and counter this ridiculous notion that the X-braced guitar is no longer relevant. Through the words of their reps and artist endorsements hired for the NAMM live stream videos, through their official YouTube videos and more recently through their third-party dealer showcase videos and road show events the message is "this is superior to anything before it" and that message is presented without any context for play style or individual preference when it comes to the tonal character. It's presented with pseudo Science verbiage (see video sample from road show event in this thread) as fact. The message is "everything before this is inferior". While it's not stated directly it's implied by what is stated and the companies planned actions. When Taylor put together their marketing strategy they had a choice on verbiage and overall approach. Someone could have stood up and said "look we believe in V-class bracing, we are going to unify our lineup behind this innovation, but we also want to pay respect to what's come before. We want to invite players who love more traditional guitars to give this a try and maybe they will like it and hear what we hear". It's all in the way THEY decided to handle this. The approach they decided to take seems if they intended to disrespect more traditional players. That would have been a more graceful approach instead of claiming "this new bracing pattern changes everything". It's as if they intended to incense the more traditional crowd. You can market something and take a bit of humility in your approach, paying respect to tradition or go down a more arrogant path with a message. When you're in a market with so much rooted in traditional thinking I think they made a huge mistake. As has been said by others what works for automakers and cell phone manufactures doesn't work so well for guitars. These sort of discussions can go on for pages, I don't intend to keep rehashing the same things... We can disagree.
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Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine Last edited by Rmz76; 03-20-2018 at 10:31 AM. |
#35
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It's pretty clear that the V-Class introduction has been a "market-freezing" event, in that X-Class guitars have been essentially positioned as inferior. Knowing about V-Class, who would currently purchase an X-Class, especially a pricey one.
However, there's also the possibility that V-Class will be Taylor's New Coke. Change–especially of the radical variety–is not always good.
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Martin Custom Shop Super D (Sitka/Koa) Martin OM-42 (Sitka/EIR) Gibson 1936 Advanced Jumbo (Red Spruce/EIR) Breedlove Ed Gerhard Exotic (Brazilian/Red Spruce) Brad Goodman J-200 (Engelmann/Quilted Maple) Taylor 326CE 8-string Baritone 1960s Guild M-20 (Nick Drake guitar) |
#36
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2010 Guild F47R 2009 G & L Tribute "Legacy" 1975 Ovation Legend 1986 Ovation 1758 12 String 2007 Walden G2070 2008 Guild D55 Prototype 1998 Guild Starfire IV 2016 Guild Newark St. X-175 Sunburst 1996 Ovation 1768-7LTD " custom " |
#37
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I'm glad that Taylor is using it's resources to try and advance guitar design and performance. I also agree that Taylor is the most consistent in their guitars - probably the only big mfr I'd consider for an online purchase. I tried their v-braced guitars at the local Show and thought they were fine, really beautifully made. I still dig my 814ce dlx. Best guitar I've ever owned. Before I bought it I went back in at least 6 times to play it again. This switch to v-bracing might just increase it's value over time. Seems like there will be two camps, V & X.
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https://www.youtube.com/user/wags2413/videos |
#38
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I suspect Taylor will be forced to backtrack on their intention to replace all their x braced guitars with their v braced guitars as they have with one stroke antagonised many of their own customers who have learned to love their x braced guitars. It is a.staggeringly risky move - either they succeed in converting all their existing customers or they will get a backlash the likes of which will sink their entire guitar line and force them to humiliatingly scrap their plans and bring back the x braced guitar. Personally it was completely unnecessary for them to have done this. It would have been so much less of a slap in the face of their own loyalists and less risky for them to gradually introduce it without the claims that it is so muxh better than the existing line (whixh damages their own goodwill) and to gauge the customer reaction and adapt accordingly over time.
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In the end it is about who you love above yourself and what you have stood for and lived for that make the difference... |
#39
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#40
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I'd buy one of the new V class guitars but I'm too old to buy a new guitar. I'll be dead before it really starts to open up.
I think I'll just keep my nicely aged Martins.
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Martins: '93 D35, '94 D18, '95 00016, '06 D41 Spec., '49 018 Guilds: '76 D25, '92 JF65-12 Santa Cruz: '92 F model w/cutaway Recording King RO227 Fender FR-50 Baby Taylor (spruce) Blueridge BR 180 Eastman E10 SS/v |
#41
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Rmz76 -quite possibly the best review Ive ever read- easy to understand , well written without bias -I even like your comparisons -- BRAVO !
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--------------------------------- Wood things with Strings ! |
#42
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I played one the other day (didn't pay attention to the model - sorry). Sounded like a Taylor to me. A decent mass-produced guitar without much character, to my ears. I can think of dozens of makers who make a better sounding guitar, and I don't think the new bracing moved them up the queue at all, much less to the head of the line.
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Hatcher Woodsman, Collings 0002H, Stella Grand Concert |
#43
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In my opinion, your "review" speaks more about your general dislike for the brand than anything else.
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-Mike www.montaramusic.com https://www.instagram.com/mikemccall_guitarist/ https://www.facebook.com/Mike-McCall...-250327412419/ A few guitars, a uke, a banjo and a cajon Last edited by Basalt Beach; 08-08-2018 at 07:17 PM. Reason: rule #1 |
#44
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Taylor would have been smart to approach their V Class models as being different but not necessarily better.
Larrivee did this with their Legacy models. Realizing that some players wanted a bit of a traditional sound, they came up with a different sounding guitar, but they didn't say or market them as better- just another choice. Some Larrivee players like the new models, others like the original Larrivee sound. |
#45
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(2006) Larrivee OM-03R, (2009) Martin D-16GT, (1998) Fender Am Std Ash Stratocaster, (2013) McKnight McUke, (1989) Kramer Striker ST600, a couple of DIY builds (2013, 2023) |